Ballet Philippines' BLUE MOON GALA set on September 26 – 27

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Ballet Philippines, the country’s premier classical and contemporary dance company proudly announces the BLUE MOON GALA set on September 26 – 27, 2014 at the Cultural Center of the Philippines - Tanghalang Nicanor Abelardo (Main Theater).

THE BLUE MOON GALA shall feature BP’s favorite masterworks and other acclaimed award-winning works in line with the company’s sapphire milestone.

The dances to be featured are as follows: 

JE TU ELLE (Choreographed by Redha Benteifour; Music by Vangelis)

The dance features five sensuously sinewy assertive women. It strikes with its sensual, bravura movements. In this dance, a contemporary view of women’s sinuous strength and arrogance underneath the exterior of gentleness, women proclaim they are the stronger sex.

FARANDOLE (Choreographed by George Birkadze; Music by Georges Bizet)

This neo-classical piece set to music of Bizet showcases the dancers’ athleticism and bravura with a slightly Spanish flair that echoes the Filipino’s hispantic history and tradition.

SALOME (Choreographed by Agnes Locsin; Music by Isaac Albeniz)

This piece features guest artist Kris-Belle Paclibar as Salome, sweetheart of Elias, is left alone in her grief and passion as Elias leaves her to join the revolutionary forces against Spain. She expresses a woman’s resigned anguish over Elias’ choice of a higher love – the duty to defend one’s country so that future generations may live and even love more freely.

COLD SONG (Choreographed by Max Luna III; Music by Klaus Nomi)

The choreographer’s tribute to Alvin Ailey, whom he danced and worked with as a member of the Alvin Ailey American Dance Theater. Luna is a former artistic director of Ballet Philippines. 

BUNGKOS SUITE (Choreographed by Alice Reyes; Music by Velarde- Obispo (Dahil Sa Iyo), Kasilag (Chitchiritchit), Kasilag-Velasco (Dandansoy), Paguio (Manang Biday), Obispo (Telebong)

A collection of traditional and popular folk songs reflecting various moods but especially highlighting the playfulness, amorousness and sense of humor of the Filipino.

NOCTURNE (Choreographed by Carlo Pacis, Music by Felix Mendelssohn)

The final duet from A Midsummer Night’s Dream showcases the reconciliation of Titania and Oberon as imagined by Hong Kong- based Flipino choreographer, Carlo Pacis. The production won a lion’s share of awards at the 2013 Phil¬stage’s Gawad Buhay! Awards including Outstanding Modern Dance Production and Outstanding Choreography.

R/J (Choreographed by George Birkadze; Music by Dmitri Shostakovich)

“R/J" condenses the ubiquitous Romeo and Juliet love story in a 7-minute pas de deux, which ends right before the moment Juliet awakens from her drug-induced slumber.

FOR THE GODS (Choreographed by Denisa Reyes; Music by Fabian Obispo)

Inspired by the ‘Dugso‘ folkdance from Bukidnon, this modern workTribal women celebrate the age-old rites of birth and sacrifice in this passionate affirmation of the timeless female principle of life.

DON QUIXOTE GRAND PAS DE DEUX (Music by Ludwig Minkus)

Former Ballet Philippines principal dancer Candice Adea and her partner Shen Jie, both currently soloists of Hong Kong Ballet perform one of the most challenging duets in the classical repertoire. Taken from Miguel Cervantes’ classic story about the adventures of the chivalrous Don Quixote and his sidekick Sancho Panza, the Don Quixote Grand Pas de Deux is better known as the wedding celebration of Basilio and Kitri in the ballet’s third and final act.

SONGS OF THE WAYFARER (Choreographed by Norman Walker; Music by Gustav Mahler)

This is the second major work that Norman Walker created especially for the company. He drew his inspiration from the composer's own experience as a young man, of a totally unrequited love. In his grief, he composed the bittersweet song-cycle used in the ballet. We follow the hero brooding while his love is being wed, out into the fields that bring him no comfort but only show him his love's likeness wherever he looks. The tormented hero leaves the town in the dead of night and spends it under a linden tree, where sleep makes all well again. Critical and popular acclaim has made this work a piece de resistance in the company's repertoire.

As a special treat for balletomanes, the repertoire for the matinee show will feature selected works of the Ballet Philippines show “MASTER PIECES” that will tour around the United States and Canada in October.

The works include: 

AKU (Choreographed by Alden Lugnasin; Music by Jessie Lucas)

This is a technique piece to test man’s physical limits and possibilities in body movements. This dance was heralded at the 9th Concours International De Danse de Paris in France in December 2000. Described as different and beautiful, it showcases the dancers’ unique understanding of the contemporary Filipino dance style.

HALIK (Choreographed by Paul Alexander Morales; Music by Jed Balsamo)

This dance excerpt from Ballet Philippines’ 41st Season production Crisostomo Ibarra, a dance retelling of a seminal novel Noli Me Tangere (Touch Me Not) authored by Philippine National Hero, Dr. Jose Rizal. Managing to escape prison with the help of Elias, Ibarra visits Maria Clara to give his forgiveness and to say goodbye. She tells him the truth about her real father again asking Ibarra for his forgiveness. Finally he understands. They embrace each other and kiss.

