Ballet Manila brings an extended run of Florante at Laura to Hyundai Hall in Areté

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Responding to overwhelmingly positive reviews, Ballet Manila is set to rekindle the magic of Florante at Laura, the iconic Filipino epic poem turned ballet, with a much-anticipated restaging, this time at the Hyundai Hall, Areté, Ateneo de Manila University, in Quezon City, from November 22 to 24, 2024. The production recently captivated audiences with its stunning choreography, evocative original music, and breathtaking dancing during its triumphant world premiere at the Aliw Theater last month.

A Filipino literary masterpiece, ‘Florante at Laura,’ was written in 1838 by the Prince of Tagalog Poets, Francisco ‘Balagtas’ Baltasar. It is a narrative poem that tells the story of Florante, the Duke of Albania, who is captured by Turks. His beloved Laura is forced to marry Count Adolfo, the usurper. With the help of the warrior Aladin, Florante escapes, returns to confront Adolfo, and seeks redemption as he reunites with Laura.

Under Lisa Macuja Elizalde's artistic direction, Ballet Manila has assembled a world-class creative team to bring this epic Filipino tale to the stage.

“Florante at Laura” is more than just a performance; it is a cultural experience that celebrates the rich literary heritage of the Philippines. Not only does this performance pay tribute to the timeless masterpiece by Francisco ‘Balagtas’ Baltasar, but it also showcases the exceptional talents of the dancers, choreographers, and creative minds behind this production.” Ballet Manila CEO and artistic director Lisa Macuja Elizalde said.

The performance will feature the recording of the original score composed by the esteemed National Artist for Ryan Cayabyab as performed by the talented Orchestra of the Filipino Youth, conducted by Maestro Toma Cayabyab. This powerful combination of music and dance has captivated and moved audiences, making each part of the performance an unforgettable experience.

“This full-length composition is one of my legacy pieces. It is my gift to the Filipinos, and I want Ballet Manila to share it with generations to come,” said Cayabyab.

Members of the ballet's creative team include choreographers Gerardo Francisco Jr. and Martin Lawrance; libretto consultant and the foremost Balagtas expert, Dr. Michael Coroza; award-winning set designer Mio Infante; lighting director John Batalla; and costume designers Make It Happen.

Show schedule is as follows: November 22, 2024, 6:00 pm; November 23, 2024, 7:30 pm and November 24, 2024 3:30 pm. Tickets are available online via Ticketworld; direct link to purchase, https://bit.ly/BMFloranteAtLauraAretéBuyTickets. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.

Alice Reyes Dance Philippines Unveils "Mga Kuwento ni Juan Tamad": A New Dance Adventure for Young Audiences

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MGA KUWENTO NI JUAN TAMAD is the latest addition to Alice Reyes Dance Philippines' expansive repertoire of Filipino works, this time designed specifically for Children's Dance Theater.

This new offering marks a significant milestone for one of ARDP’s talented choreographers, Erl Sorilla, who has crafted both the book and his first full-length choreography.

The production is brought to life with a captivating musical score by award-winning singer-songwriter Toto Sorioso, and magical sets and costumes designed by the renowned Filipino Director and Broadway Designer, Loy Arcenas.

Under the mentorship of National Artist for Dance, Alice Reyes, and ARDP Artistic Director, Ronelson Yadao, this production promises to be a magical experience for young audiences.

The story follows the adventures of Juan Tamad, the misunderstood boy in town, and his loyal monkey companion, Matsing. Aided by Juan’s unique ability to converse with animals and his innate love for nature, they set out to find the village’s most prized treasure, the fruit of all their hard-work and labor stolen by the greedy ‘Buwaya,’ the ‘Gintong Niyog.’ A challenge he must complete to win the hand of Maria Masipag.

Along his journey, Juan encounters a variety of animals, including those from the stories of ‘Pagong at Kuneho,’ ‘Ang Gamu-gamu at ang Lampara,’ and ‘Buwaya at ang Paboreal.’ Through these encounters, Juan learns valuable moral lessons that guide him on his path. With the help of the animals, Juan grows in character, and ultimately finds the ‘Gintong Niyog.’ Inspired by the classic Filipino children’s stories of ‘Juan Tamad,’ this production brings a new twist to the beloved tales.

The new work will feature ARDP company dancers Renzen Arboleda as the titular Juan Tamad, with Karla Santos as Maria Masipag. Dan Dayo will take on the role of Juan’s trusted sidekick, Matsing, with John Ababon as Pagong, Monica Gana as Kuneho, Earl John Arisola as Buwaya, Krislynne Buri as Paboreal, and Francia Alejandro as Lampara,. Also featured are ARDP trainees Gianna Hervas and Crizza Urmeneta as the Gamu–gamu.

This production is specifically created for students, as it aligns with Grade 1-10 and High School subjects, including Filipino, Arts, Music, Humanities, Edukasyon sa Pagpapakatao, Personal Development, Araling Panlipunan, Physical Education. Through dance and storytelling, MGA KUWENTO NI JUAN TAMAD offers an enriching, multidisciplinary educational experience.

MGA KUWENTO NI JUAN TAMAD premieres on November 10, 2024, at the Samsung Performing Arts Theater as part of the Cultural Center of the Philippines’ Children’s Biennale. Admission is on a Pay-What-You-Can basis. Please stay tuned on Cultural Center of the Philippines’ Social Media Pages for registration links.

