Lisa Macuja Elizalde brings creative vision to Ballet Manila’s first full-length Paquita in the Philippines

Tweet

Ballet Manila's artistic director and CEO Lisa Macuja Elizalde’s unparalleled creative vision takes center stage as Ballet Manila presents the Philippines’ first ever, full-length production of Paquita – a bold and historic move that reflects her unwavering commitment to elevate classical ballet in the country. The production will star two pairs alternating in the lead roles, principal dancers Mark Sumaylo and Abigail Oliveiro; and soloists Shamira Drapete and Jos David Andes.

Paquita's historic run is set to take place at the Aliw Theater in Pasay City on June 19 at 8:00 p.m. followed by 5:00 p.m. shows on June 20 and 21.

(L-R) Ballet Manila principal dancers Romeo Peralta and Mark Sumaylo; soloist Shamira Drapete; artistic director and CEO Lisa Macuja-Elizalde; soloist Jos David Andes; principal dancer Abigail Oliveiro; and soloist John Balagot

The journey to this full-length production began last March 2025, when Paquita’s divertissement was performed during Ballet Manila’s Pearl Gala celebration. The performance sparked a deeper curiosity in Macuja Elizalde as she recalled, “I have always wondered where this beautiful ballet excerpt comes from in the context with the story of Paquita. The ballet excerpt is always described as the culmination of the love story of a gypsy girl Paquita with a French officer Lucien.”

At its core, Paquita is a story of love, self-discovery, and triumph that Macuja Elizalde believes will deeply resonate with local audiences. The narrative follows a young Romani woman in Spain who saves the life of a French officer, Lucien, from a governor’s assassination plot. Along the way, she discovers her own noble heritage, allowing the couple to overcome rigid social barriers and marry in a happy ending that many Filipinos love.

Ballet Manila artistic director and CEO Lisa Macuja-Elizalde

When Macuja Elizalde started to dig into the story behind the ballet excerpt, reading it in full, did she decide to present the production in its full-length form: “I concluded that it would be exciting and perfectly manageable to present a two-act classical ballet to the Filipino audience.”

While Ballet Manila’s production honors Paquita’s classical roots, Macuja Elizalde deliberately avoided watching existing versions of the ballet to ensure her choreography remained entirely original. Instead, she immersed herself in research and music to shape her own interpretation.

“I read the lengthy text in a book about rare Russian ballets that included Paquita. I listened to the music of the full-length ballet by Anna-Marie Holmes, Kevin Gaile, and Li-Mei Liang. I started to build the ballet chapter by chapter in my head,” she shared.

Drawing from these materials, Macuja Elizalde crafted a version that merges tradition with her own artistic sensibilities. “I combined and interchanged music pieces. Included some of the famous variations but to be danced in the beginning and middle portions of the ballet, instead of having all the variations in the end divertissement the way it is normally performed.”

Still, she admitted that the true creative process only fully came alive inside the studio, in collaboration with her dancers. Working closely with her team has reinforced Ballet Manila’s strong Russian Vaganova foundation. Macuja Elizalde noted that the company's 40-member ensemble is the perfect size for executing the demanding classical choreography. She also expressed immense gratitude for her leading ladies, Abigail Oliveiro and Shamira Drapete, who are both debuting in the titular role and "dancing her so well."

(L-R) Ballet Manila principal dancers Romeo Peralta, Abigail Oliveiro and Mark Sumaylo

For Oliveiro, debuting as Paquita under Macuja Elizalde's guidance has been both an exciting and collaborative experience. “It is always a good experience, and she is very clear in what she wants while keeping an open mind," Oliveiro shared. "I try to listen and observe what Ma'am Lisa wants from the ballet, character, or scene so I can understand her vision and fulfill it.”

The role also offers Oliveiro a rare chance to showcase a different side of her artistry. “I realized I had to tap into my more playful side which, dare I say, is not a common theme in a lot of my repertoire," she added. "So I’m certainly enjoying being playful.”

Ultimately, Macuja Elizalde regards Paquita as far more than a performance; she considers it part of her 40-year legacy in Philippine ballet. And much like the fiery performance, she believes it can ignite Filipinos’ appreciation for the art. “Personally, this particular world premiere of Paquita is like a baby of mine. When you create a new full-length ballet almost from scratch, it is like giving birth to a living, breathing creation. It is a ballet that will be uniquely Ballet Manila’s. A part of our classical ballet legacy!”

