Showing posts with label Musical. Show all posts
Showing posts with label Musical. Show all posts

August 7, 2015

Joanna Ampil and MiG Ayesa lead the cast of the Tony Award winning musical THE BRIDGES OF MADISON COUNTY

Two iconic performers share the same stage for the first time in what is sure to be the most romantic musical of the year. West End musical theatre star Joanna Ampil and Broadway and West End rock star MiG Ayesa lead the cast of the first international production of the Tony Award winning musical THE BRIDGES OF MADISON COUNTY, produced by Atlantis Theatrical Entertainment Group (ATEG) in November 2015.

Fresh from the success of SATURDAY NIGHT FEVER, which is now embarking on an Asian Tour, ATEG brings you THE BRIDGES OF MADISON COUNTY, one of the most romantic stories ever written. 

Now an irresistible, two-time Tony Award-winning Broadway musical, based on the best-selling novel by Robert James Waller, THE BRIDGES OF MADISON COUNTY tells the story of Iowa housewife Francesca Johnson and her life-changing, four-day whirlwind romance with traveling photographer Robert Kincaid. It’s an unforgettable story of two people caught between decision and desire, as a chance encounter becomes a second chance at so much more.

Joanna Ampil
This brand new production features gorgeous, soulful music by Tony Award-winning composer Jason Robert Brown (Parade, The Last Five Years) that draws upon the rich textures of Americana and folk and the sweeping, expressive balladry of classic Broadway. The Daily News hails it as “one of Broadway’s best scores in the last decade.”

Joanna Ampil, who rose to stardom in London’s West End as Kim in Miss Saigon and Mary Magdalene in Jesus Christ Superstar, says of her latest role, “It will be my first musical in Manila after a long hiatus. The last one was The Sound of Music in 2012. I'm hungry for a new challenge and this role of Francesca will certainly give me that challenge, stretch and creativity that I'm always craving for as an artist. Jason Robert Brown and I performed in London sometime ago way before he wrote Bridges and to be able to play a lead in one of his works will be a wonderful experience; because I know that he writes some amazing stuff. I look forward to sharing the stage with MiG Ayesa, also. But, the thing that appealed to me the most was the idea of working for ATLANTIS for the first time and being directed by Bobby Garcia.”

MiG Ayesa
MiG Ayesa, who performed the role of Stacee Jaxx in ROCK OF AGES on Broadway and in Manila. “I am so thrilled to be returning to the Manila stage with this production of THE BRIDGES OF MADISON COUNTY. The score written by Jason Robert Brown is so breathtakingly beautiful it has to be considered a modern classic, and well deserved of the Tony Awards it received. I cannot wait to show such a different side to me, as the last time Manila audiences saw me was as the crazed rocker ‘Stacee Jaxx’ in ROCK OF AGES. The chance to be working opposite such a world class performer such as Jo Ampil, as well as under the direction of Bobby Garcia, promises to be an experience I will never forget. This will be my second stage production with ATEG, and it has always been a labour of love in that camp. Any excuse to visit the Philippines is worth the work! I cannot think of a better way than to return with such a production as beautiful as this,” said MiG .


Directed by Bobby Garcia, who recently directed the critically acclaimed Asian Tour of SATURDAY NIGHT FEVER, THE BRIDGES OF MADISON COUNTY opens on November 20, 2015 at the Carlos P. Romulo Auditorium, RCBC Plaza, Makati. Select shows are now available for Show Buying and fundraising opportunities. Corporate Packages are also available. 

Contact Jorelle at 0917-8381534 or info@ategasia.com for more information.



August 4, 2015

Casts reunite in Bituing Walang Ningning: The Musical Finale

Resorts World Manila (RWM), an active supporter of Philippine performing arts gained a resounding success for its latest theater production Bituing Walang Ningning: The Musical as it held its finale last July 18 at Newport Performing Arts Theater with original cast members and creators sharing the stage with the new cast and creators at curtain call.

Originals Mr. Christopher De Leon, Mr. Joel Torre and Ms. Chanda Romero with film director Mr. Emmanuel “Maning” Borlaza, storywriter Ms. Nerissa Cabral and songwriter Willy Cruz joined new generation cast of Bitung Walang Ninging: The Musical for a fitting nostalgic ending to its first run with a chorus of the musical’s theme. 

With its run of 25 shows, the first-ever musical production to crossover from mainstream media (first in print, to film and television) earned rave reviews from both audiences and critics.

“Go see it! It’s very entertaining and you’re going to enjoy it,” said noted actor Mr. Christopher De Leon who played the character of Nico Escobar in the film version.

Other original cast members of Bituing Walang Ningning also gave praises to the new version of Nerrissa Cabral’s timeless story including veteran actor Mr. Joel Torre who played Garry Diaz in the film. “I was very entertained because I couldn’t figure out how they would make a movie into a musical play. It was very engaging, the songs are still there. It’s beautiful and it’s nice to see an iconic pop culture being translated into the stage,” he said. 

Critics likewise had good words for the pioneering theater effort in Philippine performing arts saying that its multimedia success is a testament to its appeal among Filipinos.

With much clamor from fans, Bituing Walang Ningning: The Musical will come out form a two-month hiatus and resume for its second run on October 8 this year.


Bituing Walang Ningning is headlined by new discovery Monica Cuenco who was also a testament to how Filipinos embraced the new version of the classic in how she portrayed antagonist Dorina Pineda. 

Monica’s own life story even closely resembles her character as Dorina in how she first had her own struggles vending puto cheese at school prior to earning a spot to one of the most celebrated musicals this year. “I’m very happy, excited, and blessed for this opportunity. This is the star I’ve always been praying for,” shared Monica.




Catch the second run of Bituing Walang Ninging: THE Musical this October at Newport Performing Arts Theater. 

For more updates and other entertainment events at Resort World Manila, visit www.rwmanila.com or call the Tourist/Visitor Hotline at (632) 908-8833.

RWM is the first one-stop, non-stop entertainment and leisure destination in the Philippines that features recreational thrills, world-class performances, unique events, and exciting lifestyle options.

Conveniently located across Ninoy Aquino International Airport Terminal 3, RWM is an instant gateway to world-class Philippine hospitality and is home to three international lodging brands, (MAXIMS Hotel, MARRIOTT Hotel Manila, and REMINGTON Hotel), a three-story convention center housing the country’s largest hotel ballroom (Marriott Grand Ballroom), and two more hotels (SHERATON Hotel Manila and HILTON Hotel Manila) currently under construction. 

Also home to RWM is The NEWPORT Mall which features international luxury brands, state-of-the-art movie theaters the Newport Cinemas, an award-winning, ultra-modern Newport Performing Arts Theater (NPAT), and a cozy, 24/7 entertainment hub at Bar 360. Dine in one of almost 50 restaurant outlets offering a diverse selection of local and world cuisine, prepared by top Filipino and foreign chefs and paired with a wide selection of the finest wines and popular liquors.

Resorts World Manila— Nothing Compares.

July 26, 2015

SABEL is back!

After rave performances which had audiences clamoring for more, SABEL: LOVE & PASSION returns to the Music Museum on August 11 and 12, 8pm starring the luminous Iza Calzado who narrates and performs as National Artist Ben Cabrera’s infamous madwoman of the streets. 