Ballet Manila’s Florante at Laura: A symphony of creativity and harmonious ingenuity

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The landmark production brings together some of the country’s finest dance and musical artists for a world premiere that spotlights yet another Filipino literary masterpiece

Lisa Macuja Elizalde

“Something magical happens when artists come together! ”

Lisa Macuja Elizalde, Ballet Manila's creative director, couldn't contain her excitement when asked about the upcoming world premiere of Florante at Laura.

The outstanding production, which comes at the heels of the ballet company’s highly successful Ibong Adarna, will be staged at the Aliw Theater on October 12, 2024, at 8 PM, and on October 13 and 19, 2024 at 5 PM. Florante at Laura will gather some of the country’s highly esteemed creatives in music, literature, ballet, and stage production.

A collaboration of masters in their craft

“Florante at Laura was a project that was going to be Gerardo Francisco’s next epic adventure. This was planned way before the pandemic happened,” recalled Lisa.

Gerardo is the dance company’s longtime principal dancer and co-artistic associate, who also choreographed the award-winning Ibong Adarna. Working with him is the exemplary British choreographer Martin Lawrance who is behind Ballet Manila’s full length innovative retelling of Romeo and Juliet in the Filipino setting.

With this collaboration, Gerardo shared, “Clear communication, thorough discussions, and mutual support were crucial in keeping us on track.” To this, Martin agrees. “We just seem to click and bounce ideas off of each other. It has so far been a very fruitful collaboration. Communication has been the key! ”

From the collaboration between Gerardo and Martin, the intricate pieces to this masterpiece of a production started falling into place when Lisa invited renowned writer and balagtasan expert Professor Michael Coroza as a guest in her show, Art 2 Art, where she asked him to watch Ibong Adarna. “I then invited Michael to collaborate with Gerardo and Martin Lawrence to create the libretto for Florante at Laura.”

Soon after, the quest for a composer began. Lisa imagined someone who can create original compositions akin to a Filipino Tchaikovsky—sweeping, dramatic, powerful, and romantic. “I was so very thrilled when National Artist for Music Ryan Cayabyab said yes!” shared Lisa.

One of the pillars of Original Pilipino Music (OPM), Ryan Cayabyab, was named National Artist for Music in 2018 with an extensive body of work ranging from orchestras and full-length musical productions to television and commercials. “It had been quite some time since I wrote a large musical work,” he shared.

Despite being a seasoned composer and musician, Ryan was thrilled to work with fellow creatives: “Most important before I start creating music is the mutual understanding among the other creatives and the producer regarding style and medium of music.”

Breathing life into his original compositions is the Orchestra of the Filipino Youth (OFY) under the baton of his son, Toma Cayabyab—another dream fulfilled for Ryan. “Everything is a surprise and wonder for me. I challenged myself into accepting this landmark ballet production, and I hope that it becomes an important legacy for all of us involved in it.”

An epic production with mesmerizing visuals

A literary masterpiece written by Filipino poet Francisco ‘Balagtas’ Baltasar and published in 1838, Florante at Laura follows the story of Florante, a duke who was held captive and enslaved by the Turks. But with the help of Aladin, he managed to escape from his captors to return to his country, Albania, to face off the usurper Count Adolfo, seek redemption, and reunite with his beloved Laura.

To translate the story’s universal themes of love, betrayal, and friendship in dramatic visuals, Ballet Manila tapped the expertise of key players who have been involved in many local and international productions for decades. Set designer Mio Infante explained that his designs depict not just the actual setting in the story. “This epic ballet includes a diverse set of locations, which not only serve as physical spaces but also symbolize the internal and external conflicts of the characters, as well as broader themes of love, war, loyalty, and betrayal.”

Complementing his designs are the stunning costumes from Make It Happen, led by Otto Hernandez & Therese Arroyo Hernandez. The duo noted, “Costumes play a crucial role in conveying the story and message of a production. It can contribute to the overall visual aesthetics, help define characters, evoke emotions, and enhance the audience's understanding of the narrative.”

Meanwhile, lighting director John Batalla emphasizes the importance of using a distinct lighting color palette to differentiate the varied locales of Florante and Laura. “Mood is certainly a major part of the themes that lighting has to tackle in a production such as this in order to transport the audiences to a different time and far-away places.”

Expect more from Ballet Manila

As one of the country’s leading dance companies, Ballet Manila has been known for its keen eye for excellence and artistry. While it has created many award-winning productions, the audience can expect more world class performances thanks to the leadership of Lisa.

But for now, she wishes the audience to bask in the magical greatness of Florante at Laura. “That’s why we work so hard every day – to create art that people will want to watch again and again.”

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.

The country’s creative powerhouses bring to life - Ballet Manila’s Ang Tatlong Kwento ni Lola Basyang

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Ballet Manila once again unearths the magical baul of Lola Basyang as it transports its audience to a world of fantastic dance, music and spectacular visuals with Ang Tatlong Kwento ni Lola Basyang set to happen at Aliw Theater from May 11, 2024 at 8PM and May 12 &18, 2024 at 5PM.

Ballet Manila stages a beloved Filipino children's classic in

Tatlong Kwento ni Lola Basyang

The second show among the repertoire for Ballet Manila’s 26th Performance Season aptly titled “Ballet Masterpieces,” Ang Tatlong Kwento ni Lola Basyang is based on the retellings of Severino Reyes’ stories by Christine Bellen Ang. Published by Anvil Publishing, the three stories are an engaging mix of romance, adventure and comedy, touching on such universal themes as loyalty and commitment to family, the power of humility and of course, love conquers all.