Ballet Manila soloists Jos David Andes and Shamira Drapete

Keep up-to-date with Ballet Manila’s schedule of performances and celebration events by visiting Ballet Manila’s website www.balletmanila.com.ph or Ticketworld page www.ticketworld.com.ph

Aurora Music Festival Turns 5: SB19, IV Of Spades, Sarah Geronimo, and Sexbomb lead Massive 2026 Clark Lineup

Tweet

You should plan your festival OOTDs as soon as possible! The Aurora Music Festival is back for its 5th anniversary, and the official artist lineup is finally here! It’s fast becoming a yearly habit for OPM lovers!

The Aurora Music Festival proudly announces its highly anticipated 5th Anniversary edition, returning to Clark Global City on May 2-3, 2026, with its biggest and boldest lineup yet!

For the first time ever, the two-day festival will feature DOUBLE HEADLINERS across both days: OPM powerhouses SB19 and IV OF SPADES will lead the charge, delivering electrifying performances that promise to make this milestone celebration unforgettable.

Now in its fifth consecutive year, Aurora remains the ultimate home for the best in OPM, showcasing top-tier local acts in an immersive weekend extravaganza of music, community, and magic. Following the massive success of its landmark touring editions in 2025—spanning Clark, Cebu, and Davao—the festival continues to solidify its status as the only local touring OPM music festival in the Philippines.

Get ready to be blown away by a super solid lineup for both days!

Day 1 lineup include: The reigning P-Pop kings SB19, incredibly talented and genre-bending OPM icons IV OF SPADES, fresh from their sold-out two-night comeback concerts at the Mall of Asia Arena in December 2025, the one and only Popstar Royalty Sarah Geronimo with numerous timeless hits and immense recognitions, multi-awarded folk-pop hitmakers Ben&Ben, known for heartfelt lyrics and orchestral magic, alternative rock band December Avenue, igniting crowds with anthemic tracks loved locally and internationally, and one of the most sought-after OPM singer-songwriters because of her lyrical brilliance and one-of-a kind voice, the ever talented Armi :.

Day 2 is just as hot and stellar! Alongside the double headliners SB19 and IV OF SPADES, expect live, festival-worthy performances from The iconic Sexbomb Girls, fresh off their wildly successful multiple reunion concerts starting at the MOA ARENA, rock titans and legends Parokya Ni Edgar and Kamikazee, both making their epic return to the Aurora stage, and beloved singer-songwriter Kitchie Nadal who’s ready to bring her anthemic songs to be enjoyed by tens of thousands of festival enjoyers! 

Aurora Music Festival 2026 is set to be the most epic celebration yet! 

Aurora Music Festival Clark 2026 is Presented by EPIC EVENTS.

Music is in everyone's fiber. Aurora Music Festival brings the #PowerOfX to Clark with #ConvergeFiberX.

 Tickets are expected to sell out quickly. Excited to get tickets? Visit this link: Visit our website for tickets 2026 Aurora Music Fest Clark or SM TICKETS!

2026 Aurora Music Fest Clark EP!C Events

For inquiries, please call 09495787920, 09561995944, send us an email at info@epiceventph.com, or message our Official Facebook Page at https://www.facebook.com/ClarkHotAirBalloonFest

#AuroraMusicFestival2026  #EPICEVENTS  #AMF2026  #AuroraClark  #AURORA5

International ballet stars showcase a mesmerizing Swan Lake for Ballet Manila’s Pearl Year

Tweet

Time and experience shape dancers into artists, and for Katherine Barkman, San Francisco Ballet’s First Soloist, her homecoming to Ballet Manila is both a tribute to her roots and a testament to her growth. Returning to the stage where her professional journey began, she takes on the challenging dual role of Odette and Odile in Swan Lake, alongside one of the ballet world’s most celebrated names: Esteban Hernández, principal dancer of San Francisco Ballet.

More than just a guest artist—Esteban Hernández is a phenomenon. A trailblazer from Guadalajara, Mexico, Esteban trained at The Royal Ballet School and rose to global acclaim for his technical brilliance and expressive storytelling. As a principal dancer of the San Francisco Ballet, he has captivated audiences worldwide. Filipino audiences first witnessed his charm and virtuosity as Basilio in Don Quixote 2023. Now, he returns in a role of royal gravitas—as Prince Siegfried in Swan Lake.