AFTER WHOM (Choreographed by Augustus “Bam” Damian III; Music by Jerrold Tarog)

After Whom is a bold showcase for BP’s dynamism and bravado. It highlights the company’s prowess in the modern, contemporary and neo-classical genres.

MORIONES (Choreographed by Agnes Locsin)

Inspired by the Moriones Festival of Marinduque, Locsin’s Moriones was choreographed for Ballet Philippines II’s participation at the Recontres Festival Du Danse in La Baule, France. It was also a study for movement for the Guardias Civil dance for the modern ballet “Encantada”.

TAMBOL AT PADYAK (Choreographed by Tony Fabella; Music by Samuel Asuncion, Malek Lopez, and Pinikpikan)

Set to local beats, global beats and heartbeats, this award-winning and audience-rousing work is full of youthful energy which mirrors the Filipinos’ joy of living. This showstopper, utilizing the local “bakya” (wooden slippers) to amplify its rich rhythm, has wowed adults and children, foreigners and expatriates ever since it premiered at the Cultural Center of the Philippines.

THE BLUE MOON GALA will be performed at the CCP Main Theater on September 26 at 8 PM and September 27 at 3 PM and 8 PM. 

For bulk reservations, show buys, and inquiries, visit www.ballet.ph or call Ballet Philippines at 551-1003. For tickets, call the CCP Box Office at 832-3704 or Ticketworld at 891-9999.

Connect to Ballet Philippines online through the following social media networks:

Facebook: www.facebook.com/balletphilippines

Twitter: @balletph

Instagram: @balletphilippines

YouTube: https://www.youtube.com/user/balletph

The 45th Anniversary Sapphire Season. Rare scenes of power and grace. Love, valour and redemption. Under the artistic directorship of Paul Alexander Morales, this is a toast to 45 years of dance excellence.

 

BACKGROUNDER: FEATURED CHOREOGRAPHERS

Redha Benteifour Je Tu Elle

Often described as an “unclassifiable choreographer”, Redha distinguished himself as a personality oriented towards total liberty that draws his inspiration from everyday life from where censorship is absent. He identifies his model in choreography as Baryshnikov to which influences of Lester Wilson, Alvin Killiam or Luis Falco as added. Redha choreographed for several of the world’s leading dance companies such as Le Jeune Ballet de France, The National Ballet of the Netherlands, San Francisco Ballet, Ballet Philippines and Nomads of Switzerland.

George Birkadze Farandole, R/J

Born in Tbilisi, Georgia, Birkadze began his dance training at National Academy of Dance of Tbilisi with Wahtang Chabukiany. He was then invited to attend the School of the Bolshoi Ballet in 1991, where he graduated with Honours in Classical Ballet, Pas de Deux, and Traditional Dance. He has since choreographed and danced in numerous countries including Russia, Portugal, France, Spain, and the U.S.. He has choreographed the likes of Angel Corella, Carmen Corella, Herman Cornejo, Cory Stearns, Ashley Ellis, and Misa Kuranaga, among others, and molded the careers of many dancers around the world.

Augustus “Bam” Damian III After Whom

Hailing from a family of dancers, Bam had a twenty-year long career in Europe that took him through six differ­ent theaters all as soloist or as principal dancer. For four consecutive years, he was awarded “Best Dancer” by the public of the United State Theaters of Mönchengladbach and Krefeld. Moreover, he has had the chance to dance with Europe’s great stars as well as work with world famous choreographers including Maurice Bejart, Hans van Mannen, and Christopher Bruce. He has toured extensively and performed in many of the world’s most prestigious theatres.

Tony Fabella Tambol at Padyak

Called a “master craftsman,” Tony Fabella choreographed in all the dance styles but is best known for original works using Filipino themes set to music by Filipino composers. Dance critics have described his works as “witty, humorous, clever, refreshingly novel, rich, exquisite, lyrical, exhilarating, captivating.” Fabella was an Artistic Council member of Philippine Ballet Theater, and former lead member of the Bayanihan Philippine National Folk Dance Company and was the company’s Artistic Consultant before his demise in 2009.

Agnes Locsin Salome, Moriones

Recognized as the pioneer of neo-ethnic dance, Agnes Locsin is a force in the Philippine dance scene. Drawing inspira­tion from Philippine tribal dances, practices, beliefs, and stories, Locsin reworked and reinterpreted these into the frame­work of existing classical ballet and modern dance technique, resulting in a unique dance form suited for the Filipino’s physical frame, temperament, and culture.

Alden Lugnasin Aku

Exposed to world class ballet masters and choreographers, Alden is strongly motivated and has created some of the most stirring dance works such as Impasse, Life Is A Rope, Fire, Water, Woman, and Buhay. He is currently the Artistic Director of BP 2, Ballet Philippines’ junior performing company.

Max Luna III Cold Song

A former artistic director of Ballet Philippines, Max Luna III’s dance career spanned almost four decades and six continents as an internationally acclaimed performer, teacher, and choreographer. As a teacher, he has been praised for a keen movement sense complemented by an in-depth knowledge of dance techniques.