“We chose three stories out of twelve (12) Lola Basyang books. It was an interesting process because there were so many great tales that were worth sharing. But in the end, we felt that the themes we chose can truly resonate with an audience across many generations,” shared Lisa Macuja Elizalde, artistic director and chief executive officer of Ballet Manila.

“As a publishing company that’s known for producing books about Philippine culture, we feel it is part of our duty to ensure that the magic of these stories is not lost among the younger generation. “Ang Mga Kwento Ni Lola Basyang” is among the books that have mesmerized generations of Filipino children and we are confident they will love the ballet version,” shared Xandra Ramos Padilla, Anvil Publishing president. ”We’re so thrilled that these stories will once again be brought to life through compelling performances, thanks to our partnership with Ballet Manila.”

Bringing life to the enduring character of Lola Basyang is Mitch Valdes – the acclaimed performance artist who has been active in the theater and entertainment industry for over 50 years. Best known for her award-winning roles in Lunes, Martes, Miyerkules, Huwebes, Biyernes, Sabado, Linggo where she won a Gawad Urian Award for Best Supporting Actress, Mitch has also starred in highly-acclaimed movies such as Oro, Plata, Mata; Manila by Night; and Bulaklak sa City Jail.

Mitch’s captivating performance of Lola Basyang will open the production. Not surprisingly, the role has evoked a sense of patriotism in the actress. “We’re familiar with all the international classics but this one is a rare chance to see one of our beloved folklore come to life in classical ballet. It will be beautiful because the story is one of our own.”

The cast of Ballet Manila’s Tatlong Kwento ni Lola Basyang standing from left: John Ralp Balago, Stephanie Santiago, Ris Camaclang, Gerardo Francisco, Jessica Pearl Dames, Jasmine Pia Dames, and Romeo Peralta; along with (seated from left) Singer-actress and comedienne Mitch Valdes as Lola Basyang, Ballet Manila artistic director and CEO Lisa Macuja Elizalde and Anvil Publishing Inc. managing editor Jordan Santos

Ang Tatlong Kwento ni Lola Basyang will then unfold with the first story, Ang Prinsipe ng mga Ibon which tells the tale of a princess who wishes to marry her beloved bird against her father’s disapproval. In the end, the princess decides to turn into a beautiful bird to join her beloved bird who happens to be a prince in his kingdom.

Breathing life into the characters are principal dancers Jasmine Pia Dames/Shaira Comeros as Prinsesa Singsing and Romeo Peralta/Joshua Enciso as Prinsipe ng mga Ibon. Choreographed by the late Osias Barroso Jr., Ballet Manila’s co-artistic director until his passing in December 2023, the production hopes his legacy will live on through the choreographies he has created.

Barroso once said, “I want Ang Prinsipe ng mga Ibon to be very romantic. I want people to fall in love after watching it.” Complementing his vision is the award-winning musical arranger Mon Faustino who arranged music for the production using compositions of national artists for music.

From the soaring magic of enchanted birds, the production moves on to focus on the dark ramifications of greed in Ang Kapatid ng Tatlong Maria which tells the story of a couple who are folk healers, thanks to the leaves of a magical tree that their three daughters would pick every morning. Because of the couple’s greed, they were punished by the serpent living in the tree, taking their three daughters to marry them off to beastly animals. The couple soon had another child, this time a son, and before the father’s death, he requested his son to look for his three sisters.

Ang Kapatid ng Tatlong Maria is a collaborative partnership between Lisa Macuja Elizalde as the choreographer, and Filipino Music legend, Joey Ayala who composed the music for the entire ballet.

“For Ang Kapatid ng Tatlong Marya, I wanted to merge the movements of the folk dances of Luzon, Visayas, and Mindanao to represent the three worlds to show the cultural diversity and color of our nation,” explained Macuja Elizalde.

Apart from the magnificent ballet, the production is an auditory treat as it will feature a rare combination of raw sounds from kawayan and metal, complemented by orchestral synthesizer sounds to stimulate the imagination of the audience. For this story, Anselmo Dictado/Sean Pelegrin will perform the role of Pedro, while the Tatlong Maria will be played by Rissa May Camaclang (Maria Trining), Stephanie Santiago (Maria Loleng) and Jessa Balote/Jessica Pearl Dames (Maria Upeng).

No less than National Artist Ryan Cayabyab composed the lively and catchy music that will accompany the dancers in Ang Mahiwagang Biyulin. The last installment in the trilogy, its tells the story of a young man named Rodrigo who is rewarded with a magical violin for his kindness to an old woman.

Completing the creative powerhouse for this final tale is the late award-winning Filipino ballet dancer Tony Fabella, whose amazing choreography reaffirms his belief that, while the story is easy enough to understand, audiences will have a deeper appreciation for the beautiful message of Ang Mahiwagang Biyulin if told through ballet. True enough, theater goers must prepare to be enthralled by the performances of Gerardo Francisco Jr./Anselmo Dictado as Rodrigo and John Ralp Balago/Junmark Sumaylo as Ahab.