“Esteban is the complete package,” says Ballet Manila’s CEO and artistic director Lisa Macuja Elizalde. “Last year, his performance as Basilio was simply perfect. But Siegfried is a very different character—elegant, noble, restrained. He has been a principal dancer for quite some time now, so his depth of experience, technique, and artistry will work all very well for him as Prince Siegfried.” She adds, “Esteban and Katherine have already danced Swan Lake together, so I think that they will, as a principal couple, be very effective in their roles.”

For Katherine, this return is deeply personal. Once a principal dancer of Ballet Manila, she trained under Macuja Elizalde for over three years before joining The Washington Ballet and later the San Francisco Ballet. Now taking on Swan Lake’s duality with deeper insight, she reflects: “With experience comes more fearlessness. I take more risks—I would rather my dancing be exciting to watch than safe and predictable.”

A former principal dancer of Ballet Manila, Katherine trained under the guidance of Lisa Macuja Elizalde herself for over three years, before moving to Washington Ballet, and eventually, San Francisco Ballet.

Now back to where her professional ballet career began, Katherine reflects on her growth as she embodies the dual role of Odette (White Swan) and Odile (Black Swan): “I feel like my approach to the characters has shifted the most,” recounts Katherine. “With experience comes more of a fearlessness. I take more risks – I don’t worry so much if it’s perfect or not. I would rather my dancing be exciting to watch than safe and predictable.”

While Katherine has already previously worked with Esteban, sharing the same stage together once again, this time for Ballet Manila, is a special moment for her. She shares, “Esteban is an amazing partner and someone I just love working with. It’s rare to dance with someone who challenges and encourages you in such an honest way. I was happy Ballet Manila got to experience his Don Quixote - but I’m just so excited I can be here this time and share Swan Lake together.”

With her strong foundation from Ballet Manila, Katherine approaches the demanding dual role with deep awareness, relying on her technique to convey the proper emotions for each character. “If there’s one thing I truly believe, it is that technique is to be used to express emotion. Every step should say something.”

For Lisa Macuja Elizalde, having played the role of Odette and Odile during her prima ballerina days gives her full awareness of how intricate it is to mount a full-length Swan Lake. “It is a very Russian ballet, so the dancing needs to be technically strong and artistically sound. But our dance company practices the unique Vaganova training, so the over-all strength of the legs and backs of the dancers are developed by the technique, allowing the dancers to hold poses well, jump high and turn fast. This is ingrained and practiced with the dancers in daily class and translates into everyone, especially the swan corps de ballet, moving as one onstage.”

On Ballet Manila’s Pearl Year, Macuja made sure to pull all the stops to cast two pairs of powerful main leads. Aside from Katherine and Esteban, audiences will see another take on the main characters with Ballet Manila’s principal dancer Abigail Oliveiro portraying Odette and Odile and San Francisco Ballet’s company artist Nathaniel Remez playing Prince Seigfried.

She also looks forward to the chemistry of Abigail and Nathaniel, adding “What I am also excited about is Nathaniel’s impending partnership with Abi. She will learn and grow so much in her interpretation of Swan lake when she explores the choreography with a new partner like Nathaniel who, height wise, is perfect for her.”

Catch all performances from Katherine Barkman and Esteban Hernandez on May 30, 2025 at 8PM, May 31, 2025 at 5PM, and June 1, 2025 at 5PM, and matinee performances with Abigail Oliveiro and Nathaniel Remez on May 31, 2025 and June 1, 2025 at 1PM.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph.To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Alice Reyes Dance Philippines opens its 2025 season with PAGDIRIWANG: Sayaw Alay sa Sining at the Globe Auditorium

Tweet

Alice Reyes Dance Philippines launches its 2025 season with PAGDIRIWANG: Sayaw Alay sa Sining, a mixed bill program that showcases the company's versatility. Set to take the stage on April 4 and 5, 2025, 2:00 and 7:30 PM at the Globe Auditorium, Maybank Performing Arts Theater, this landmark production promises an unforgettable evening of dance, featuring masterful works by renowned choreographers

Now on its 4th season, Alice Reyes Dance Philippines continues its commitment to elevating Philippine dance by presenting a repertoire that spans classical ballet, neoclassical, modern, and contemporary works.