The Philippine Ballet Theater dances out the whole story while singers Aicelle Santos, Bo Cerrudo, Joaquin Pedro Valdes and Timmy Pavino sing out the vocals with Music and Musical Direction by Louie Ocampo and Lyrics, Script and Direction by Freddie Santos. Video Sonic is in charge of the complex Video Mapping projected against abstract sets designed by Joe Tecson. 

With all the noise being made by huge stage productions, this little gem of a show has been making a mark of its own. SABEL: LOVE & PASSION, a show that defies classification (Stage musical? Ballet recital? Pop concert?) returns on August 11 and 12, 8pm at the Music Museum. 

Inspired by National Artist Ben Cabrera’s famous paintings of a madwoman of the streets, SABEL: LOVE & PASSION stars the beautiful Iza Calzado who narrates the entire show while acting in the title role. The Philippine Ballet Theater, choreographed by Ronilo Jaynario, dances out the twists and turns of the story with song vocals rendered by renowned singers Aicelle Santos, Bo Cerrudo, Joaquin Pedro Valdes and Timmy Pavino. Music and Musical Direction by Louie Ocampo with Lyrics, Script and Direction by Freddie Santos. Video Mapping is executed by Video Sonic while Joe Tecson is in charge of the abstract sets. 

Call Music Museum at (insert telephone numbers) to grab the few remaining tickets left!

“A teleserye crammed into an hour and half…” says one of the country’s top editors and that barely describes SABEL: LOVE & PASSION, a “little” show that has had packed audiences raving. So much so that it now makes a “small” comeback on August 11 and 12, 8pm at the Music Museum. 

Difficult to describe though not to understand, SABEL: LOVE & PASSION is a musical cum ballet recital cum pop concert cum, yes, teleserye all packed into one hour and thirty minutes and performed without an intermission. 

Intriguing to say the least, this production is inspired by the paintings of National Artist Ben Cabrera featuring a madwoman of the streets. Narrating the show as well as performing in the title role is the highly-praised film actress Iza Calzado, acting for the first time ever on stage. Dancing out the whole story to the choreography of Ronilo Jaynario is the Philippine Ballet Theater while the songs are performed by concert singers Aicelle Santos, Bo Cerrudo, Joaquin Pedro Valdes and Timmy Pavino. Renowned pop hitmaker Louie Ocampo handles the Music and Musical Direction while Aliw Awards Hall of Fame Director Freddie Santos is in charge of the lyrics, script and stage direction. Backgrounded by an abstract set designed by Joe Tecson, the show also serves as a canvas for high-tech video mapping as designed and executed by Video Sonic. If it takes this much to describe this “little” show, one can only imagine how much show there actually is to enjoy.

Tickets are very limited. Call TicketWorld (891-9999) and at Music Museum Ticketron (721-6726) now! 



July 24, 2015

SATURDAY NIGHT FEVER Proves There’s Life After Broadway

Show Closes Run in Manila July 26; Moves On to Malaysia, Singapore, China, and Australia

SATURDAY NIGHT FEVER (SNF), the smash musical that drew inspiration from the ‘70s film of the same name, has been taking on a life of its own since bowing out from Broadway 15 years ago: spawning at least four UK Tour productions, seven International Tour productions, a cruise production, and a West End Revival production—proving the adage that “indeed, there’s life beyond the shadows of the Great White Way.” 

SNF’s latest triumph, a newly reimagined production aimed at revisiting the gritty, chaotic, and dystopic elements of the film—initially announced to make tour stops in Manila, Kuala Lumpur, and Singapore—has just added China and Australia to its itinerary. Patrick Bywalksi, deputy chairman of The Robert Stigwood Organisation, which produced the film and its succeeding film-to-stage adaptations, announced the extra tour stops on the opening night in Manila earlier this month. Bywalski said, “Now that we’re up and running, I trust that we should be able to secure more venues as per my announcement.

“This brand new production of SNF represents a true value: the essence of the movie is respected all the way, [which was deliberately overlooked in the original West End and Broadway runs to appeal to a wider audience]. Atlantis Theatrical Entertainment Group (ATEG) director Bobby Garcia has epitomized Nick Cohn’s original story, ‘Tribal Rites of the New Saturday Night,’” an article published in New York magazine in 1976, which served as the basis of the film. 

In fact, local critics also noticed those stark similarities to the film. Vlad Bunoan, who edits for an online news portal, wrote in his review, “The musical is actually a near word-for-word adaptation of the popular 1977 movie that turned John Travolta into a global superstar. And it must be stressed that [film director] John Badham's movie is set against a backdrop of a period in American history marked by economic malaise and a growing hopelessness. 

“For Tony Manero [played by Broadway actor Brandon Rubendall], a 19-year-old dropout working at a paint store—as well as for many Americans—disco offered an escape from his dreary family life: his father is out of the job and his brother has decided to leave the priesthood.”

Bunoan continued, “The movie—and musical—also tackles the '70s-era, sexual promiscuity, abortion, and racial violence. In short, this isn't a retro, feel-good musical like ‘Mamma Mia’ or Travolta's ‘Grease’… But if you're a big fan of the movie in its dramatic entirety, you will be pleased by the way it was magically transported to the stage…”

Deemed too provocative, this latest incarnation of SNF actually comes in two versions: a Rated R version, which is the one currently playing in Manila, and a Parental Guidance (PG) version, which will be shown in countries whose theatergoers are considered more conservative. “As what we did with the film, we had two versions: one rated R and one PG. So we already know which parameters we have to work with to satisfy the local practice,” Bywalski revealed.

In spite of everything, the timeless songs of The Bee Gees that defined the disco era of the ‘70s have been retained in the musical’s score—prompting the audience to bob their heads to the beat, and get up and dance by the show’s end. Theatergoers leave the venue humming either “How Deep Is Your Love” or “Stayin’ Alive,” or either “Night Fever” or “You Should Be Dancing,” which makes for an incredible evening of live theater.

Touted as “the first Filipino-produced Broadway musical for the world,” whose primary proponents ATEG and Ten Bridges Media Corp., both based in Manila, Philippines, did not scrimp on the quality of expertise in this production as embodied by its A-list creative team: Bobby Garcia (stage direction), Broadway choreographer Vince Pesce (choreography), Tony winner David Gallo (set design), Broadway lighting designer Paul Miller (lighting design), costume designer Eric Pineda (costume design), sound designer Michael Waters (sound design), technical director Richard Martin (technical direction), graphic artist GA Fallarme (video projection design), musician Ceejay Javier (musical direction), and West End and London casting director Tara Rubin (casting).

SNF in Manila, which stars Rubendall (“Spider-man: Turn Off the Dark,”), Jenna Rubaii (“American Idiot”), Mikkie Bradshaw (“Carrie The Musical”), Nick Varricchio (“A Chorus Line”), and Carla Guevara-Laforteza (“Miss Saigon”), among others, plays The Theatre at Solaire Resort and Casino (ASEANA Avenue, Paranaque, Metro Manila) until Sunday, July 26.

Performances are also set at Istana Budaya (Jalan Tun Razak, Kuala Lumpur, Malaysia) from September 4 to 13 and at MasterCard Theatres at Marina Bay Sands (10 Bayfront Ave., Singapore) from September 25 to October 4.

For tickets in Manila, call ATEG at (632) 650 5144 or (63917) 8381534; or visit TicketWorld at ticketworld.com.ph.