Paul Alexander Morales Halik

Paul unites his varied interests and experience in the arts in the service of dance. He is a director, choreographer and independent filmmaker. Artistic Director of Ballet Philippines since 2009, Paul’s works typically involve multi-media collaborations. Leading BP in its Main Theater season was his childhood dream that was made a reality by the skills and talents he strengthened by the mentoring, sharing, exploration and celebration of his fellow artists.

Carlo Pacis Nocturne

Carlo is a dancer, teacher, and choreographer. A former soloist of the Hong Kong ballet, he currently works freelance and is based in Hong Kong. Aside from his award winning A Midusmmer Night’s Dream in 2013, his work for Ballet Philippines, Shifting Wait, received a GAWAD BUHAY 2010 from PhilStage for Outstanding Choreography for a Dance Production.

Alice Reyes Bungkos Suite

Alice Reyes, the woman who professionalized dance in the Philippines and founded Ballet Philippines, the country’s flagship company in classical ballet and contemporary dance, has been bestowed with the Order of National Artist for Dance. As founder and Artistic Director Emeritus of Ballet Philippines, Alice Reyes paved the way for dance to be recognized in the Philippines not only as an art form, but as a viable profession.

Denisa Reyes For the Gods

Denisa is a former Artistic Director of Ballet Philippines (1990-1994 and in 2000-2004) and introduced the NEO-FILIPINO Dance Series, her most significant contribution to the Philippine dance scene. It served as a platform for inter-disciplinary collaborations between local and international artists. A recipient of the Philstage Gawad Buhay! Award for Outstanding Choreography for a Musical, Philstage Lifetime Achievement Award, , Denisa is now currently very much involved in arts education.

Norman Walker Songs of a Wayfarer

Norman Walker is best described by critic Walter Terry as “a choreographic talent of towering proportions.” One of America’s multi-talented director-choreographers, Walker is known by those who have worked with him for his high energy level. A disciplinarian, perfectionist, and a demanding choreographer, Walker makes certain that the dancers’ potentials surface to the fullest. He created a number of original works for Ballet Philippines, namely Season of Flight (1972), Songs of a Wayfarer (1973), Wanderings of a Wayfarer (1980), and Summer’s End (1980).

Karylle is the Status Salon's first celebrity endorser

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Singer, actress, TV host Ana Karylle Tatlonghari -Yuzon is the first celebrity endorser of STATUS Hair Salon Manila. 

Busy as she can be, Karylle dabbles into almost everything – singing, hosting, acting, writing, musical theater, songwriting, even blogging and she is also an entrepreneur.

Karylle is enjoying her daily stint on ABS-CBN’s noontime show "It’s Showtime." She is also busy promoting her latest "K" album under PolyEast Records. She recently headlined Bench’s campaign for their Shapewear line, and Belo Medical Group’s Bride marketing effort.

She also started working on her online show with Yahoo and also preparing for a string of projects including an upcoming concert within the year.

Karylle was one of the performers of the 45th anniversary show of the Cultural Center of the Phillippines “Musikal,” a historic coming together of more than 200 local theater performers in the country just last weekend. She reprised her Sita role from last year’s “Rama Hari” revival.

With everything that keeps Karylle busy, the singer-actress-TV host is thankful that STATUS Salon has chosen her to be their first celebrity endorser.

“I really am grateful to STATUS that they gave me their full trust and confidence to be their first celebrity endorser,” says Karylle during the media conference held this Wednesday, September 10 at the Dulcinea. 

“It feels great that I was warmly welcomed by everyone, and I now have STATUS to take care of my hair.”

“With all my engagements, na siyempre kailangan ayusin yung buhok ko, sometimes it takes a toll on my hair, so ngayon I’m happy na kasi STATUS is there na,” she adds.

Karylle, who frequents Quezon City, San Juan, Eastwood and Ortigas areas, also notes that it is good that there is always a STATUS Salon near her always.

STATUS HAIR SALON owners Robina and Roseann Ko with Karylle

STATUS HAIR SALON started year 2011 by siblings Robina and Roseann Ko, with their unique brand, build the salon with a vision of providing services in line with the highest international standards. The salon uses Schwarzkopf products and from basic cuts to modern trends styles done by well-educated, internationally-trained staff and stylists.

“We really are happy that Karylle is already part of the STATUS Salon family,” says Robina Ko. “Karylle is so beautiful inside and out, and people look up to her because of her intelligence, good heart, and beauty kaya perfect talaga siya for STATUS,” she adds. 

Roseann Ko, the other owner of STATUS, also said that, “the launch of Karylle as our endorser also signals our foray into franchising, so it’s really a big step for all of us, and we are thankful that we have Karylle.”

Visit STATUS Hair Salon branch near you - Tomas Morato, Katipunan, Eastwood San Juan, Robinson’s Galleria plus STATUS Premiere Salon in Acropolis, Makati, and Banawe.

For more information you may visit:

Facebook : https://www.facebook.com/statushairsalonmanila

Twitter: @Statushairsalon_

Instagram: Statushairsalon_

For franchising inquiries, please contact Mr. Paul Vicencio at 0915-8770219.

CCP's 45th anniversary celebration, with Dulce, Isay Alvarez, Sheila Francisco, Karylle lead 'Musikal'

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In celebration of the Cultural Center of the Philippines’ 45thanniversary, around 200 theater actors performed for what may be called the “biggest gathering of theater superstars” in history – “Musikal,” held last Friday (September 5) and Saturday (September 6) at the Cultural Center of the Philippines.