The program includes a selection of works from some of the most celebrated names in dance, led by National Artists for Dance Alice Reyes, alongside internationally renowned choreographers:

●      AMADA (Filipino Modern Dance), choreography by National Artist for Dance, Alice Reyes, Music by National Artist for Music, Lucrecia Kasilag

●      SONGS OF A WAYFARER (Modern Dance), choreography by Norman Walker, music by Gustav Mahler

●      MUYBRIDGE/FRAMES (Contemporary), choreography by Denisa Reyes

●      The world premiere of C’EST LA CIE, a neo-classical choreography by Agustus ‘Bam’ Damian III

●      GLINKA’S VALSE (Classical Ballet), choreography by Adam Sage, music by Mikhail Glinka

●      NOCTURNE (Neo-Classical), choreography by Carlo AC Pacis and

●      MOON (Contemporary), choreographed by Kun-Yang Lin, music by Dead Can Dance

Candice Adea, multi-awarded Filipina ballerina who had been performing with the West Australian Ballet was a former Principal Dancer of Ballet Philippines. For this performance, Adea will take on the titular role in Alice Reyes’ AMADA, delivering a poignant farewell to the Philippine stage, as she commences her retirement from dance.

Don't miss this extraordinary season opener! Catch the performances on April 4 and 5 at 2:00 PM and 7:30 PM. PAGDIRIWANG: Sayaw Alay sa Sining is made possible through a partnership with the Cultural Center of the Philippines, CCP Professional Artists Support Program, BGC Arts Center, Century Tuna, Office of Senator Pia Cayetano, Steps Dance Studio, and the support of Blackbird at the Nielson Tower, and McDonalds Philippines.

Tickets will be available on www.ticketworld.com.ph.

PAGDIRIWANG: SAYAW ALAY SA SINING

📅 April 4 & 5 | 2:00 & 7:30 PM

📍 Globe Auditorium, Maybank Performing Arts Theater, BGC

🎟️ ardancephilippinesinc@ardp.ph | 09671536173

 

TICKET PRICES:

Level 1 - Php 3,000

Level 2: Center - Php 2,500

Level 2: Side - Php 2,000

Level 3: Center - Php 1,500

Level 3: Side - Php 1,000

Celebrate the best of Filipino artistry and talent! For more information, check @ARDancePh on Facebook, Instagram, and TikTok.

 

Ballet Manila brings an extended run of Florante at Laura to Hyundai Hall in Areté

Tweet

Responding to overwhelmingly positive reviews, Ballet Manila is set to rekindle the magic of Florante at Laura, the iconic Filipino epic poem turned ballet, with a much-anticipated restaging, this time at the Hyundai Hall, Areté, Ateneo de Manila University, in Quezon City, from November 22 to 24, 2024. The production recently captivated audiences with its stunning choreography, evocative original music, and breathtaking dancing during its triumphant world premiere at the Aliw Theater last month.

A Filipino literary masterpiece, ‘Florante at Laura,’ was written in 1838 by the Prince of Tagalog Poets, Francisco ‘Balagtas’ Baltasar. It is a narrative poem that tells the story of Florante, the Duke of Albania, who is captured by Turks. His beloved Laura is forced to marry Count Adolfo, the usurper. With the help of the warrior Aladin, Florante escapes, returns to confront Adolfo, and seeks redemption as he reunites with Laura.

Under Lisa Macuja Elizalde's artistic direction, Ballet Manila has assembled a world-class creative team to bring this epic Filipino tale to the stage.

“Florante at Laura” is more than just a performance; it is a cultural experience that celebrates the rich literary heritage of the Philippines. Not only does this performance pay tribute to the timeless masterpiece by Francisco ‘Balagtas’ Baltasar, but it also showcases the exceptional talents of the dancers, choreographers, and creative minds behind this production.” Ballet Manila CEO and artistic director Lisa Macuja Elizalde said.

The performance will feature the recording of the original score composed by the esteemed National Artist for Ryan Cayabyab as performed by the talented Orchestra of the Filipino Youth, conducted by Maestro Toma Cayabyab. This powerful combination of music and dance has captivated and moved audiences, making each part of the performance an unforgettable experience.

“This full-length composition is one of my legacy pieces. It is my gift to the Filipinos, and I want Ballet Manila to share it with generations to come,” said Cayabyab.

Members of the ballet's creative team include choreographers Gerardo Francisco Jr. and Martin Lawrance; libretto consultant and the foremost Balagtas expert, Dr. Michael Coroza; award-winning set designer Mio Infante; lighting director John Batalla; and costume designers Make It Happen.