From the brilliantly written word to the wonderful stage of ballet, Ang Tatlong Kwento ni Lola Basyang is a production mounted with the heartfelt intention of giving birth to a newfound appreciation for our vibrant Filipino culture: “We hope that they come out of the theaters having learned so many valuable life lessons,” said Macuja Elizalde.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Ibong Adarna soars anew in Ballet Manila’s 25th season

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Lessons on love, forgiveness and the triumph of good over evil once again take center stage as Gerardo Francisco re-stages his award-winning Ibong Adarna on August 19 and 20, 2023 at the Aliw Theater to conclude Ballet Manila’s 25th performance season, “Of Hope and Homecoming”.

Ballet Manila closes 25th performance season with Ibong Adarna

“After a three-year hiatus, we’re so excited to let Ibong Adarna take flight once again and show Filipino audiences its captivating beauty as well as bring to fore valuable Filipino traits such as love for family, forgiveness, kindness, and good over evil,” said Lisa Macuja Elizalde, Ballet Manila’s founder, artistic director, and chief executive officer.

A classic 16th century Filipino epic poem, Ibong Adarna centers around the mythical bird whose magical voice can heal illnesses. Upon hearing of its powers, three princes embark on a perilous journey, where they encounter different challenges to catch the elusive bird that can cure their ailing father. In the end, only the prince with the purest heart can catch the legendary Adarna bird.

Premiered in August 2017, Ballet Manila’s re-telling of this Filipino classic, choreographed by Gerardo Francisco Jr., has already garnered many accolades over the years, including Best Outstanding Production at the 2017 30th Aliw Awards; and at the Philstage Gawad Buhay Awards which honored it with multiple recognitions, including Outstanding Modern Dance Production, Outstanding Choreography for Modern Dance, Outstanding Ensemble for Modern Dance, Outstanding Music Composition, Outstanding Male Lead and Outstanding Female Lead.

With all the awards the show has earned, Francisco is all the more driven to live up to its standards to give audiences the best show. He shared, “The pressure is there. I need to stand by my standards, most especially to those who were able to watch the ballet during our world premiere. I need to exceed their expectations.”

The production was all set to go on a national tour in 2020 but the plan was halted due to the pandemic. According to Macuja Elizalde, the Ibong Adarna that will be staged in August will be the touring version where some dancers perform double or triple roles, and the production more streamlined.

Ibong Adarna will be staged at Aliw Theater, Pasay City on August 19 at 8:00 p.m. and August 20 at 5:00 p.m. For tickets, visit www.ticketworld.com.ph or call 8891 9999. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Award-winning Broadway play STEEL MAGNOLIAS is all set this April 1 and 2 in Cebu

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Are you ready to paint the town blush and bashful?

The award-winning Broadway play by Robert Harling “STEEL MAGNOLIAS” is coming to Cebu City this coming April 1 to 2, 2023.

The play is a comedy-drama about the bond among a group of Southern women in northwest Louisiana. The title suggests the "female characters are as delicate as magnolias but as tough as steel".

Featuring Charlene Virlouvet, Liana San Diego, Clariza Mae Sevilla, Dahlia Alegre-Borres, Yvette Yntig, and Marlinda Angbetic Tan. Directed by Allan Nazareno and Vincent Paul D. Gaton.

CHARLENE VIRLOUVET plays Truvy Jones, the 40-year old beauty parlor owner, who’s always generous in sharing the latest rumors with anyone who’s willing to listen. Her motto, “there is no such thing as natural beauty,” is what makes Truvy’s Beauty Spot the most sought-after in Chinquapin, Louisiana.

LIANA SAN DIEGO steps into the shoes of the shy Annelle Dupuy-Despoto, and walks us through her sad and ambiguous marital affair. She wears glasses out of necessity, hair spray to hold her crown up nice and strong, and her young and troubled heart on her sleeve.

MARLINDA ANGBETIC ANG plays the role of Claire Belcher, the cheerful, gossip-hound, 66-ish widow of the former Mayor. Funny, fiery, witty,

CLARIZA MAE SEVILLA plays the role of Shelby Eatenton-Latcherie, a young blush bashful bride with type 1 diabetes, who’s dealing with family stresses alongside complications. She wants to have children, but has to face the many possible struggles of a diabetic pregnancy.

The character, Shelby, was modelled after Susan Harlin Robinson, the sister of Steel Magnolias playwright, Robert Harling. Sadly, Susan went tragically from complications related to her type 1 diabetes. Her life became the inspiration of this beautiful and heart-warming play.

DAHLIA ALEGRE BORRES plays the role of Ouiser (pronounced as Weezer) Boudreaux. She’s both mature and childish; lovely, but miserable. A wealthy old bitty, whose sense of humor will shred you to bits.

YVETTE YNTIG plays the overprotective mother hen, M’Lynn Eatenton, whose time is preoccupied between being the administrator of the Mental Guidance Center and worrying about her daughter’s health.

Get your tickets at https://2tincans-philippines.yapsody.com

#SteelMagnoliasCebu

#2tincansphilippines

#EntertainEducateEmpower

#theatretalk

#CURTAINSUP

#steelmagnolias2023

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ILUSTRADO the National Museum Gala: National Museum of Fine Arts on March 27

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Calling all our friends in art and culture.

ILUSTRADO, the fundraising gala of the Friends for Cultural Concerns of the Philippines (FCCP) will be held at the National Museum of Fine Arts on March 27, 2023.