SATURDAY NIGHT FEVER is presented by PLDT and Citibank, in cooperation with ABS-CBN, Philippine Daily Inquirer, The Philippine Star, Monster Radio RX 93.1, Crossover, Mellow 94.7 Sound Good, Retro DCG-FM, Makati Diamond Residences, First Unitel Travel, and Portfolio Studios.

Like us on facebook.com/ATEGasia

PRODUCTION Atlantis Theatrical Entertainment Group, in cooperation with Ten Bridges Media Corp. and Robert Stigwood Organisation, presents the 2015 Asian Tour of the dance musical SATURDAY NIGHT FEVER

DIRECTOR Bobby Garcia

MUSIC The Bee Gees, Harry Casey, Richard Finch, Leeroy Green, Ron Kersey, Rick Dees, Ronald Bell, and David Shire

SETS David Gallo

COSTUMES Eric Pineda

MAIN CAST Brandon Rubendall*, Jenna Rubaii*

*Indicates Members of Actors’ Equity Association

WHEN Manila, July 3 to 26

Kuala Lumpur, September 4 to 13

Singapore, September 25 to October 4

WHERE Manila: The Theatre, Solaire Resort and Casino

Kuala Lumpur, Istana Budaya

Singapore, MasterCard Theatres at Marina Bay Sands

INFORMATION Tel: (632) 650 5144 or (63917) 8381534

July 6, 2015

Red Turnip Theater opens new season with musical play "33 Variations"


Red Turnip Theater is back for another season! Their splashy debut season gave us the much talked about hits CLOSER and COCK, which was followed up with the critically-acclaimed sophomore season of RABBIT HOLE and last February’s TIME STANDS STILL.

All four productions have gone on to reap multiple awards and nominations from the Aliw and BroadwayWorld Philippine Awards, with COCK topping critics’ lists as the Best Play of 2014. True to form, this band of 5 actors (Ana Abad Santos, Topper Fabregas, Jenny Jamora, Cris Villonco, Rem Zamora) promises to push the envelope further as they show another facet to Red Turnip this year.


Opening the Third Season is 33 VARIATIONS by Moisés Kaufman. 

33 VARIATIONS tells the story of a renowned musicologist, Katherine Brandt, who is on a mission to discover why Beethoven composed the Diabelli variations, considered as one of his greatest masterpieces. Her daughter, Clara, is on a mission to find her place in her mother's world. Together, they maneuver through Beethoven's colorful life, their own challenging relationship, and somehow find their answers within his music. Shifting between periods and places, 33 VARIATIONS is the story of mothers and daughters and the legacies we long to leave behind.

33 VARIATIONS made its Broadway premiere in 2009, famously marking Jane Fonda’s return to the theater after a 46-year absence in the role of Katherine. It went on to garner several Tony Award nominations, including Best Play and Best Actress for Fonda. It had previously won the Edgerton New American Play Award in 2007 and the Steinberg American Theatre Critics Association Best New Play Award in 2008. 

Leading the Manila cast are theater icons Shamaine Centenera-Buencamino and Teroy Guzman. Fresh off her heralded turns in Tanghalang Pilipino’s “Juego de Peligro” and the CinemaOne Original indie “Lorna”, Shamaine steps into the role of Katherine. This is sure to add to her list of memorable performances that already include Queen Elizabeth (“Mary Stuart”), Elizabeth Proctor (“The Crucible”), Masha (“Three Sisters”) and Jocasta (“Oedipus Rex”) just to name a few. 

Shamaine Centenera-Buencamino
Teroy Guzman plays Ludwig Van Beethoven. He is most recently known for his King Lear in the PETA adaptation “Haring Lear”, Tiyoy Berning in Tanghalang Ateneo’s “Rite of Passage” and the title role in Anton Juan’s “Screen: Macbeth”. Notorious for shying away from the spotlight, Red Turnip is glad to give Guzman center stage in his return to the contemporary drama.

Teroy Guzman
Theater stalwarts Paolo O’ Hara, Rem Zamora and Roselyn Perez make up the supporting cast. O’Hara (“Hedda Gabler”, “Titus Andronicus”, “Tatlong Mariya”) and Zamora (“The 39 Steps”, “Skin Deep”, “Glorious”), complete the Beethoven flashback scenes as Anton Diabelli and Anton Schindler respectively. Perez (“Equus”, “Frozen”, “The Normal Heart”) is Gertrude Ladenburger, Katherine’s stern and loyal confidante.
Paolo O’ Hara
Rem Zamora
Roselyn Perez
Rounding out the cast are fresh faces Ina Fabregas and Franco Chan. Fabregas is Clara, Katherine’s estranged daughter who slowly starts to fall in love with her mother’s male nurse, Mike Clark, played by Chan.
Ina Fabregas 
Franco Chan
33 VARIATIONS also marks Red Turnip’s first show to incorporate live music: critical moments in the play are underscored by the Diabelli Variations themselves, played live and on stage by Ejay Yatco (“Sa Wakas”, “Dani Girl”, “The Boy in the Bathroom”).

Ejay Yatco
Although he is mostly known as a composer and musical director, the 24 year-old has also competed at the 2013 World Championship of Performing Arts under the Classical Piano category, where he made it to the final 3 instrumentalists of the world and took home one gold and three silver medals. Yatco will be playing the Variations on a baby grand piano, provided by LYRIC.

Jenny Jamora makes her directorial debut.

Jenny Jamora
“We had decided on this show almost two years ago, we knew it was what we had wanted to open the Third Season with. This play has been simmering in my head since then. ’33 Variations’ is such an elegant, intricate piece of work and I am excited by the challenge of bringing it to life. I’ve also surrounded myself with a powerhouse cast and a young, energetic production team. I cannot wait for everyone to see what they’ve all brought to the table. It’s going to be unlike anything you’ve seen from Red Turnip so far.”

33 VARIATIONS opens July 24 and runs weekends until August 23 at Whitespace, Makati.

Tickets are available through TicketWorld (891-9999 or www.ticketworld.com.ph) or Red Turnip Theater (redturniptheater@gmail.com or https://www.facebook.com/RedTurnipTheater)

Lighting Design / Technical Direction: John Batalla
Set Design: Ed Lacson, Jr.
Costume Design: Raven Ong
Sound Design: Teresa Barrozo
Choreography: PJ Rebullida
Dramaturgy: Mahar Mangahas

33 VARIATIONS is presented in cooperation with Whitespace, Lyric, FILA, and PLDT.


June 25, 2015

“Kung Paano Ako Naging Leading Lady” all set for a move-over engagement run on July 3

Due to insistent public clamor, Manila’s newest theater group Dalanghita Productions, proudly brings back the highly-acclaimed “KUNG PAANO AKO NAGING LEADING LADY THE MUSICAL” in a move-over engagement beginning July 3 at Onstage, Greenbelt 1, Makati City.


“Kung Paano Ako Naging Leading Lady” revolves story of two sisters named MELY and VIVA who both yearn to fulfill their dreams. Their sibling relationship and rivalry becomes more complicated due to an unsettled past and a budding romance, all in the context of an ongoing war between the superhero and supervillain teams. Being a maid is tough enough, but when Mely lands a job under a group of superheroes, she steps up to the unique challenge for the sake of her family. The musical takes us through the journey of the characters as each tries to find his/her place in the world where superheroes and supervillains exist. 