Show schedule is as follows: November 22, 2024, 6:00 pm; November 23, 2024, 7:30 pm and November 24, 2024 3:30 pm. Tickets are available online via Ticketworld; direct link to purchase, https://bit.ly/BMFloranteAtLauraAretéBuyTickets. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.

Ballet Manila’s Florante at Laura: A symphony of creativity and harmonious ingenuity

Tweet

The landmark production brings together some of the country’s finest dance and musical artists for a world premiere that spotlights yet another Filipino literary masterpiece

Lisa Macuja Elizalde

“Something magical happens when artists come together! ”

Lisa Macuja Elizalde, Ballet Manila's creative director, couldn't contain her excitement when asked about the upcoming world premiere of Florante at Laura.

The outstanding production, which comes at the heels of the ballet company’s highly successful Ibong Adarna, will be staged at the Aliw Theater on October 12, 2024, at 8 PM, and on October 13 and 19, 2024 at 5 PM. Florante at Laura will gather some of the country’s highly esteemed creatives in music, literature, ballet, and stage production.

A collaboration of masters in their craft

“Florante at Laura was a project that was going to be Gerardo Francisco’s next epic adventure. This was planned way before the pandemic happened,” recalled Lisa.

Gerardo is the dance company’s longtime principal dancer and co-artistic associate, who also choreographed the award-winning Ibong Adarna. Working with him is the exemplary British choreographer Martin Lawrance who is behind Ballet Manila’s full length innovative retelling of Romeo and Juliet in the Filipino setting.

With this collaboration, Gerardo shared, “Clear communication, thorough discussions, and mutual support were crucial in keeping us on track.” To this, Martin agrees. “We just seem to click and bounce ideas off of each other. It has so far been a very fruitful collaboration. Communication has been the key! ”

From the collaboration between Gerardo and Martin, the intricate pieces to this masterpiece of a production started falling into place when Lisa invited renowned writer and balagtasan expert Professor Michael Coroza as a guest in her show, Art 2 Art, where she asked him to watch Ibong Adarna. “I then invited Michael to collaborate with Gerardo and Martin Lawrence to create the libretto for Florante at Laura.”

Soon after, the quest for a composer began. Lisa imagined someone who can create original compositions akin to a Filipino Tchaikovsky—sweeping, dramatic, powerful, and romantic. “I was so very thrilled when National Artist for Music Ryan Cayabyab said yes!” shared Lisa.

One of the pillars of Original Pilipino Music (OPM), Ryan Cayabyab, was named National Artist for Music in 2018 with an extensive body of work ranging from orchestras and full-length musical productions to television and commercials. “It had been quite some time since I wrote a large musical work,” he shared.

Despite being a seasoned composer and musician, Ryan was thrilled to work with fellow creatives: “Most important before I start creating music is the mutual understanding among the other creatives and the producer regarding style and medium of music.”

Breathing life into his original compositions is the Orchestra of the Filipino Youth (OFY) under the baton of his son, Toma Cayabyab—another dream fulfilled for Ryan. “Everything is a surprise and wonder for me. I challenged myself into accepting this landmark ballet production, and I hope that it becomes an important legacy for all of us involved in it.”

An epic production with mesmerizing visuals

A literary masterpiece written by Filipino poet Francisco ‘Balagtas’ Baltasar and published in 1838, Florante at Laura follows the story of Florante, a duke who was held captive and enslaved by the Turks. But with the help of Aladin, he managed to escape from his captors to return to his country, Albania, to face off the usurper Count Adolfo, seek redemption, and reunite with his beloved Laura.

To translate the story’s universal themes of love, betrayal, and friendship in dramatic visuals, Ballet Manila tapped the expertise of key players who have been involved in many local and international productions for decades. Set designer Mio Infante explained that his designs depict not just the actual setting in the story. “This epic ballet includes a diverse set of locations, which not only serve as physical spaces but also symbolize the internal and external conflicts of the characters, as well as broader themes of love, war, loyalty, and betrayal.”

Complementing his designs are the stunning costumes from Make It Happen, led by Otto Hernandez & Therese Arroyo Hernandez. The duo noted, “Costumes play a crucial role in conveying the story and message of a production. It can contribute to the overall visual aesthetics, help define characters, evoke emotions, and enhance the audience's understanding of the narrative.”