The celebration was led by theater superstars Isay Alvarez and Robert Sena, Sheila Francisco, Dulce, and Karylle, who did not take her spot in the front line during the All-Star Finale.

Karylle’s gesture was lauded by some people who noted her humility.

A guest, who refused to be named, said, “Karylle obviously had a spot in the first row, but she was humble enough to stick to her place beside theater heavyweights like Isay, Robert, Dulce, and Sheila. Aside from her excellent performance that night, her humility and character shone during ‘Musikal.’”

Karylle performed lead roles in stage musicals like “The Little Mermaid,” “West Side Story,” and “Cinderella,” and reprised her Sita role from last year’s successful staging of Ballet Philippines’ “Rama Hari.”

“Musikal” opened with the overture by The Philippine Philharmonic Orchestra with Gerard Salonga.

The revue started with musicals, which tackled old Philippines – “Walang Sugat,” represented by the comic spot “Makikiliti Kang Totoo,” performed by international musical star Sheila Francisco and Red Nuestro. It was followed by chosen numbers from “Ang Kababaihan Ng Malolos” and “San Andres B.”

The Ryan Cayabyab Singers performed a medley of songs from the musical “Lorenzo,” which elicited loud applause from the audience.

Former Sugarfree vocalist Ebe Dancel’s vocals soared in the “Rock Supremo” spot. He was accompanied by Ballet Philippines’ stars Carissa Adea, Kathrina Trofeo, and Richardson Yadao.

Children musicals came next. The segment opened with “Sandosenang Sapatos,” followed by last year’s multi-awarded “Bluebird of Happiness,” and “Batang Rizal.”

The “vaudeville” musicals were presented next with Roeder’s sexy, comic number “Titina” and the showstopping “Aba Ba Boogie,” from the 1980’s hit musical Katy with Isay Alvarez, star of last year’s revival.

The first act closed on a high note with a performance of some of the songs from Ryan Cayabyab and Bienvenido Lumbera’s “Noli Me Tangere” by the world-renowned Philippine Madrigal Singers and the “Munting Pangarap” number of perhaps the most successful musical in recent years “Rak of Aegis.”

The second act opened with Myke Salomon’s performance of “Magsimula Ka.” Followed by spots from Ateneo’s “Sinta,” “Toilet the Musical,” and Ed Gatchalian’s “Rivalry.”

The cast of “Sa Wakas” performed next with the song “Bawat Daa

These numbers mirror the youth’s psyche.

The “Himala” spot was undeniably intense with powerhouse performances from May Bayot, Isay Alvarez, Cynthia Guico. and Dulce.

The mood turned gay when Myke Salomon opened the “Rainbow Segment,” with performances from “gay-themed” musicals like “Caredivas,” “Zsa Zsa Zaturnah,” and “Maxie.”

These fun numbers were followed by a revue of “Rama Hari,” perhaps the most important Filipino musical as it was made by icons of the industry – National Artists Bien Lumbera, Alice Reyes, and Salvador Bernal with the respected Ryan Cayabyab.

“Rama Hari” is based on the love story of Rama and Sita, as presented in the Asian epic “Ramayana.”

OJ Mariano (Rama) opened the suite with “Tagistis ng Ulan.” He was followed by Karylle (Sita), who looked every inch a royalty. She sang the most popular tune from the musical – “Magbalik Ka Na Mahal.” Then, a dance solo was performed by dancers from Ballet Philippines. Robert Sena joined OJ and Karylle for “Awit ng Pagsinta.”

The “Rama Hari” was greeted by thunderous applause.

“Musikal” ended with “Minsan Ang Minahal Ay Ako,” a song from the musical “Katy.” The said anthemic song has unofficially been the “theme of stage performers.” Dulce, Isay, and Aicelle, stars of last year’s revival, led all the performers in singing the song

After that magical, emotional number, thunderous applause, and a long standing ovation greeted the more than 200 cast members of “Musikal,” further proving that the local theater industry is experiencing a new “high.”

“Giselle” to Celebrate Ballet Philippines’ Sapphire Year on Sept. 19-21

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In a special repeat performance, Ballet Philippines’ highly celebrated restaging of “Giselle” returns this September 19-21 to the CCP Main Theater. The beloved romantic ballet is once again being restaged by the Philippines’ premier danseur, Nonoy Froilan to start off the Blue Moon Series, a two-week fundraising series celebrating the company’s sapphire milestone.

Stella Abrera and James Whiteside from the American Ballet Theatre will perform as Giselle and Albrecht on the fundraising gala on September 19. That evening’s performance will also feature live accompaniment by the Philippine Philharmonic Orchestra under the baton of Maestro Olivier Ochanine.

Stella Abrera

Ballet Philippines principal dancers Katherine Trofeo and Jean Marc Cordero, as well as newly promoted soloist Denise Parungao and junior principal dancer Earl John Arisola will reprise their roles of Giselle and Albrecht for the other 4 shows in the production’s one-weekend run.