It will benefit the FCCP’s scholarship program which covers the tuition and/or travel expenses of 26 scholars, pursuing their undergraduate and graduate studies in the visual and performing arts here and abroad.

ILUSTRADO will give attendees a unique tour of the Museum with site specific performances featuring past, present and future FCCP scholars bringing life or a different perspective to the artworks in 6 of the galleries or halls.

The featured artists are Madeline Jane Banta, pianist/harpist;Vien Ignacio, harpist; Lance Capitan, guitarist; Michael Valenciano, keyboard; Giuseppe Diestro, cellist; Donna Baluyut, soprano; FEU Dance Company (FDC); Jezreel Mangui, tenor; Joshua Mondares, tenor; Kris Gonzales, baritone; and the FEU Guides.

Dinner will be catered by the famed Ilustrado restaurant in Intramuros.

The FCCP started out in 1979 as the Friends of the Cultural Center of the Philippines, patterned after the Friends of the Kennedy Center in Washington, DC. Embarking on its first venture into fundraising, the FCCP sponsored the musical Annie, where Repertory Philippines first introduced Lea Salonga to a highly appreciative public. Proceeds went to purchase a brand new harp which was donated to the CCP Orchestra which became the Philippine Philharmonic Orchestra.

Inspired by its initial fundraising SUCCESS, the FCCP proceeded to sponsor the visiting Cleveland Symphony Orchestra under the world-famous conductor Loren Maazel. The funds raised were used to sponsor two successful CCP Summer Outreach Concerts which brought the PPO with Prof. Basilio Manalo as conductor on concert tours around the country.

In 2001, the FCCP became the Friends for Cultural Concerns of the Philippines to widen the scope of its contributions.

During the 2004 – 2006 term of lawyer-business woman Mellie Ablaza, the organization donated three million pesos to the NMP in return for which the “Introduction Room” of the National Art Gallery was named after the FCCP in perpetuity.

ILUSTRADO will be a fun fundraiser, unlike any other ! For tickets, please contact Angie Godoy via text or Viber: +639272292128

🛎️Payment may be deposited:

FCCP

Metrobank 292 3 292 80045 3

Xavier School Nuvali is Philippine Theater’s New Breeding Ground

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Broadway, the West End, and even the Manila theater scene are worlds away to theater kids in Laguna. Whatever theater exposure they have usually comes in the form of YouTube videos or Spotify albums on repeat. So what do you do when you’re bitten by the theater bug?

Xavier School Nuvali, the youngest Jesuit school in the Philippines, is the latest breeding ground for the future of Philippine theater. The Jesuits, known for their affinity for the arts - especially drama - are seriously investing in honing the talent of their students.

As face-to-face schooling comes back, so do the curtains rise in Xavier Nuvali. Almost every day of the week, the school is abuzz with student-actors singing, dancing, and acting in the corridors. Apart from the daily grind of academics, which each student-actor prioritizes, the excitement of after-school theater programs is a favorite of many a Xaverian.

This year, Xavier School Nuvali’s theater clubs are slated to usher in the return of in-person performances starting with Dulaang X performing Christine Bellen-Ang’s Si Pilandok at ang Bayan ng Bulawan. Originally helmed by Jethro Tenorio and Dr. Jerry Respeto, Pilandok uses the kwentong-bayan to challenge both young and old to take part in creating a nation immersed in solidarity, trust, and integrity. This time directed by their moderator, Kim Nathanyel Sejera, and headlined by the Junior High School students of Dulaang X, this musical is sure to delight all audiences.

“Pilandok” begins February 11, 14, 16, and 17 with matinees starting at 10 AM until 12 PM and gala shows starting at 3 PM until 5 PM (select days may have different times, contact kimnathanyelasejera@xsn.edu.ph for more details).

Capping off Xavier School Nuvali’s theater season is the 44th Anniversary Production of Onofre and Joel Pagsanghan’s Sa Kaharian ng Araw. The Ateneo classic finds its way to the South through the special permission of Mr. Pagsi himself and the assistance of the members of the famed Dulaang Sibol. Directed by PHILSTAGE Gawad Buhay 2009’s Best Featured Actor in a Musical, Marvin Ong, featuring the Senior High School students of the Xavier Actors Society (xACTs), Kaharian tells the story of two friends on a journey to find the mythical answer to all their problems while discovering the true meaning of friendship, love, and most importantly, self-giving along the way.

“Kaharian” begins February 25, 28, March 3 and 4 with matinees starting at 10 AM until 12 PM and gala shows starting at 5 PM until 7 PM (select days may have different times, contact marvintong@xsn.edu.ph for more details). Use the hashtag #MaglakbayKaibigan to follow its different social media posts.

Both “Pilandok” and “Kaharian” will be staged at the John Tiu Ka Cho Multi Purpose Center, Primary Building, in the Xavier School Nuvali Campus.

Xavier School Nuvali is proving to be a leader in educational instruction and innovation while also being a center of culture and the arts down south. Enrollment to the school is always increasing - and who knows, your child may just be the next one to shine on-stage!

Have a night at the theater away from the usual haunts and get a sneak-peek of the future of Philippine drama in Xavier School Nuvali!

Follow Dulaang Xavier (@dulaang_xavier) and Xavier Actors Society (xactorssociety) on Facebook and Instagram for more updates!