Based from Carlo Vergara’s one-act play and graphic novel of the same title, “ KUNG PAANO AKO NAGING LEADING LADY ” will once again prove how can an original Filipino musical combine comedy, drama, romance, action, deception, confessions, superheroes, supervillains, family and a maid in one fantastic show. 

The cast of “KUNG PAANO AKO NAGING LEADING LADY” boasts of the most talented and highly-respected artists coming from the theater, television and film industry. Topbilled to play the various roles are Bituin Escalante and Frenchie Dy (Mely – maid of Puwersa Pilipinas), Kim Molina and Natasha Cabrera (Viva – Mely’s younger sister), Markki Stroem and Hans Eckstein (Leading Man – newest member of Puwersa Pilipinas), Shiela Valderrama-Martinez and Astarte Abraham (Madre De Dios – leader of Puwersa Pilipinas).

Lending support are the multi-faceted actors from Manila’s different theater companies namely include May Bayot (Nanay – Mely and Viva’s mother), Giannina Ocampo (Nena Babushka), Caisa Borromeo (Windang Woman), Chesko Rodriguez (Popoy Pusakal), Jef Flores (Bazooka Man), Nar Cabico and Domi Espejo (Senyor Blangko – leader of Kayumanggilas), Red Nuestro (Maracas Marko), Red Concepcion and Joshua Cabiladas (Itak-Atak), Elliot Eustacio (Jeryc Sans Rival), Mikoy Morales and Rhenwyn Gabalonzo (Henyotic).

The ensemble is composed of Kakki Teodoro, Raflesia Bravo, Jem Baldisimo, Juancho Escoto, Miguel Ocampo, Francis Benjamin Jorvina, Alejandro Santos and Brian Sy. 

The artistic and creative teams of “Kung Paano Ako Naging Leading Lady” are as follows: Carlo Vergara (Creator and Writer), Vincent de Jesus (Music and Lyrics), Chris Martinez (Director), Ejay Yatco (Musical Director) Mara Marasigan (Assistant Director), Tuxqs Rutaquio (Production Designer), John Batalla (Lighting Designer and Technical Director), Jethro Joaquin (Sound Designer), Nancy Crowe (Choreographer). 

The production team is composed of Ansis Aldrich Tan Sy, Pertee Briñas and Claudia Fernandez (Producers), John Aries Alcayaga (Stage Manager), Ayam Eckstein and Ria Pangilinan (Production Managers), Julius Martin Lunar and Kim Mendoza (Assistant Stage Managers), Toots Tolentino (Publicist), Prodbook PH (Social Media Manager), Chester Ng (Photography).

“Kung Paano Ako Naging Leading Lady” is set to open on July 3 and will run for three weekends until July 23, 2014. The show starts promptly at 8 p.m. (Friday-Satiurday). Matinee shows (Saturday-Sunday) start at 3 p.m. 

All performances are at ONSTAGE, Greenbelt 1, Makati City.

For bulk reservations, show buys, and inquiries, call or text at mobile number 0998-5311389 or send email to dalanghitaproductions@gmail.com. For tickets, please call Ticketworld at 891-9999 or via http://www.ticketworld.com.ph

Connect to Dalanghita Productions online through the following social media networks:
Twitter: @dalanghitaprod
Instagram: @dalanghitaprod

June 18, 2015

‘Bituing Walang Ningning: The Musical’ opens at Resorts World Manila


“You’re nothing but a second rate, trying hard copy cat!” This immortal line lashed out in utter contempt by diva Lavinia Arguelles to loyal fan and newcomer Dorina Pineda just before the former throws a glass of wine at the latter’s face makes for one of the most memorable scenes in Filipino entertainment.


Who could ever forget the stellar performances of actresses Sharon Cuneta and Sarah Geronimo who played the role of Dorina, and their counterparts Cherie Gil and Angelika Dela Cruz as Lavinia in past productions?

After crossing over various media from serialized comics to film and then television, this iconic story of superstardom with the redemption and humility that it entails is now given new life by the country’s premiere entertainment and lifestyle destination, Resorts World Manila (RWM), as it presents Bituing Walang Ningning: The Musical this June at Newport Performing Arts Theater.

This time, the classic story returns as a musical and is given a new twist with stage master Freddie Santos at the helm. Headlining the stage version of Bituing Walang Ningning: The Musical are newcomer Monica Cuenco who plays the role of protagonist Dorina Pineda alongside pop star turned stage actor Mark Bautista (fresh from his stint in London’s “Here Lies Love”) as Nico Escobar, and stage veteran Cris Villonco as Lavinia Arguelles.

“Resorts World Manila has always been a staunch advocate of the Filipino performing arts,” shared RWM’s Chief Entertainment Officer Colin Kerr.

“The dream of staging this iconic Filipino story is a dream come true for RWM. Bituing Walang Ningning’s adaptation into many forms shows its novelty to audiences and we trust that every generation will again fall in love with its story through our theater production,” Kerr added. 

Featuring some of the most memorable songs in Original Pilipino Music penned by the legendary Willy Cruz as conducted by Maestro Rodel Colmenar with the Manila Philharmonic Orchestra, Bituing Walang Ningning: The Musical also casts award-winning stage performers Michael Stuart Williams and the First Lady of Philippine Musical Theater Menchu Lauchengco-Yulo, together with reality talent search standout Ronnie Liang and popular TV personality John Nite, among others.

Catch Bituing Walang Ningning: The Musical at Resorts World Manila every Thursday, Friday, and Saturday at 8PM, and on Sundays at 3PM until July 18, 2015.

Tickets are now on sale at the Resorts World Manila Box Office at the ground floor of Newport Mall, and in all TicketWorld and TicketNet outlets. Visit www.rwmanila.com or call 908-8000 local 7700; 891-9999; and 911-5555 to buy your tickets to this Filipino musical.

RWM is the first one-stop, non-stop entertainment and leisure destination in the Philippines that features recreational thrills, world-class performances, unique events, and exciting lifestyle options.

Conveniently located across Ninoy Aquino International Airport Terminal 3, RWM is an instant gateway to world-class Philippine hospitality and is home to three international lodging brands, (MAXIMS Hotel, MARRIOTT Hotel Manila, and REMINGTON Hotel) with two more hotels (SHERATON Hotel Manila and HILTON Hotel Manila) currently under construction. 

Also home to RWM is The NEWPORT Mall which features international luxury brands, state-of-the-art movie theaters the Newport Cinemas, an award-winning, ultra-modern Newport Performing Arts Theater (NPAT), and a cozy, 24/7 entertainment hub at Bar 360. Dine in one of almost 50 restaurant outlets offering a diverse selection of local and world cuisine, prepared by top Filipino and foreign chefs and paired with a wide selection of the finest wines and popular liquors.

Amp all the thrills offered exclusively by Resorts World Manila by becoming a cardholder! Membership at RWM is free and provides an instant pass to numerous discounts, freebies, and exclusive invites to RWM events.

Resorts World Manila— Nothing Compares.

May 24, 2015

“How Deep Is Your Love” Iconic Song to be Part of Saturday Night Fever Asian Tour

“How Deep Is Your Love”, the 1977 mega-hit by the Bee Gees, will be released as a single that will be part of an original cast recording of the Asian Tour of the stage musical version of Saturday Night Fever.