The 2013 restaging of “Giselle” earned recognition at the Philstage Gawad Buhay awards, winning the trophies for Outstanding Ensemble Performance for Classical Dance, Male Lead Performance in Classical Dance for Jean Marc Cordero, and Female Featured Performance in Classical Dance for Rita Winder.

Touted as one of ballet’s greatest, “Giselle” is a classical romantic tragedy of loss, forgiveness, and love beyond death. Her story is a familiar one – two men are in love with her, but she chooses to surrender her heart to Albrecht, the suave newcomer who, as Giselle later finds out, is engaged to be married. 

Ignoring her own suspicions and the well-meaning advice of Hilarion, her other suitor, Giselle eventually discovers the truth and ultimately, her heartbreak results in her demise. Yet she chooses to forgive her lover and save his life.

James Whiteside

In a medium like ballet where spectacle often takes the spotlight, such drama and conflict are seldom found. But everyone has a story to tell in “Giselle”. The choreography and the music, not to mention the dancers, all help to create well-rounded and relatable characters.

What lies at the very heart of this ballet is its story. Its message and the emotion it conveys have the power to move an audience to tears. While other ballets may be remembered for a particularly fantastic movement, “Giselle” will be remembered by how it made people feel.

The production also features Mailes Kanapi as Berthe, Giselle’s mother, with Nonoy Froilan and Butch Esperanza alternating as the Duke of Courland, as well as Carissa Adea, Richardson Yadao, Rita Angela Winder, Ma. Celina Dofitas, with Ballet Philippines’ company members, apprentices, and scholars.

“Giselle” will be performed at the CCP Main Theater on September 19 at 3 PM and 8 PM, September 20 at 2 PM and 6 PM, and on September 21 at 2 PM. 

For bulk reservations, show buys, and inquiries, visit www.ballet.ph or call Ballet Philippines at 551-1003. For tickets, call the CCP Box Office at 832-3704 or Ticketworld at 891-9999.

Connect to Ballet Philippines online through the following social media networks:

Facebook: www.facebook.com/balletphilippines

Twitter: @balletph

Instagram: @balletphilippines

YouTube: https://www.youtube.com/user/balletph

Ballet Philippines - The 45th Anniversary Sapphire Season. Rare scenes of power and grace. Love, valour and redemption. A toast to 45 years of dance excellence!

Roxie Rocks Chicago The Musical at the Solaire!

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CHICAGO The Musical has everything that makes Broadway great - a universal tale of fame, fortune and all that jazz, one show-stopping song after another and the most astonishing dancing you've ever seen.

Whether you're looking for your first Broadway musical and capture the magic, watch out as the curtain rises for the theatre at Solaire

Solaire Resort and Casino announces the opening of THE THEATRE at Solaire this November; a new state-of-the-art, certified lyric theatre in the heart of Entertainment City. 

This majestic performance venue boasts of an astronomical line-up of performance artists and events; both local and international, in the months to come.

THE THEATRE at Solaire opens its doors for the holidays with the first International Broadway show CHICAGO from December 2 to 21, 2014.

This spectacular opening and amazing entertainment line-up for The Theatre signifies the continuance of Solaire’s contribution to the flourishing arts and performance scene in the Entertainment City.

Visit solaireresort.com for details.

Kids Acts Philippines presents “ALADDIN” on August 14 - 16

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As a season offering to all schools, parents and children, Kids ActsPhilippines proudly presents “ ALADDIN ” with script and lyrics by LUIGI NACARIO and music by EUGENE BELBIS.

The story of Aladdin is adapted from the popular version of “Aladdin and the Magic Lamp” by Antoine Galland.

Aladdin is a story of a poor boy and his mother. One day, an African Magician disguised as his uncle asked the boy to work for him. He then brought the boy to a cave full of gold and told him to get an old lamp. Before he entered the cave, the African Magician gave him a magic ring. In the cave, Aladdin found the old lamp, but was trapped inside. He accidentally rubs the ring and a genie comes out and granted him his wish to get out of the cave. He was able to get home and handed the old lamp to his mother for her to clean it. As she was cleaning it, another genie comes out from the lamp and granted him all he wished for.

Later, he fell in love with the beautiful daughter of the Sultan, marries her and gave her an enormous palace. One day, the African Magician learned about Aladdin’s success and went to the palace and tricked his wife into trading an old lamp for a new one. The African Magician used the lamp to get Aladdin’s palace, wife and all his riches transferred to a lonely place in Africa. Aladdin, on the other hand, was despaired but tried to get back everything through the use of the magic ring.

Will he be able to get his Princess and the magic lamp back? Will he be able to defeat the evil magician?

Discover Aladdin’s Adventure as Kids Acts Philippines presents Aladdin and The Magic Lamp!

The cast of “ ALADDIN ” features Noel Rayos, Derrick Gozos, Gian Gloria, Kendrick Ibasco, Al Fritz Blanche, Terence Guillermo, Nazer Salcedo, Ramil Pauig, Arion Sanchez, Michael Fernandez, Ces Dela Cruz, Cristina Peredo, Agnes Sarreal, Zscharmaine Barretto, Meyanne Plamenio, Arielle Magno, Ria Albaladejo, Faye Velicaria, Charlotte Gonzales, Mary Joy Solomon, Justin Orolfo, Shanelle Comia, Atascha Mercado, Hya Leonado, Angel Yu

The artistic team of ALADDIN is composed of Jonathan Rabanzo & Luigi Nacario (Choreography); Eugene Belbis (Orchestration); Christian Bautista (Lighting Design); Emma Doverte (Stage Management); Manuel Edralin (Set Design); Luigi Nacario (Costume Design) and Ed Aguilar Nicart III (Photography).