“13th of September” braces for 2nd Int’l Performance at Theaterwelten Festival 2022, Germany

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After its celebrated run in the 9^th Festival International de Théâtre De Mont-Laurier in Quebec, Canada, “13^th of September” is all set for yet another international show at the THEATERWELTEN 2022 on Saturday, 15 October 2022 at the Cultural Center Dieselstrasse in Esslingen, Germany, now with the support of the Philippine and German government, National Commission for Culture and Arts (NCCA) and Bund Deutscher Amateurtheater (BDAT). This opportunity and privilege to represent the Philippines fulfills one of the goals of BOGT Philippines to create and produce shows for international theater festivals.

“13^th of September” is a Reimagination of Lanie Robertson’s “The Insanity of Mary Girard”, written and translated by playwright Eljay Castro Deldoc, directed by Riki Benedicto, with actors Marco Calilao, Norman Peñaflorida, and Lao Rodriguez who now takes the role of Mary Girard.

JayLo Conanan (Production Designer), Katreen Dela Cruz (Production and Stage Manager), Roldan Lozano (Lights Designer), and Ces Valera (Projection Designer) complete the delegation of 8 who will fly to Germany this October.

THEATERWELTEN is both a festival and an international theater encounter. It is held every two years since 2015 and - due to the travel restrictions caused by the COVID-19 pandemic - had its first ever digital festival in 2021, which was also attended by BOGT Philippines. This year’s festival will be held from 13 - 16 October 2022 with performances coming from 8 countries: Philippines, Ukraine, Chile, Mexico, Zimbabwe, Lebanon, Germany, and Israel. An accompanying symposium will examine the topic of “Theater and Safe Spaces'' from local and global perspectives: Is theatre a safe space? How does it affect participation in social events?

The Philippines’ representation at the festival does not end on the stage after the curtain closes as Director Riki Benedicto leads two days of Stage Combat workshops (October 14 and 15, 2022) in Sporthalle der Gemeinschaftsschule. Stage Combat is an artistic representation of fighting based on principles of reality using techniques that ensure the safety of actors on stage, all the while showcasing the fight’s aesthetic aspects and dramatic power. 

Any play can, practically, be “based on a true story” but “The Insanity of Mary Girard” is one of the few that took real-life events into a haunting and highly theatrical piece. Mary Girard (1758–1815) was committed to an asylum in 1790 where her husband declared her legally insane. During her confinement, she gave birth to a baby girl – unsure who the father was – who died five months later. After residing in the insanity ward for 25 years, she was laid to rest somewhere on hospital grounds, her grave unmarked.

SYNOPSIS

Sunday Evening, Mary Girard is preparing for her last night in Pennsylvania Asylum. Now, 56, her age is visible after more than two decades re-living the moments of her life inside the asylum. While doing her daily routine and preparation with other patients, her past is dawning inside her, the memories of her mother, husband and her dear daughter are right in front of her and it seems like she’s “sane” once again. As for her last night with the tranquilizing chair, she will fight and relive the moments of lies and betrayal that have never been proven.

ELJAY CASTRO DELDOC - PLAYWRIGHT

After the launch of one of his notable pieces, “Lukot-Lukot, Bilog-Bilog” with Tanghalang Pilipino, ELJAY CASTRO DELDOC makes his debut in the international scene with “13th of September” together with his dramaturg, Drew Espenocilla. In this piece, they illustrate the “present-time Mary Girards” as victims of a harsh society whose leaders are oblivious to the horrendous truth – that the Philippines is living within a culture that emphasizes resilience and humor amid suffering and pain making it difficult to talk about mental illness where you have no other choice but to be strong – both mentally and emotionally. They regard that, as people, we put so much importance in being able to roll with the punches, almost to the point that it’s a requisite to master how to laugh in the face of misfortune. This is why, despite the growing call to recognize mental health as a legitimate public health concern, initiatives to resolve this remain limited.

Eljay has been a part of The Virgin Labfest for six consecutive years since 2013. His most notable plays are first staged in this festival: “Owel”, “Ang Goldfish ni Prof. Dimaandal”, “Si Maria Isabella at ang Guryon ng mga Tala”, and the Carlos Palanca Memorial Award-winning “Pilipinas Kong Mahal With All the Overcoat”.  In 2016, “Si Maria Isabella…” was mounted by Bindlestiff Studio in San Francisco, California. Recently, he ventured into producing teleplays as a part-time writer for GMA 7. He’s part of the writing team of “Juan Tamad”, “Naku Boss Ko”, “Conan My Beautician”, and “I Heart Davao”.

RIKI BENEDICTO - DIRECTOR

Director RIKI BENEDICTO has headed several productions with Tanghalang Pilipino, Cultural Center of the Philippines, Virgin Labfest and Dulaang Filipino. True to BOGT’s primary objective, he has been consistently elevating the presence of Philippine theater globally with his directorial works in Dulaang Filipino’s Out at Sea (7th Montreal International Theatre festival) and Oedipus (7th Festival international de Théâtre de Mont-Laurier). The latter was awarded Best International Performance and special Jury prize in Teatralny Koufar in Belarus, SETKANI/ENCOUNTER International Theater Festival’s SWAG Award in Brno Czech Republic and Best International Performance in Escenamateur Spain. Solomon also won Best International Performance in Escenamateur Spain.

He received Best Director for a Musical and Best Director for Non-Musical nominations from ALIW awards in 2017 and 2018, respectively, Best Director for Philippine LEAF Awards 2020, and he is also the first ever Filipino professional jury in SETKANI/ENCOUNTER International Theater Festival in Czech Republic last 2021.