The Asian tour will have stops in Manila, Kuala Lumpur and Singapore and will star Brandon Rubendall who will play Tony Manero and Jenna Rubaii who will play his dance partner and eventual love interest Stephanie Mangano. The two will also perform the song on the musical’s official soundtrack (OST). The Manila leg, mounted by the Atlantis Theatrical Entertainment Group (ATEG) in close coordination with the Robert Stigwood Organization, will have performances from July 3 to 26 at the Theatre, Solaire Resort and Casino.

Everyone knows the song well. Originally intended for Yvonne Elliman (who later recorded "If I Can't Have You) instead won an award for Best Pop Performance by a Group at the 20th Grammy Awards held in February 1978 and topped the Billboard Hot 100 on 24 December 1977 (becoming the first of six consecutive US number-one hits) and stayed in the Top 10 for a then-record 17 weeks. It also ranked number 375 on Rolling Stone's list of the 500 Greatest Songs of All Time.

In a 2001 interview the Bee Gees'did for Billboard magazine, Barry Gibb reportedly said that "How Deep Is Your Love" was his favorite Bee Gees song.

Said Barry: "A lot of the textures you hear in the song were added on later. We didn't change any lyrics, mind you, but the way we recorded it was a little different than the way we wrote in terms of construction. A little different for the better, I think, the title 'How Deep Is Your Love' we thought was perfect because of all the connotations involved in that sentence, and that was simply it.”

That iconic song will make itself heard again to a whole new generation of listeners once the Asian Tour of Saturday Night Fever takes off.
Marie Rose, Rafa Siguion-Reyna, Mikkie Bradshaw, Jamie Wilson and Carla Guevara-Laforteza are also joining the show’s 20-strong cast.
Broadway choreographer Vince Pesce, Tony Award-winning scenic designer David Gallo, original lighting designer of “Saturday Night Fever” on Broadway Paul Miller, costume designer Eric Pineda and musical director Ceejay Javier are also part of the creative team.

The Manila crew is working in close coordination with the Robert Stigwood Organization whose founder, Mr. Stigwood, produced the original Saturday Night Fever film and its various stage incarnations from 1998 to the present. 

Director Bobby Garcia reveals: “We’re using a brand-new script (originally written by Nan Knighton, in collaboration with Arlene Phillips, Paul Nicholas and Mr. Stigwood) that brings back a lot of the grittiness and the coming-of-age in a tough world aspect of the movie. It’s edgy and exciting. It’s a completely conceptualized production.”

He is excited that the famous movie musical is being re-invented for a stage audience across Asia, and that “How Deep Is Your Love” will be heard again via this new cast recording of the stage version.

“We have a first-rate creative team and have assembled an amazing cast,” he says. “I think the quality of the show will speak for itself once it’s up on its feet. This production will be everything Saturday Night Fever should be.”

For tickets and more information, call ATEG at (632)650 5144 or (63917) 8381534; visit TicketWorld at ticketworld.com.ph.

Like ATEG on facebook.com/ATEGasia.

May 13, 2015

Asia Tour of SATURDAY NIGHT FEVER Aims to Bring Audience To Their Feet—And Dance in the Aisles

Remembering "Saturday Night Fever"? A huge commercial success, "Saturday Night Fever" significantly popularized disco music around the world and made celebrities like John Travolta famous. The Saturday Night Fever soundtrack featuring disco songs by the Bee Gees became one of the best-selling soundtracks of all time.

The younger generation has not had a chance to witness the impact of the movie 'Saturday Night Fever' made in the '70s. I'd be great to see a new generation of theatergoers dancing in the aisles to the timeless tunes of The Bee Gees,” says Patrick Bywalski, deputy chairman of Robert Stigwood Organisation Ltd. , which co-produces the upcoming Asian Tour of the hit West End and Broadway dance musical SATURDAY NIGHT FEVER alongside Atlantis Theatrical Entertainment Group (ATEG) and Ten Bridges Media Corp. 


The dancing crowd doing the hustle is expected to spill out of The Theatre at Solaire Resort and Casino, where a '70s disco-themed party will take place at a nearby venue to aptly kick off the tour running in Manila (July 3-26), Kuala Lumpur (Septmber 1-15), and Singapore (September 25 to October 11). 

“Since SATURDAY NIGHT FEVER opened in the West End in 1997, we've nurtured the musical around the globe with each production contextualized [and recontextualized] to please the local customs,” adds Bywalski. Apparently, the recent UK productions and the upcoming Asian Tour of the musical have been more fearless—definitely more provocative—than their sanitized predecessors in the West End and on Broadway by staying true to the authentic, gritty realism depicted in the landmark film. 

“The film was, finally, so authentic...it was more of a documentary,” Karen Lynn Gorney, the actress who played Stephanie Mangano, the love interest of John Travolta's Tony Manero in the film, told Vanity Fair in December 2007. “We improvised for two weeks, so that by the time it came to filming, [film director] John Badham just shot what was happening. It wasn't acting.”

With the stamp of approval to reimagine SATURDAY NIGHT FEVER onstage for Asian audiences, multi-awarded stage director Bobby Garcia has set his eyes on reliving the authentic coming-of-age in a tough world story of the film—amid the backdrop of the pulsating strobe lights of the infamous retro '70s disco era.

For Garcia, nothing would be more authentic than asking Broadway choreographer and child of the '70s Vince Pesce to join his creative team. Pesce, who's a longtime associate choreographer of Tony winner Kathleen Marshall, grew up in the same neighborhood in Brooklyn, New York, where the movie was filmed. “I've a clear memory of the movement/dance and how it made us feel,” says Pesce.

Based upon music critic Nik Cohn's magazine article “Tribal Rites of the New Saturday Night,” which was published in the June 7, 1976 issue of New York, SATURDAY NIGHT FEVER tells the story of Italian-American Vincent (later renamed to Tony Manero) and his gang in Bay Ridge, Brooklyn who are stuck in dead-end jobs but rule the dance floor at the discotheque 2001 Odyssey. Vincent or Tony is a tough cookie; an outstanding dancer, his ultimate dream was to escape the mean streets of Brooklyn.

“I did go back and look at the movie again just to make sure I capture the gritty, dynamic, and social movement that shifted popular dance as we know it,” Pesce continues. “With that in mind, Bobby Garcia, our director, and I felt we needed to expand the dancing in the show and make it more relatable to modern audiences yet remain true to the original choreography. You'll get to see the hustle, Travolta's finger point, and lots of exciting disco dancing but much more is needed to be done.

“Today's sophisticated audiences are accustomed to intricate, dynamic dance styles on TV, e.g. 'Dancing with the Stars.' We have to deliver expanded dance sequences that will thrill. On the other hand, we also have to create a world of movement that doesn't only take place in the disco. Essentially, we need to capture the pulse, frustration, and energy of the streets of Brooklyn and the '70s social movements.”

A show that's heavy on the dance side yet demands authentic emotions onstage, a triple threat casting is equally crucial. “We auditioned for the roles of Tony, Stephanie, Tony's friend Double J, and a [Latin] dancer in N.Y.,” says West End and Broadway casting director Tara Rubin. “We were looking for great actors, singers, and dancers who seemed authentic to the show's time and place. We needed actors experienced enough to star in the show and play these iconic roles.”

Pesce adds, “The culture in Brooklyn is all about bigger than life and fun loving personalities. We didn't stop looking until we found them.”

At the end of the auditions, Brandon Rubendall (“Spider-man” on Broadway), Jenna Rubaii (“American Idiot”), and Nick Varricchio (“A Chorus Line”) were cast as Tony, Stephanie, and Double J, respectively.