Meanwhile, lighting director John Batalla emphasizes the importance of using a distinct lighting color palette to differentiate the varied locales of Florante and Laura. “Mood is certainly a major part of the themes that lighting has to tackle in a production such as this in order to transport the audiences to a different time and far-away places.”

Expect more from Ballet Manila

As one of the country’s leading dance companies, Ballet Manila has been known for its keen eye for excellence and artistry. While it has created many award-winning productions, the audience can expect more world class performances thanks to the leadership of Lisa.

But for now, she wishes the audience to bask in the magical greatness of Florante at Laura. “That’s why we work so hard every day – to create art that people will want to watch again and again.”

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.

Ballet Manila’s Giselle to feature global superstars Renata Shakirova and Alexei Timofeyev

Tweet

World-renowned ballet superstars from the prestigious Mariinsky Ballet, Renata Shakirova and Alexei Timofeyev, will be coming to Manila for a rare Philippine performance in the restaging of Ballet Manila’s Giselle set to happen at the Aliw Theater on August 31, 2024 at 8pm and September 1, 2024 at 5 pm.

This much-awaited collaboration with the Russian superstars of ballet once again highlights Ballet Manila’s artistry and keen eye for excellence in every production, by working with world-class performers – this time for Giselle. This very special collaboration was made possible by Lisa Macuja Elizalde, Ballet Manila’s artistic director and chief executive officer, and her close ties with the Mariinsky Ballet (formerly Kirov Ballet) where she also trained and became the first foreign soloist in the mid-80s. She shared, “The fact that we are collaborating with guest artists and star performers Renata Shakirova and Alexsei Timofeyev will always bring out the best in the company.”

With their star power, Macuja Elizalde couldn’t be more excited for their rendition of the well-loved Giselle. “I think that Renata’s true romantic style of dancing and the fact that she is dancing with her real-life prince Alexei is going to transform Ballet Manila’s Giselle to a Giselle of another level,” she adds. The world-renowned Russian dancers, incidentally, are married to each other in real life.

Born in Tashkent, Uzbekistan, Renata joined Mariinsky Ballet, one of the leading dance companies in the world, upon her graduation in 2015 and was immediately given her first principal role as Kitri in Don Quixote. That same year, she was listed among the 25 to Watch by Dance Magazine. And in 2016, she competed in the Bolshoi Ballet Competition, where she won first prize.

Meanwhile, Leningrad-born Alexei joined Mariinsky Ballet in 2004 and is currently the soloist of the dance company. As a soloist, he managed to secure various awards under his belt, including prize-winner at the VII International Ballet Competition in Seoul in 2010; diploma-recipient at the XVI International Rudolf Nureyev Ballet Festival in 2010 where he was cited for his superb levels of professionalism and contribution to the development of ballet in the Republic of Bashkortostan; and diploma-recipient at the XI International Ballet Dancers’ and Choreographers’ Competition in Moscow in 2009.

While it is their first time to perform on the Philippine stage, Renata is looking forward to connecting with the Filipino audience through her performance. “What’s important to be able to connect with the audience, wherever they are, but especially with a Filipino audience, is to highlight the small nuances that are included in the performance, like the turn of the head or the eye-to-eye contact with your partner, so that the emotions in the story can be conveyed and that the audience can enjoy the show.”

Meanwhile, Alexei excitedly looks forward to performing in front of a new audience, as he noted, “We are feeling the good kind of vibes with the Filipino audience, and we want them to live the story of Giselle with us on stage. It’s going to be our first time, and we hope to share that special experience with all of them.”

The third offering of Ballet Manila’s 26th performance season, dubbed Ballet Masterpieces, Giselle is a classic love story of a village girl (Giselle) who falls in love with Albrecht, not knowing he is already engaged. When she finds out, she dies of a broken heart and becomes a wili, joining the souls of girls who are also wronged by their men. Meanwhile, Albrecht visits the grave of Giselle, who protects him from Myrtha, the vengeful queen of the wilis.

Complementing their performances is a dynamic ensemble made up of young and veteran dancers from Ballet Manila, which, according to Macuja Elizalde, is the main change for the restaging of Giselle. “Ballet Manila Corps de Ballet is made up of more young members who have just joined the company post-pandemic - standing side by side with Ballet Manila dancers who are "veterans" and have performed the ballet many times before.”

