Ballet Manila reawakens Florante at Laura with creative powerhouse

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The restaging of Francisco Balagtas’ masterpiece is a rare opportunity to experience once again the timeless epic reimagined through myth, music and classical ballet.

After a critically acclaimed world premiere marked by overwhelming audience response, Ballet Manila’s Florante at Laura returns to Aliw Theater, with performances scheduled on October 3 at 8:00 PM, and October 4 and 5 at 5:00 PM.

For Ballet Manila’s founder and artistic director Lisa Macuja-Elizalde, the return of Florante at Laura is not a rerun but a reckoning with our collective appreciation of our Filipino heritage. It is a rare opportunity to experience once again Francisco Balagtas’ timeless epic reimagined through myth, music and dance. Lisa has long championed Filipino storytelling through classical ballet, and this re-staging affirms that vision with renewed clarity.

“Bringing Florante at Laura back to the stage feels like coming full circle. The first run was a dream realized; the second at Areté affirmed that Filipino stories, when told with care and conviction, truly resonate. Now, with this third staging, it feels less like a return and more like a reckoning. I’m proud, but more than that, I’m moved. This ballet continues to teach us how timeless our heritage can be,” said Lisa.

Audiences can expect the full force of Ballet Manila’s creative ensemble once again. The production features live music performed by the Orchestra of the Filipino Youth under the baton of Toma Cayabyab, interpreting the original score composed by National Artist for Music Ryan Cayabyab.

"To be able to hear the score again, seeing it move—it’s like watching a memory evolve. I wrote this as a legacy piece, but its return reminds me that legacy isn’t static. Ballet Manila has given the music new breath, and I feel grateful. This re-staging proves that our classics still have something urgent to say." said Ryan.

Choreographers Gerardo Francisco Jr. and Martin Lawrance collaborate anew to shape the ballet’s emotional terrain, drawing out the tension and tenderness within Balagtas’ verse. The libretto, adapted by Dr. Michael Coroza, anchors the production in language that bridges tradition and movement.

Transporting the audiences back to the kingdom of Berbania, set designer Mio Infante and costume designer Therese Arroyo also return to define the ballet’s visual language. Drawing from Persian motifs and Filipino sensibilities, their work complements the choreography and narrative, shaping a world that moves in step with the story.

This October, Ballet Manila invites audiences to return—not just to the theater, but to the heart of a national epic. For those who missed it, this is your moment. For those who came, it’s time to feel it again. Live, urgent, and unmistakably Filipino.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph.To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Ballet Manila brings an extended run of Florante at Laura to Hyundai Hall in Areté

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Responding to overwhelmingly positive reviews, Ballet Manila is set to rekindle the magic of Florante at Laura, the iconic Filipino epic poem turned ballet, with a much-anticipated restaging, this time at the Hyundai Hall, Areté, Ateneo de Manila University, in Quezon City, from November 22 to 24, 2024. The production recently captivated audiences with its stunning choreography, evocative original music, and breathtaking dancing during its triumphant world premiere at the Aliw Theater last month.

A Filipino literary masterpiece, ‘Florante at Laura,’ was written in 1838 by the Prince of Tagalog Poets, Francisco ‘Balagtas’ Baltasar. It is a narrative poem that tells the story of Florante, the Duke of Albania, who is captured by Turks. His beloved Laura is forced to marry Count Adolfo, the usurper. With the help of the warrior Aladin, Florante escapes, returns to confront Adolfo, and seeks redemption as he reunites with Laura.

Under Lisa Macuja Elizalde's artistic direction, Ballet Manila has assembled a world-class creative team to bring this epic Filipino tale to the stage.

“Florante at Laura” is more than just a performance; it is a cultural experience that celebrates the rich literary heritage of the Philippines. Not only does this performance pay tribute to the timeless masterpiece by Francisco ‘Balagtas’ Baltasar, but it also showcases the exceptional talents of the dancers, choreographers, and creative minds behind this production.” Ballet Manila CEO and artistic director Lisa Macuja Elizalde said.

The performance will feature the recording of the original score composed by the esteemed National Artist for Ryan Cayabyab as performed by the talented Orchestra of the Filipino Youth, conducted by Maestro Toma Cayabyab. This powerful combination of music and dance has captivated and moved audiences, making each part of the performance an unforgettable experience.

“This full-length composition is one of my legacy pieces. It is my gift to the Filipinos, and I want Ballet Manila to share it with generations to come,” said Cayabyab.

Members of the ballet's creative team include choreographers Gerardo Francisco Jr. and Martin Lawrance; libretto consultant and the foremost Balagtas expert, Dr. Michael Coroza; award-winning set designer Mio Infante; lighting director John Batalla; and costume designers Make It Happen.