Riki is, once again, putting forward another universal concern in Eljay Castro Deldoc’s “13th of September” where he aspires to “challenge society’s restrictive definition of sanity, gender and sexuality or even your perception of truth - truth is relative.”

CAST

NORMAN PEÑAFLORIDA wears many hats in the events industry and in theater -  Production Designer, Stylist, Stage Manager, Host, Actor and Singer and  the proud and hard-working proprietor of THE CLOSET Events and Image.

His wide range of theater experience traces back to Gantimpala Theater Foundation, for decades he acted on several  productions of the company under the artistic direction of the late Tony Espejo. From the famous Four Classics to original Filipino musicals. He was the 2018 ALIW awardee for Best Featured actor for Artist's playground "Geegee at Waterina" and the the first Outstanding actor in a featured role in the 1st Philippine L.E.A.F awards for "Nakakapagpabagabag".

With a natural leaning on design Norman was part of the Philippine delegate to the ASEAN Design Workshop and and currently the resident stylist of the award winning cultural online program of the National Commission for Culture and The Arts' (NCCA)  "PADAYON".

Currently he is the co-chairman of UNESCO - International Theater Institute - Philippines Center.

MARCO EDWARD CALILAO was a former member of Sining-Lahi Poly Repertory. He has been part of several productions as an actor and production staff. Some of the memorable plays were Orlando Nadres’ “Hanggang dito na lamang at maraming salamat”, Chris Marinez’s “Sabado sa Sams” and “Last Order sa Penguin”; and Rody Vera’s “Luna: Isang Romansang Aswang”. He also had the chance to be one of the contestants for a noontime show, Its Showtime’s “Ms. Q&A: Intergalaktik” where he won Best in Chukchak.

PAOLO RODRIGUEZ, a.k.a. LAO, completes the cast taking along with him his expertise on television and film acting. Among his notable appearances were Erik Matti’s BuyBust, OTJ The missing 8 and Honor Thy Father, Halik sa Hangin and The Broken Marriage Vow. He was part of Tanghalang Pilipino Actors’ Company in 2002. Since then he has performed in a wide variety of productions, from his very first, Anatomiya ng Korupsiyon, to musicals (Zsa Zsa Zaturnah and Noli Me Tangere) to his title role and the critically acclaimed The Romance of Magno Rubio.

The artistic team of “13^th of September” are as follows: Riki Benedicto (Director), Eljay Castro Deldoc (Playwright), Drew Espenocilla (Dramaturg/English translation), Jay Lorenz Conanan (Production/Costume Designer), Roldan Lozano (Lights Designer), Ces Valera (Projection Artist), Paw Castillo (Photo and Graphic Artist), and Jared Acuna (Video Artist).

BOGT Philippines is a team of professional theater and film practitioners based in Manila, Philippines. The group’s major goal is to create and produce shows for different international theater festivals. They want to boost the presence of the Philippine theater in the international realm and at the same time, bring home and share their learnings to Filipino professional and school-based theater companies.

For further details, please check our social media: Facebook (BOGT Philippines).  #sep13mberPHL #sep13mberGER

Last chance to stream: Catch some holiday family fun with RTYA’s The Great Christmas Cookie Bake-Off

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It’s streaming exclusively on Broadway On Demand only until December 12!

It’s finally December, and with Christmas around the corner, everyone’s planning what to do for the holidays. Don’t miss the chance to make the holiday season even more memorable by bringing the magic of Christmas, cookies, and theater into your homes! The must-see show this holiday season, The Great Christmas Cookie Bake-Off!—a production from REP Theatre for Young Audiences (RTYA)—is streaming only until December 12 on global streaming platform Broadway On Demand!

Since launching last month, audiences both in the Philippines and around the world have enjoyed this fun and family-friendly musical created by Broadway musical director Rick Hip-Flores, brought to life by the talented ensemble of Repertory Philippines. Both kids and their parents relished the chance to root for cheerful and colorful characters, sing catchy Christmas tunes, and take home lessons that make the most wonderful time of the year truly meaningful.

The Great Christmas Cookie Bake-Off! is about eight individuals who joined a televised bake-off at the Cookie Coliseum where they discover new baking skills, cookie flavors, life lessons, and the true meaning of Christmas. It stars emerging theater talents such as Becca Coates as Patty Mañosa, a beautiful sensitive soul who longs for her Grandma’s cookies; Tim Pavino as Javi Carreon, a video game buff who feels out of place in the kitchen but whose heart is definitely in the right place; Jep Go as Gabe Gomez, a bully who’s more than happy to bend the rules; Jillian Ita-as as Anna Santos, the perfect overachiever; Luigi Quesada plays Julian Zamora, a culinary artiste with a talent for fine cuisine; Justine Narciso is Amy Garcia, a Disney devotee who’s slightly scattered in the kitchen but super adorable just the same; Steven Hotchkiss is Josh Bernardo, a science enthusiast who knows his formulas; and Rachel Coates is Samantha Lopez, a fun and fabulous social media fanatic who loves the spotlight.

Joining the cast are REP and theater veterans like Carla Guevara-Laforteza playing multiple roles for the show—as the stylish Isabel Guevara, a food fashionista with a high sense of aesthetic and one of the judges of the bake off; as Anna’s Mom, your quintessential helicopter parent who watches every detail; and as Patty’s quirky-loving Grandma.