For further inquiries, please call 7501551 / 09154478959

Or visit Facebook page – www.facebook.com/kidsactsphilippines

Follow Tweeter – www.twitter.com/KidsActs and

Instagram: @kidsactsphilippines

Tanghalang Ateneo's 36th season with the theme “Navigating Identities” all set to open with Han Ong’s ‘MIDDLE FINGER' on August 1

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As Tanghalang Ateneo, the longest-running theater company of the Loyola Schools of the Ateneo de Manila University, celebrates its 36th season with the theme “Navigating Identities,” will feature Han Ong’s ‘MIDDLE FINGER,’ an adaptation of the famous German play ‘Spring Awakening’ by Frank Wedekind.

The company aims to stage plays that center on man’s exploration and need to find himself and his place in the world.

Featuring a bilingual script using the original by Han Ong and a Filipino translation by Ronan B. Capinding, MIDDLE FINGER is a coming-of-age story centered on two Filipino teenagers, Jakob Rodriguez and Benjamin Lunga, studying in a Catholic school in America. In a world dominated by adults and social constructs, they attempt to find control and establish themselves as individuals.

Guelan Luarca shall play the role of Jakob Rodriguez, a headstrong and rebellious adolescent boy trying hard to break away from the boundaries set for him by the adults in his life.

Joe-Nel Garcia shall play the role of Benjamin Lunga, the best friend of Jakob, this average student only wants the good and simple things but is suddenly faced with the hard reality of life.

The other members of the cast are as follows:

Brian Ramos plays the role of Yachin, the nerd of the group who tries to figure out a balance between his logical way of thinking and undoubting faith in God.

Gab Tibayan plays artistic Wallace who had had the unfortunate luck of having birds nest in his hair.

Avie Alcantara plays Michael, the new American kid in school just trying to fit in with the rest of the boys.

Niki Calma portrays Myrna a prostitute who serves as the ironic authority figure for Jakob, trying to teach him the intricacies of adult life.

Marjorie Lorico will essay the role of Mrs. Rodriguez, who stands as mother and moral compass for Jakob.

Joseph dela Cruz plays the role of Mr. Rodriguez, the unresponsive father figure in the Rodriguez household who seems to have given up with the challenges of life.

Dolly de Leon will play the role of Mrs. Lunga, the stoic mother of Benjamin Lunga who slowly loses to the world.

David Bianco will portray the role of the teacher, and Richard Cunanan shall play the pivotal role of the Counselor.

Members of the ensemble include Juella Bautista, who plays Celia, the quirky love interest of Yachin, Aih Mendoza playing Hilda Rodriguez, the older sister of Jakob who has left home, Soc delos Reyes playing the roles of bartender and Jerome Flor playing Mickey, the older brother of Yachin, driven to insanity by his physical appearance.

The artistic team of MIDDLE FINGER is led by Glenn Sevilla Mas (Artistic Director, Tanghalang Ateneo), Ed Lacson Jr. (Director and Production Designer), Teresa Barrozo (Sound Designer) and Meliton Roxas Jr. (Lights Designer).

The playdates of MIDDLE FINGER are as follows: August 1-2, 4-9, 11-16 and 18-22,2014. The play starts promptly at 7 p.m. Matinee shows start at 3 p.m.(Saturday).

The press preview is set on July 30 at 6 p.m.

All performances will be held at the Fine Arts Black Box Studio of the Ateneo de Manila University.

For details of the show, please contact Acel Go at 0916-480-2195 or email:ta.mpc78@gmail.com.

Connect to Tanghalang Ateneo online through the following social media networks:

Website: www.tanghalangateneo.org

Facebook: www.facebook.com/TanghalangAteneo

Twitter: www.twitter.com/TAOfficial_

YouTube: www.youtube.com/user/tanghalangateneo

Tanghalang Ateneo proudly announces its 36th season line-up of three productions with the theme “Navigating Identities”

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Tanghalang Ateneo, the longest-running theater company of the Loyola Schools, Ateneo de Manila University is celebrating its 36th season for the school year 2014-2015. 

Growing from a fledgling band of student players to one of the country’s leading school-based theater companies, Tanghalang Ateneo proudly announces its 36th season line-up of three productions with the theme “Navigating Identities” revolving around man's need to define himself and his significance in the world. 

The productions are as follows:

MIDDLE FINGER

written by Han Ong

translation by Ronan B. Capinding

direction by Ed Lacson Jr.

August 1-2, 5-9, 12-16, 19-22, 2014

Venue: Ateneo's Fine Arts Black Box Theater

MIDDLE FINGER is an adaptation of Frank Wedekind’s modern classic “Spring Awakening.” Set in the U.S., the play centers on four young Filipino-American high school students who seek their identities in a world dominated by the repressive authority of adults. This play was first produced by Tanghalang Ateneo in 2007.