The two-act ballet will interestingly showcase the talents of real-life couples both on and off stage. Ballet Manila's principal dancers Abigail Oliveiro and Mark Sumaylo will headline the performance on August 31 at 1pm while the world-renowned duo Renata and Alexei will take on the title roles on August 31 at 8pm and September 1 at 5pm.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph

The country’s creative powerhouses bring to life - Ballet Manila’s Ang Tatlong Kwento ni Lola Basyang

Tweet

Ballet Manila once again unearths the magical baul of Lola Basyang as it transports its audience to a world of fantastic dance, music and spectacular visuals with Ang Tatlong Kwento ni Lola Basyang set to happen at Aliw Theater from May 11, 2024 at 8PM and May 12 &18, 2024 at 5PM.

Ballet Manila stages a beloved Filipino children's classic in

Tatlong Kwento ni Lola Basyang

The second show among the repertoire for Ballet Manila’s 26th Performance Season aptly titled “Ballet Masterpieces,” Ang Tatlong Kwento ni Lola Basyang is based on the retellings of Severino Reyes’ stories by Christine Bellen Ang. Published by Anvil Publishing, the three stories are an engaging mix of romance, adventure and comedy, touching on such universal themes as loyalty and commitment to family, the power of humility and of course, love conquers all.

“We chose three stories out of twelve (12) Lola Basyang books. It was an interesting process because there were so many great tales that were worth sharing. But in the end, we felt that the themes we chose can truly resonate with an audience across many generations,” shared Lisa Macuja Elizalde, artistic director and chief executive officer of Ballet Manila.

“As a publishing company that’s known for producing books about Philippine culture, we feel it is part of our duty to ensure that the magic of these stories is not lost among the younger generation. “Ang Mga Kwento Ni Lola Basyang” is among the books that have mesmerized generations of Filipino children and we are confident they will love the ballet version,” shared Xandra Ramos Padilla, Anvil Publishing president. ”We’re so thrilled that these stories will once again be brought to life through compelling performances, thanks to our partnership with Ballet Manila.”

Bringing life to the enduring character of Lola Basyang is Mitch Valdes – the acclaimed performance artist who has been active in the theater and entertainment industry for over 50 years. Best known for her award-winning roles in Lunes, Martes, Miyerkules, Huwebes, Biyernes, Sabado, Linggo where she won a Gawad Urian Award for Best Supporting Actress, Mitch has also starred in highly-acclaimed movies such as Oro, Plata, Mata; Manila by Night; and Bulaklak sa City Jail.

Mitch’s captivating performance of Lola Basyang will open the production. Not surprisingly, the role has evoked a sense of patriotism in the actress. “We’re familiar with all the international classics but this one is a rare chance to see one of our beloved folklore come to life in classical ballet. It will be beautiful because the story is one of our own.”

The cast of Ballet Manila’s Tatlong Kwento ni Lola Basyang standing from left: John Ralp Balago, Stephanie Santiago, Ris Camaclang, Gerardo Francisco, Jessica Pearl Dames, Jasmine Pia Dames, and Romeo Peralta; along with (seated from left) Singer-actress and comedienne Mitch Valdes as Lola Basyang, Ballet Manila artistic director and CEO Lisa Macuja Elizalde and Anvil Publishing Inc. managing editor Jordan Santos

Ang Tatlong Kwento ni Lola Basyang will then unfold with the first story, Ang Prinsipe ng mga Ibon which tells the tale of a princess who wishes to marry her beloved bird against her father’s disapproval. In the end, the princess decides to turn into a beautiful bird to join her beloved bird who happens to be a prince in his kingdom.

Breathing life into the characters are principal dancers Jasmine Pia Dames/Shaira Comeros as Prinsesa Singsing and Romeo Peralta/Joshua Enciso as Prinsipe ng mga Ibon. Choreographed by the late Osias Barroso Jr., Ballet Manila’s co-artistic director until his passing in December 2023, the production hopes his legacy will live on through the choreographies he has created.

Barroso once said, “I want Ang Prinsipe ng mga Ibon to be very romantic. I want people to fall in love after watching it.” Complementing his vision is the award-winning musical arranger Mon Faustino who arranged music for the production using compositions of national artists for music.

From the soaring magic of enchanted birds, the production moves on to focus on the dark ramifications of greed in Ang Kapatid ng Tatlong Maria which tells the story of a couple who are folk healers, thanks to the leaves of a magical tree that their three daughters would pick every morning. Because of the couple’s greed, they were punished by the serpent living in the tree, taking their three daughters to marry them off to beastly animals. The couple soon had another child, this time a son, and before the father’s death, he requested his son to look for his three sisters.