Thespians Marie Rose, Rafa Giguion-Reyna, Yanah Laurel, Jamie Wilson, and Carla Guevara-Laforteza are also joining its 20-strong cast.

Besides Garcia, Pesce, and Rubin, Tony Award-winning scenic designer David Gallo, original lighting designer of SATURDAY NIGHT FEVER on Broadway Paul Miller, costume designer Eric Pineda, and musical director Ceejay Javier are also part of the show's first-rate creative team.

For tickets and more information, call ATEG at (632)650 5144 or (63917) 8381534; visit TicketWorld at ticketworld.com.ph.

Like ATEG on facebook.com/ATEGasia.

April 9, 2015

Repertory Philippines brings sexy in new theatrical comedy

Repertory Philippines returns for its second show of the year, with the sexy comedy Run For Your Wife. The West End hit by Ray Cooney follows John Smith, a taxi driver who secretly has two wives. The play premiered in London’s West End in 1983, and had a successful nine year run in the UK. After that, the show has been staged most notably in New York, Paris, Stockholm, and Manila.





































“This is a timeless classic. Even if it’s an old play, it’s such a funny and well-written play,” shared Miguel Faustmann, who directs Rep’s third run of the show. “Ray Cooney is amazing with his comic humor. It’s just so funny.”

Run For Your Wife is a departure from Rep’s previous offering, 4,000 Miles. While 4,000 Miles is a dramatic examination of a young man’s relationship with his grandmother, Run For Your Wife is a hilarious tale of a man who has two wives and two households.

The play’s humor relies on the subject and a precise schedule of entrances and exits. This means pressure on theater veteran Jamie Wilson as Smith, who has to literally run across the stage throughout the entire show, with only two exits. As Faustmann described it, “timing is of crucial importance in this play.”

“John Smith is a pretty normal guy,” shared Wilson. “He just basically falls in love with two women, and sees the possibility of maintaining both of them. He loves the both of them for different reasons.”

His wives are portrayed by actresses Goldie Soon and Mikkie Bradshaw. Soon plays Mary, the motherly wife, while Bradshaw plays Barbara, the bombshell.

“She’s very prim and proper, like a proper Englishwoman,” said Soon. “She takes her duties or obligations as a wife seriously. She’s almost motherly towards John. Because she’s very proper, anything scandalous really shocks her.”

Soon reveals that the role is different to her as a person, and to prepare for the role, had to think about the woman Mary would be and slowly imbibing it. Bradshaw, on the other hand, only needed to be comfortable with her co-actors.

“I’ve been cast a lot in sexy roles, that involve very little clothing. If it’s a loud and promiscuous character, it’ll probably be given to me,” she said. “I don’t know how much preparing you could do for a role like that if it’s in you to be that vixen.”

Run For Your Wife hits Philippine theater at a time when mistresses have become a pop culture phenomenon. But while the films and teleseryes focusing on mistresses and second wives are dramatic, the play takes on a different approach: comedy.

“Despite all our conservatism, I think this kind of situation happens more than we know and more than we would like to admit,” shared Soon.

“It’s such a taboo subject here,” admitted Wilson. “But putting on a play and inviting people to watch it will shed some light and humor on what that kind of life is. With our teleserye culture, where’s the humor? There’s got to be humor there. There’s got to be some ridiculous situation that you can laugh at.”

“We’re not necessarily trying to make people think here. We’re just trying to give everyone a good time,” Bradshaw added.

During its West End run, The Daily Telegraph called it a triumph, while the New York Post promised “virtually continuous laughter.” Even Faustmann agrees. He said, “When we were reading it, we were dying of laughter. What more when you actually see it? It’s going to make your stomach hurt because of laughing too much.”

Joining Wilson, Soon, and Bradshaw are Jeremy Domingo as John’s best friend Stanley Gardner, Steven Conde as the flamboyantly gay neighbor Bobby Franklin, James Stacy as the suspicious Detective Sergeant Troughton, Paul Holme as the easygoing Detective Sergeant Porterhouse, and Mara Javier as the inquisitive journalist.

Run For Your Wife will be staged from April 10 to May 3, 2015 at Onstage Theater in Greenbelt 1, Makati City. Ticket prices ranges from P400 to P800. For more details regarding Run For Your Wife, call Repertory Philippines at 843-3570 and book tickets through TicketWorld at 891-9999 or visit their website at www.ticketworld.com.ph.

March 26, 2015

Eastwood City brings ‘Alice in Wonderland: A Children’s Musical’ as Easter Sunday Treat on April 5

Easter Sunday is sure to become more magical and exciting for kids as Eastwood City brings ‘Alice in Wonderland: A Children’s Musical’ to Once Upon an Easter Wonderland. 

A world-class children’s musical production from Kids Acts Philippines, ‘Alice in Wonderland: A Children’s Musical’ will be staged on April 5 --- 6:30 p.m. at the Eastwood Mall Open Park as one of the main attractions of Eastwood City’s Once Upon an Easter Wonderland. 


‘Alice in Wonderland: A Children’s Musical’ is based from two books of Lewis Carroll’s “The Adventure of Alice in Wonderland” and “Through the Looking Glass”. 


This version’s script and lyrics is by LUIGI NACARIO and music by EUGENE BELBIS.



Alice in Wonderland has captivated children all over the world for more than 150 years with its timeless and whimsical story that has been adapted into a number of different versions over the years. 

Alice created her world through beautiful things in her mind. She loves to discover stories in every living thing around her. Her story started under a huge tree in an English farmyard, young Alice was beginning to get very tired of sitting by her sister reading a book without pictures and conversations. To her it was boring, so she was considering, in her mind whether the pleasure of making a daisy-chain would be worth the trouble of getting up and picking the daisies. 


Afterwards, she decided to rest under the tree and went to sleep. She dreamed of a White Rabbit with pink eyes ran close by her. Burning with curiosity, she ran across the field after it, and was just in time to see it popped down a large rabbit-hole under the hedge. In a moment down went Alice after it, never once considering how in the world she was to get out again.

There begun her magical world of adventure in Wonderland. She met interesting creatures and characters like French Mouse, Duck, Dodo, Lory and Eaglet in the Pool of Tears; the Live Flowers, Caterpillar, The Grinning Cheshire Cat, the Cook, the Duchess, the Jolly Tweedle-Dee and Tweedle-Dum, the crazy Mad Hatter, March Hare and Dormouse. In the Hearts Kingdom, she had fun time hunting Easter eggs with the King and Queen of Hearts until she became the witness in the kingdom’s court of who stole the beautiful easter eggs, where she made the Queen so furious. And Alice finally thought how she could go back to her real world from all these wonders. 

Discover how Lewis Carroll’s literary work comes alive on stage featuring The CampArt Kid Actors (ages 7-15 tears old) of Kids Acts Philippines namely: Ella Gonzalez, Noel Comia Jr., Hyacinth Leonado, Allen Orolfo, Justin Orolfo, Angel Yu, Jewel Yu, Shanelle Comia, Woersha Calderon, Van Crisologo, Liam Crisologo, Nathan Flores, Ivan Jacosalem, Liza Marcos, Walline Calderon, Joshua Ang, Gab Hernandez, Princess Manaloto, Bella Engalla, and Raven Orolfo.