RITE OF PASSAGE

written by Glenn Sevilla Mas

an adaptation of Ma. Milagros Geremia-Lachica’s

“Sa Pagtubu kung Tahud / Upon the Growing of the Spur”

direction by Ronan B. Capinding

November 27 - December 13, 2014

Venue: Ateneo's Rizal Mini Theater

RITE OF PASSAGE is a Carlos Palanca-winning full-length play about a young man from the Visayas who wants to escape the monotony of rural life and seeks guidance in navigating his teenage years but finds none from his family. The young man is overwhelmed by the fact that no one understands him as he navigates his way through life on his own. The play was first produced by Tanghalang Pilipino for the Virgin Labfest, the Cultural Center of the Philippines' annual festival of new plays in 2005.

WAITING FOR GODOT / PAGHIHINTAY KAY GODOT

written by Samuel Beckett

translation by Rolando S. Tinio

direction by JK Anicoche

February 5 - 21, 2015

Venue: Ateneo's Fine Arts Black Box Theater

WAITING FOR GODOT / PAGHIHINTAY KAY GODOT is a Nobel Prize winner for Literature. A classic absurd play, this will be staged in both English and Filipino. The play, translated into the national language by National Artist for Theater and Literature Rolando S. Tinio, is about two characters Vladimir and Estragon who go through the motions of patiently waiting for the arrival of a mysterious Godot. 

Glenn Sevilla Mas, a well-respected playwright and noted Carlos Palanca winner is at present the artistic director of Tanghalang Ateneo. He also teaches various subjects in theater at the Ateneo de Manila University. 

The officers of Tanghalang Ateneo (SY 2014-15) are as follows: Jose Antionio I. Caluag (Company Manager), Hershee D. Tantiado (Finance Officer), Rachelle Ann L. Go (Marketing), Ma. Julienne Ella S. Bautista (Publicity Coordinator), Joe-Nel C. Garcia (Secretary General), Angelique Louis S. Basa (Special Projects Officer) and Dane Larieze L. Chua (Theater Manager).

For inquiries and reservations, please contact Acel Go at 0916-480-2195 or email: ta.mpc78@gmail.com.

Connect to Tanghalang Ateneo online through the following social media networks:

Website: www.tanghalangateneo.org

Facebook: www.facebook.com/TanghalangAteneo

Twitter: www.twitter.com/TAOfficial_

YouTube: www.youtube.com/user/tanghalangateneo

TANGHALANG ATENEO

1972 - 2014

Tanghalang Ateneo, the longest-running theater company of the Loyola Schools, Ateneo de Manila University, weaves into its work the theatrical traditions of the University’s sesquicentennial past: the devotion of the salon de actos at the Escuela Municipal, the eloquence of the Ateneo Dramatics Guild, the joie de vivre of the Ateneo Players Theater, and the innovative spirit of the Ateneo Experimental Theater.

Like these companies, Tanghalang Ateneo uses theater to foster eloquentia, sapientia, and humanitas – the pillars of Jesuit pedagogy. It sees itself as a theater company in the service of student formation, and by extension – given the Jesuit ideal of magis – a theater in service of the nation.

Since its founding in 1972 (and formally recognized five years later), Tanghalang Ateneo has grown from a fledgling band of student players to one of the country’s leading school-based theater companies.

Tanghalang Ateneo’s repertoire of plays is daunting: world classics, Filipino originals, and documentary texts turned into theater pieces. Its productions are noted for thought, generosity, and energy, while its lingua franca on stage is both Filipino and English. Its members come from diverse academic fields. In fact, many have pursued careers in theater, television, and film; many more use their theater experience to excel in management, law, teaching, media, and cultural work.

World class professional theater actors have graced its shows, and several outstanding designers and choreographers have served as members of the artistic staff.

To name a few, in our previous season we have invited Mr. Floy Quintos, a well-renowned playwright who has just released his first anthology, Ms. Frances Makil-Ignacio, a respected actress in the business, Ms. Myra Beltran, an established international choreographer and Mr. Gino Gonzales, a world-renowned production designer.

Moreover, its audiences extend outside the campus to embrace theater patrons within and outside the metropolitan area.

In addition, Tanghalang Ateneo has won two Aliw Awards for Best Production and another two for Best Direction for its previous production of Sintang Dalisay.

In its 35th season, “Ang Oresteyas” had been nominated in the Aliw Awards for Best Non-musical Production as well as Best Direction and has likewise been nominated in the following categories: Best Actress, Best Actor, and Best Featured Actor.

The company has also received production grants from the Cultural Center of the Philippines, the Loyola Schools, National Commission for Culture and the Arts, the Spanish Program for Cultural Cooperation, and the Japan Foundation.

Furthermore, Tanghalang Ateneo continues to makes itself known from the microenvironment of the Ateneo de Manila University, garnering nominations such as Project of the Year and Best Organization in the Council of the Organizations of the Ateneo de Manila University (COA) Awards.

Its shows have also been shown in campuses and venues across the country and abroad, notably in Shanghai and Taiwan as part of the Festival of the Asian Pacific Bureau of Theatre Schools, and in Belarus, Minsk for International University Theatre Association Student Theatre Festival.