Ang Kapatid ng Tatlong Maria is a collaborative partnership between Lisa Macuja Elizalde as the choreographer, and Filipino Music legend, Joey Ayala who composed the music for the entire ballet.

“For Ang Kapatid ng Tatlong Marya, I wanted to merge the movements of the folk dances of Luzon, Visayas, and Mindanao to represent the three worlds to show the cultural diversity and color of our nation,” explained Macuja Elizalde.

Apart from the magnificent ballet, the production is an auditory treat as it will feature a rare combination of raw sounds from kawayan and metal, complemented by orchestral synthesizer sounds to stimulate the imagination of the audience. For this story, Anselmo Dictado/Sean Pelegrin will perform the role of Pedro, while the Tatlong Maria will be played by Rissa May Camaclang (Maria Trining), Stephanie Santiago (Maria Loleng) and Jessa Balote/Jessica Pearl Dames (Maria Upeng).

No less than National Artist Ryan Cayabyab composed the lively and catchy music that will accompany the dancers in Ang Mahiwagang Biyulin. The last installment in the trilogy, its tells the story of a young man named Rodrigo who is rewarded with a magical violin for his kindness to an old woman.

Completing the creative powerhouse for this final tale is the late award-winning Filipino ballet dancer Tony Fabella, whose amazing choreography reaffirms his belief that, while the story is easy enough to understand, audiences will have a deeper appreciation for the beautiful message of Ang Mahiwagang Biyulin if told through ballet. True enough, theater goers must prepare to be enthralled by the performances of Gerardo Francisco Jr./Anselmo Dictado as Rodrigo and John Ralp Balago/Junmark Sumaylo as Ahab.

From the brilliantly written word to the wonderful stage of ballet, Ang Tatlong Kwento ni Lola Basyang is a production mounted with the heartfelt intention of giving birth to a newfound appreciation for our vibrant Filipino culture: “We hope that they come out of the theaters having learned so many valuable life lessons,” said Macuja Elizalde.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Red Bull Dance Your Style National Winner “JXYB” Takes the Philippines to Germany

Tweet

Excitement builds as the clock ticks down to the most awaited dance competition of the year. In a celebration of creativity, individuality, and the rich genres of dance, the Philippines is gearing up to take over the Red Bull Dance Your Style World Finals in Frankfurt, Germany. Set to take place on November 4, this event will feature dancers from all over the world battling it out on the international stage.

After securing his win at the National Finals in Manila, Louries “JXYB” Dhztine Bernardino will be representing the country in the Red Bull Dance Your Style World Finals. His unique style and technique shined through fifteen other dancers who came from all different provinces across the Philippines – Cebu, Cagayan de Oro, Zamboanga, and Baguio to name a few. The variety of provinces brought a mix of cultures and identities onto the stage, but in the end, “JXYB”’s unique style stood out and won them the crown. With the World Finals now approaching, “JXYB” is ready to bring his A-game to the international dance floor.

“I plan to maintain using Krumping as my style, but I really think I have a lot more to enhance when it comes to crowd-pleasing and crowd interactions. There’s a lot I’m working on to improve but luckily, I come from the Philippine dance community, which is very competitive. We are very advanced in freestyle battle here so that is a big advantage, but at the same time that puts a lot of pressure on me,” “JXYB” said.

The Philippines’ representative believes this competition will be the hardest one-on-one battle he’s faced so far, but still remains optimistic that his skill, talent, and determination will take him far.

“I’ll stay true to myself and my style, and I’ll bring a lot of prayer into this. I know that God will have my back, and we’ll get this win in Jesus' name,” he said.

Louries “JXYB” Dhztine Bernardino will be competing against over 30 dancers from all over the world, each with his own style, flair, and personality. While the competition will be nothing short of fierce, “JXYB” remains hopeful they can properly showcase Filipino talent for the world to see.

The Red Bull Dance Your Style World Finals is set to take place in Frankfurt, Germany on November 4, 2023, and will be streamed live on Red Bull’s Dance Your Style TikTok and YouTube account (@redbulldance) at 9PM CET.

For more updates and news about the upcoming Red Bull Dance Your Style event, visit https://redbulldanceyourstyle.com/ and the following social media pages:

Facebook: https://www.facebook.com/redbulldance | Instagram and TikTok: @redbullph @redbulldance