Those looking to be part of Alice’s magical adventure to Wonderland through this enchanting musical for the kids by the kids can get an Easter Wonderland Passport (Storybook) to get seats at the venue. 

The passport also entitles bearers to different activities and storybook worlds of Once Upon an Easter Wonderland including Alice in Wonderland, Peter Pan and the Pirates, Cinderella’s Royal Ball, Pinocchio’s Toyland, Hansel and Gretel’s Candy Forest, Mulan’s Adventure and Jack and the Beanstalk. Kids can also enjoy other fantastic fairy tale attractions and activities such as Storybook Parade, Giant Easter Egg Exhibit, Candy Buffet, Royal Makeover, Easter Egg Painting and many more!

Alice in Wonderland: A Children’s Musical’ is the story of a child’s world of wonders that will certainly be a fantastic Easter treat that all families will enjoy. 

For more information on Alice in Wonderland: A Children’s Musical and Eastwood City’s Once Upon an Easter Wonderland, call the Megaworld Lifestyle Malls Concierge at 709-9888, 709-0888 or 0917-8380111 or visit www.megaworldlifestylemalls.com.

February 1, 2015

"Season of Desire" - a story of love, treachery and vengeance

FEATURING WORKS BY MOZART AND VERDI
ALL SET FOR ONE-NIGHT ONLY OPERA CONCERT ON FEB. 7

As a pre-Valentine treat, come and watch Featuring Elaine Lee (soprano), Ivan Nery (tenor), Lawrence Jatayna (baritone) and Dingdong Fiel (piano). Directed by Nazer Salcedo. 


"SEASONS OF DESIRE" is a tribute to the Filipino Asianovela craze, as well as an attempt to extend the love for opera to a broader audience. Using selected opera pieces from Mozart and Verdi, " Seasons of Love " features tropes from local and international dramas - the sudden tragedy, a betrayal of trust, a plot of revenge, a redemption --- and incorporates these tropes to songs from famous operas such as Le Nozze de Figaro, Magic Flute, La Traviata and Rigoletto.

Repertoire:

1. Mozart: Marriage of Figaro Overture
2. Mozart: Cinque, dieci, venti... (Marriage of Figaro) - duet
3. Mozart: Ein Madchen oder Weibchen (Magic Flute)-solo
4. Mozart: In Uomini (Cosi fan tutte)- solo
5. Mozart: Deh vieni alla finestra (Don Giovanni)- solo
6. Mozart: Papageno/Papagena duet (Magic Flute) - duet
7. Verdi: Mini Overture from Rigoletto
8. Verdi: Questo o Quella (Rigoletto) - solo
9. Verdi: Signor ne principe (Rigoletto) - duet
10. Verdi: Caro nome (Rigoletto) - solo
11. Verdi: Cortigiani (Rigoletto) - solo
12. Verdi: Mio Padre...Tutte le feste (Rigoletto) - duet
13. Verdi: Si vendetta (Rigoletto) - duet
14. Verdi: La donna e mobile (Rigoletto) - solo
15. Verdi: V'ho ingannato (Rigoletto) - duet
16. Verdi: Addio del passato (La Traviata) - solo

“Seasons of Desire” – a story of love, treachery and vengeance in an opera concert set on FEBRUARY 7, 2015 – SATURDAY - 8 p.m. at the Abelardo Hall, College of Music in U.P. Diliman, Q.C. 

“Seasons of Desire” is a story of a couple excited to start their lives together as a family. While they prepare their wedding festivities (Cinque dieci, venti – Le Nozze di Figaro), there was a reminiscence of the man searching for a maiden to be his wife (Ein Madchen oder Weibchen – Magic Flute). A call of fate happened that one rainy afternoon, he saw this lady doing her chores singing to herself (In uomini, in soldati – Cosi fan tutte). Their eyes met and the man serenades her (Deh vieni alla finestra – Don Giovanni). This encounter blossomed into a romantic entanglement. Nothing is sweeter than love. They finally got married and started their lives together they did planning on having children (Papageno/Papagena duet –Magic Flute). Soon, season of love bears fruit to a lovely daughter. 

The mother died during childbirth. The season of treachery and vengeance loomed. The used to be strong man is now an old weak father. He raised the daughter on his own. She grew into a beautiful maiden. Every morning she goes to work at the Hopia de Leche Factory. The infamous owner of the factory is known for using his charm to lure women. For him, women are nothing but a bunch of toys for pleasure (Questo o quella – Rigoletto). With her innocence, she never thought that this man has an evil agenda on her. He did his sweet talks and she immediately fell for them (Signor ne principe – Rigoletto). She felt like floating in love, enchanted by his charms, his handsome physique (Caro Nome – Rigoletto).

The owner asks permission from the maiden’s father, with the intent of bribe to take her out for a day. The father, enraged by the man’s seemingly immoral character, turns him down, sends him away. His refusal pushed the owner to do something drastic. 

As the day is about to end, the father went to fetch his daughter from the factory just to find out that his daughter was no longer there. Desperately he searches for his daughter fears for her safety and time is running out (Cortigiani). Suddenly the father hears a cry, calling his name. He sees a helpless maiden apparently torn of her dignity (Mio Padre…tutte le feste). The father vows vengeance as soon as he finds the mystery criminal (Si vendetta, tremenda vendetta). 

The mystery man wore a mask man revealed his identity at the bar as he brags to his drinking buddies that women are easily replaceable (La donna e mobile). The father recognizes the boss of her daughter in the Hopia de Leche Factory is the mastermind. He found an opportunity to plot his revenge by knocking the man unconscious. When the man gained consciousness, he was tied up and shouts for help. The innocent maiden freed him in return he killed her. This is treachery. The father saw a dead body in the room where he locked the man never to expect it is his daughter. She apologizes to her father as she bids farewell. Her spirit will rest together with her mom. She pleaded her father to forget vengeance and just forgive (V’ho ingannato). She pleads to forgive and let go of all the anger (Addio del passato – La Traviata).

Featuring topnotch artists Elaine Lee (soprano), Ivan Nery (tenor), Lawrence Jatayna (baritone) and Dingdong Fiel (piano), "SEASONS OF DESIRE" written by Vladimeir Gonzales and Directed by Nazer D. Salcedo, is a tribute to the Filipino Asianovela craze, as well as an attempt to extend the love for opera to a broader audience. Using selected opera pieces from Wolfgang Amadeus Mozart and Giuseppe Verdi, the one-night only opera concert shall feature tropes from local and international dramas - the sudden tragedy, a betrayal of trust, a plot of revenge, a redemption --- and incorporates these tropes to songs from famous operas such as Le Nozze de Figaro, Magic Flute, La Traviata and Rigoletto.


Soprano Elaine Lee was called “a new star in the Philippine Opera World” (Malaya Newspaper) with her “clear articulation, unerring pitch, her style smooth and fluid” (Philippine Star).