The company’s past achievements have also facilitated the creation, in SY 2000-2001, of a degree program in Theater Arts within the Fine Arts Program of the Ateneo de Manila University.

Tanghalang Ateneo products educate and delight; they stimulate the imagination and provoke thought. Jesuit pedagogy fuses with theater arts to interrogate the Filipino social world so that students can invent themselves as critical Filipinos: sharp in thought, expressive in action, deep in faith and attuned to others – fellow players and audiences whose lives intersect with their own.

Salvador Bernal, named National Artist for Theater and Design in 2003, Doreen Fernandez, a notable writer and professor, and Nenita Escasa who had also taught in the Ateneo for almost 30 years were among the company’s advisers in the early years.

Ricardo Saludo, who, at that time, was a faculty member of the Department of English and of Communications became the first Moderator and Artistic Director when it gained university recognition in 1979.  He directed Tanghalang Ateneo’s first productions before handing the task over to Dr. Ricardo G. Abad.

Dr. Ricardo G. Abad succeeded him and has remained the Artistic Director and Moderator of Tanghalang Ateneo since 1984. He has directed over 80 productions, and has been awarded twice for his work as Outstanding Moderator in the University’s Service and Excellence awards (1991 & 1999) and by the Metrobank Foundation in 2001 with the Most Outstanding Teacher Award. He has also won the Best Director for the Aliw Awards with his work in Tanghalang Ateneo.

This year, Mr. Glenn Sevilla Mas came aboard the Company as its Artistic Director and Moderator. He has represented the Philippines in theater festivals and conferences all around the world and has won the Don Carlos Palanca Memorial Awards for Literature a whopping nine times. He is currently  a professor in Ateneo de Manila’s Fine Arts department.

‘FLUID ’ – A Reinterpretation of the Palanca Award-winning play set to open on July 24

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The De La Salle-College of Saint Benilde’s Technical Theater Program Batch 111 proudly presents a reinterpretation of the Palanca Award-winning play, “FLUID”. 

Written and directed by Floy Quintos, the comedy is about young Filipino contemporary artists struggling to make a name for themselves as they negotiate the tricky terrain between Love, Art and Compromise.

“ FLUID ” is set to open on July 24 and shall continue to run on July 25 and 26 (1:00 pm and 7:00 pm) at the 5/F SDA Theater, School of Design and Arts Campus, De La Salle-College of Saint Benilde, 950 P. Ocampo St., Malate, Manila. A press preview is set on July 23 at 7 p.m.

“FLUID” is written as a series of scenes in different locations featuring three pairs of characters who seemingly have nothing to do with each other. Amir is a struggling and frustrated young painter whose life is about to be changed by Mira a wealthy art collector who dreams of discovering new talent. Jom and Alben are passionate theater actors torn between their passion for their craft and the lure of fame. Renata is a seemingly batty orchestra coordinator out to defend the dignity of her orchestra when it is hired to play at a society wedding by the overbearing events coordinator, Simone. All these unique and clashing characters come together unexpectedly at an art exhibit where their impulses lead to joyful mayhem.

The cast of “FLUID” is made up of professional actors. Red Turnip Theater’s Ana Abad Santos who originally created the role of Mira in 2004 reprises her role. Kalil Almonte last seen in “Sintang Dalisay” and “Games People Play” plays Amir. JC Santos, fresh from his tint in Hong Kong’s Disney Land and Singapore’s Universal Studio, plays the ambitious Jom while Russell Legaspi last seen in this year’s Labfest plays the earnest Alben. Amihan Tanedo Ruiz and Gel Basa both last seen in “Breakaway Antigone” play Renata and Simone respectively. Musical Theater actor Tony Falcon also appears in the show.

“FLUID” had its successful runs in the University of the Philippines, Diliman (2004) and in Ateneo de Manila University (2007). For this new production, “FLUID” is being restaged by the Benilde Technical Theater Batch 111.

The artistic and creative team of “FLUID” is led by Floy Quintos (Playwright and Director), Ellawyn Cruz ( Set Designer ) and the students of DLS-CSB Major in Technical Theater Batch 111.

For further information, check FLUID and Like us on Facebook www.facebook.com/Fluid111. 

Follow us on Twitter and Instagram @Fluid111

Talk about us with the hashtag #Fluid111

For ticket inquiries, please contact: 09179285737. 

About the Technical Theater Batch 111

The Technical Theater Batch 111 is comprised of the Bachelor of Arts Major in Technical Theater students of the De La Salle-College of Saint Benilde.

The AB-Technical Theater program is a three-year and one-term course offered by the De La Salle-College of Saint Benilde School of Design and Arts that trains students to become professional Production Managers, Stage Managers, Lighting Designers and Technical Directors.

About the DLS-CSB School of Design and Arts

Benilde is a learning environment that nurtures students to develop their interests and passions, and trains them to become professionally competent in established industries and emerging fields of specialization.

The School of Design and Arts (SDA) offers a wide scope of degree programs in specialized creative disciplines that meet the demands of today’s information-driven world. The SDA Campus, a 14-storey academic complex, is one big sand box for creative minds and a venue that stimulates students to think out of the box, shift perspectives, and innovate ideas.