Arnel Carrion is also part of the show playing a double role as Michael Holmes, the meanest guy in the food industry and in the Cookie Coliseum, and as Gabe’s Dad, a big wig TV exec who pushes his son to win at all costs. Jaime Wilson plays pop singer and celebrity guest judge Del Ray who has never baked but can certainly lay down some tasty grooves! Hans Eckstein completes the cast as Larry, the faithful host and announcer of the competition.

Directed by RTYA Creative Director Joy Virata, The Great Christmas Cookie Bake-Off! is the first Repertory Philippines (REP) show in nearly two years and also the first musical in the country purposely filmed for an international online streaming service. The production also includes an all-star creative team composed of set designer Ed Lacson, lighting designer John Batalla, costume designer Bonsai Cielo, and choreographer Deana Aquino. Multi-awarded director Treb Monteras helms the video production managed by Silver Media.

Stream RTYA’s The Great Christmas Cookie Bake-Off! on Broadway On Demand. Ticket prices are P700 (24-hour access) and P1,000 (48-hour access). Broadway On Demand can be accessed via computer or mobile device through a web browser (Google Chrome is recommended for optimal streaming) or via tablet or smartphone through the Broadway On Demand app on App Store and Google Play. It’s also available on AppleTV and Roku.

The Great Christmas Cookie Bake-Off!—a production from REP Theatre for Young Audiences (RTYA)—is streaming only until December 12 on global streaming platform Broadway On Demand. The play features eight young cookie chefs who will battle it out for first prize at the Cookie Coliseum.

Get your tickets now through Broadway On Demand, TicketWorld, and Ticket2Me, or via the REP Box Office by calling 0966 905 4013.

For updates, visit www.repertoryphilippines.ph, like and follow Repertory Philippines on Facebook and Instagram. Educators and school representatives who are interested in the show can email sales@repphil.org.

Viu launches first Pinoy original STILL

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The first Viu Original musical created by award winner Pat Valera with a powerhouse cast and a production backed by the brightest in the Philippines' theater and music industries

Viu, PCCW’s leading pan-regional OTT video streaming service, proudly launches its first original musical narrative series featuring a powerhouse cast of Filipino artists from the country’s music, film and theater scene.

STILL was created by Palanca-awardee Pat Valera, who is known for award-winning shows Dekada ‘70 the Musical and Mula Sa Buwan. Theater industry greats Giancarlo Abrahan and Nicco Manalo co-created the series with Valera. On the director’s chair is Treb Monteras II of the internationally-acclaimed rap musical Respeto. Multi-awarded screenwriter, director, producer and editor Monster Jimenez produced the series.

Ms. Arianne Kader-Cu, Country Head of Viu Philippines, said, “We are extremely honored and thrilled to be working with such a talented team that has produced a musical we hope impresses the world over. The story itself is relevant and we believe that STILL will resonate with all of us who have gone through this pandemic. We can’t wait for our Viu-ers to have access to STILL and get to know and love the characters, be hooked on the storyline, and sing their hearts out to the beautiful original soundtrack featured in the program.”

The eight-episode series follows the story of talented upcoming artists participating in Daloy Himig, a music camp that abruptly ends when the pandemic hits. With quarantine protocols placed around the country, the campers are left stuck in Balay, with only their music and each other to keep them company.

Leading the campers are estranged best friends Laura, always the relentless dreamer who fights for herself, for the people she loves and for the limelight (played by Julie Anne San Jose, Asia’s limitless star), and Sab, the voiceless writer who wants to follow her dreams but can’t (played by Gab Pangilinan, Philippine theater princess). The two instantly become friends with veteran camper Iggy (Mike Shimamoto), always ‘the happy pill’ Tugs (Abe Autea) and tired-but-still-a-fighter Leigh (Lance Reblando). Along with their mentors Nikolas (Christian Bautista, Asia’s romantic balladeer) and Annette (Bituin Escalante, veteran stage and concert singer), the campers’ lives and stories intertwine through powerful and poignant music. Through song and stage, they hope and rage to prove to the world that they still have a voice – that they still matter.

STILL is available now on Ticket2Me. New episodes will be added every week and can be viewed multiple times within a 32-hour window. For a special rate of P599, Viu-ers can avail of an Exclusive Viu Package (a free six-month Viu Premium subscription plus a free digital STILL chord book) with early access per STILL episode. Meanwhile, Viu subscribers can start streaming STILL on their devices on November 26, 2021.

Filipinos can also listen to the show’s 13 original songs performed by the country’s best talents via Spotify, Apple Music, Deezer and Tidal.

Watch STILL and a whole lot more of your other favorite KDramas, reality and variety shows, Japanese dramas and anime, Chinese dramas, Thai dramas, Viu Originals, TagDubOnViu for free! Download the Viu app now and #ViuItRight!

Stay updated on the latest news and releases, like and follow Viu Philippines on Facebook, Instagram, YouTube, Twitter, Kumu and TikTok. Join and spazz with us on Viuniverse, on Twitter and on Facebook.

#ViuStillSeries #Still #ViuOriginal #StillHere #ViuItRight #Viu #JulieAnneSanJose #ChristianBautista #BituinEscalante #GabPangilinan #MikeShimamoto #AbeAutea #LanceReblando #GabbyPadilla #BagongMundo #AawitKangMuli #Sumandali