She has had various performances both in the Philippines and in Canada. She also joined the San Diego Opera Chorus in California. Her most recent roles were Lucy in Menotti’s The Telephone and Musetta in Puccini’s La Boheme with the Philippine Opera Company. On the side, Elaine produces her own concerts and stage productions that feature opera excerpts, Chinese and Filipino folk classics, and Broadway selections. She holds a Bachelor’s degree in Music, with a major in Opera Performance (from the University of British Columbia in Canada). There, she played Papagena in Mozart’s Die Zauberflöte, Shirley Kaplan in Kurt Weil’s Street Scene, Hebe in Offenbach’s Orpheus in the Underworld and Sarah Good in Robert Ward’s The Crucible. Other noted opera excerpts she has performed are Mozart’s Le Nozze di Figaro, Gounod’s Romeo et Julliet, Heggie’s Dead Man Walking and Gilbert & Sullivan’s The Gondoliers. She has also done a recording with XAX Music Entertainment for a translated Korean Teleseries soundtrack, Endless Love 1 Autumn In My Heart in 2002. Other achievements include awards from the Vancouver Women’s Musical Club and the Kiwanis Music Festival. 

Presently, she has this vision for a while of producing a concert that comprise of opera excerpts that contains a storyline. It is a ‘Glee’ related influence style but in an opera format. Her goal is to be able to access and educate local audiences about opera.

Described as “an artist who possesses a beautiful voice that is smooth and clear and with a wide range of coloring plus unsullied musiciality” Tenor Ivan has been slowly earning a reputation as one of the most promising young tenors and a major talent to look at to in the country today – Inquirer.net

Ivan Niccolo C. Nery

Ivan Niccolo C. Nery is a Tenor from St. Scholastica’s College, Manila. He has been very active in the country’s opera and classical scene during the past few years, portraying mostly lead roles and some minor roles and was featured in numerous concerts around Manila. Ivan won the 1st prize in the Jovita Fuentes Vocal Competition and is an Aliw award nominee for best actor in a musical (Noli me tangere the opera 2012).


Lawrence Jatayna
A respected baritone in the Philippine classical music scene, Lawrence Jatayna has done solos for the major works of Beethoven, Puccini, Mahler, Rossini, and Mozart, and has done significant roles for the operas La Boheme, Madama Butterfly, Cosi Fan Tutte, and The Magic Flute. He has also worked with the Singapore Lyric Opera (SLO) in January 2008 as “Doctor Grenvil” in “La Traviata”, was an opera chorus member of SLO’s “Tales of Hoffmann” (Feb-March 2009), the Singapore Symphony Orchestra’s “Fidelio” (February 2012), Opera Viva’s “Fences” (August 2012), then with SLO again as The Registrar / chorus member in “Madama Butterfly” (February 2013). As a chorister, he was a member of the U.P. Singing Ambassadors (UPSA) in 1995 and was able to travel with the group to the U.S.A., Israel, France, Germany, Italy, the Netherlands, Austria, Spain, Denmark, the United Kingdom, and finally to Switzerland, where UPSA won First Place in the Festival Choral de Neuchatel. In 2001, he was a pioneer resident artist of the first professional choir in the Philippines, The San Miguel Master Chorale. Lawrence is the vocal coach and vocal arranger for Philippine Opera Company’s “Harana” and “Ang Bagong Harana”. He acquired his diploma from the U.P. College of Music, Major in Voice, under the tutelage of the late Professor Elmo Q. Makil. He is a currently a freelance vocal coach, vocal arranger, and voice instructor and is a voice faculty member of the University of the Philippines College of Music Extension Program.


Dingdong Fiel
Dingdong Fiel earned his Bachelor of Music degree from the UST conservatory of music and was the recipient of the RECTOR'S AWARD FOR ACADEMIC EXCELLENCE having obtained the highest academic average of the entire course, as well as the BENAVIDES AWARD FOR OUTSTANDING ACHIEVEMENT. 
After graduation, he studied for more than 2 years at the FRANZ LISZT Academy of Music in Weimar, Germany under Rector ROLF DIETER ARENS (Solo Piano and Chamber Music). He also studied Vocal accompaniment with the eminent pedagogue PROF. KARL PETER KAMMERLANDER. 


FIRST PRIZE - UST ETUDE COMPETITION Cat. A (2002) 

FIRST PRIZE - UST MOZART/HAYDN SONATA COMPETITION (2003) 

FIRST PRIZE - UST BEETHOVEN/SCHUBERT SONATA COMPETITION (2003) 

FIRST PRIZE - DR. ERNESTO LEJANO AWARD IN PIANO (2005) 

FIRST PRIZE - PTGP MOZART CONCERTO COMPETITION (2006) 


Through sponsors like the DEUTSCHE POST, THUERINGER AUFBAUBANK, SPARKASSE THUERINGEN and THE FRANZ LISZT STIFTUNG, Dingdong was able to perform in a series of CONCERTS AROUND EUROPE, ASIA and the USA- in Spain, Italy, Belgium, France, Germany, Switzerland, The Czech Republic, Serbia, Croatia, Guam, China and Japan among other countries.
He was commissioned by the Embassy of Greece to write music for the Greek silent film "THE GREEK MIRACLE" and was commissioned to write music for the SPANISH FILM "PILAR GUERRA". Both films were shown at the 5TH MANILA INTERNATIONAL SILENT FILM FESTIVAL 2011. 
Last February and March 2013, He was the Musical Director /Vocal Coach for Repertory Philippines' manila staging of the musical " NO WAY TO TREAT A LADY". Dingdong was the Musical Director of “LORENZO” Rock Opera by Ryan Cayabyab, which is set for a repeat run at the CCP. He is at present the musical director of “Into the Woods” produced by Upstart Productions.


Nazer D. Salcedo
Nazer D. Salcedo is a stage actor, director and classical singer. He is currently finishing his Masters in Theater at the University of the Philippines Diliman. A faculty of De LaSalle University Dasmarinas and MINT International College. Trainer and Artistic Director of Teatro Lasalliana of DLSU-D, He was part of the Actors company of Tanghalang Pilipino of The Cultural Center of the Philippines from 1999 to 2004. A Grand National winner of the 1994 Kundiman Fiesta. One of the first Filipino to perform in Avignon theater festival in France. Inquirer’s Bravo best of theater best featured actor in a musicale in 2006, 2007,2010. He has worked with Repertory Philippines, Trumpets,Tanghalang Pilipino, Gantimpala theater foundation, Dulaang Talyer, Dulaang UP, Music Theater Foundation Of the Philippines, Opera Guild, Kidz Act, Philippine Opera Company, Bit by Bit production GMA-7 and ABS-CBN. Some of his memorable Theater Credits are Mabini (Aguinaldo, Dulaang Up 2014) Maxie the Musicale (Mang Paco, Bit by Bit production 2013), Josephine (Director, Up’s Dulaang Laboratoryo, Teatro Lasalliana 2013), Ang Bagong Harana (Philippine Opera Company 2011-2013), Orosman at Zafira (Boulasem, Dulaang UP 2010,2011,2013), The Three singing Gondoliers (Venetian Macau, Asian Tour 2009) Isang Panaginip Na Fili (Tunying, Dulaang UP 2009), Pilipinas Circa (Tanghalang Pilipino 2007) Himala (Pilo, Tanghalang Pilipino 2005), Rite Of Passage (Tiyoy Berning, Tanghalang Pilipino 2004), Walang Sugat (Tanhalang Pilipino, World Expo In Aichi, Japan 2004) Le Cercle (Dulaang Talyer, Avignon France Theater Festival 2003), Candide (Candide, Dulaang Talyer 2000), Mayo Bisperas ng Liwanag (MTFP, US Tour 1998). Recently he was a nominee in The Aliw Awards.


For ticket inquiries, please call 0919-4722340 or send email to productions.bellanotte@gmail.com







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