Show schedule is as follows: November 22, 2024, 6:00 pm; November 23, 2024, 7:30 pm and November 24, 2024 3:30 pm. Tickets are available online via Ticketworld; direct link to purchase, https://bit.ly/BMFloranteAtLauraAretéBuyTickets. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.

Ballet Manila’s Florante at Laura: A symphony of creativity and harmonious ingenuity

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The landmark production brings together some of the country’s finest dance and musical artists for a world premiere that spotlights yet another Filipino literary masterpiece

Lisa Macuja Elizalde

“Something magical happens when artists come together! ”

Lisa Macuja Elizalde, Ballet Manila's creative director, couldn't contain her excitement when asked about the upcoming world premiere of Florante at Laura.

The outstanding production, which comes at the heels of the ballet company’s highly successful Ibong Adarna, will be staged at the Aliw Theater on October 12, 2024, at 8 PM, and on October 13 and 19, 2024 at 5 PM. Florante at Laura will gather some of the country’s highly esteemed creatives in music, literature, ballet, and stage production.

A collaboration of masters in their craft

“Florante at Laura was a project that was going to be Gerardo Francisco’s next epic adventure. This was planned way before the pandemic happened,” recalled Lisa.

Gerardo is the dance company’s longtime principal dancer and co-artistic associate, who also choreographed the award-winning Ibong Adarna. Working with him is the exemplary British choreographer Martin Lawrance who is behind Ballet Manila’s full length innovative retelling of Romeo and Juliet in the Filipino setting.

With this collaboration, Gerardo shared, “Clear communication, thorough discussions, and mutual support were crucial in keeping us on track.” To this, Martin agrees. “We just seem to click and bounce ideas off of each other. It has so far been a very fruitful collaboration. Communication has been the key! ”

From the collaboration between Gerardo and Martin, the intricate pieces to this masterpiece of a production started falling into place when Lisa invited renowned writer and balagtasan expert Professor Michael Coroza as a guest in her show, Art 2 Art, where she asked him to watch Ibong Adarna. “I then invited Michael to collaborate with Gerardo and Martin Lawrence to create the libretto for Florante at Laura.”

Soon after, the quest for a composer began. Lisa imagined someone who can create original compositions akin to a Filipino Tchaikovsky—sweeping, dramatic, powerful, and romantic. “I was so very thrilled when National Artist for Music Ryan Cayabyab said yes!” shared Lisa.

One of the pillars of Original Pilipino Music (OPM), Ryan Cayabyab, was named National Artist for Music in 2018 with an extensive body of work ranging from orchestras and full-length musical productions to television and commercials. “It had been quite some time since I wrote a large musical work,” he shared.

Despite being a seasoned composer and musician, Ryan was thrilled to work with fellow creatives: “Most important before I start creating music is the mutual understanding among the other creatives and the producer regarding style and medium of music.”

Breathing life into his original compositions is the Orchestra of the Filipino Youth (OFY) under the baton of his son, Toma Cayabyab—another dream fulfilled for Ryan. “Everything is a surprise and wonder for me. I challenged myself into accepting this landmark ballet production, and I hope that it becomes an important legacy for all of us involved in it.”

An epic production with mesmerizing visuals

A literary masterpiece written by Filipino poet Francisco ‘Balagtas’ Baltasar and published in 1838, Florante at Laura follows the story of Florante, a duke who was held captive and enslaved by the Turks. But with the help of Aladin, he managed to escape from his captors to return to his country, Albania, to face off the usurper Count Adolfo, seek redemption, and reunite with his beloved Laura.

To translate the story’s universal themes of love, betrayal, and friendship in dramatic visuals, Ballet Manila tapped the expertise of key players who have been involved in many local and international productions for decades. Set designer Mio Infante explained that his designs depict not just the actual setting in the story. “This epic ballet includes a diverse set of locations, which not only serve as physical spaces but also symbolize the internal and external conflicts of the characters, as well as broader themes of love, war, loyalty, and betrayal.”

Complementing his designs are the stunning costumes from Make It Happen, led by Otto Hernandez & Therese Arroyo Hernandez. The duo noted, “Costumes play a crucial role in conveying the story and message of a production. It can contribute to the overall visual aesthetics, help define characters, evoke emotions, and enhance the audience's understanding of the narrative.”

Meanwhile, lighting director John Batalla emphasizes the importance of using a distinct lighting color palette to differentiate the varied locales of Florante and Laura. “Mood is certainly a major part of the themes that lighting has to tackle in a production such as this in order to transport the audiences to a different time and far-away places.”

Expect more from Ballet Manila

As one of the country’s leading dance companies, Ballet Manila has been known for its keen eye for excellence and artistry. While it has created many award-winning productions, the audience can expect more world class performances thanks to the leadership of Lisa.

But for now, she wishes the audience to bask in the magical greatness of Florante at Laura. “That’s why we work so hard every day – to create art that people will want to watch again and again.”

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.