Showing posts with label Stageplays. Show all posts
Showing posts with label Stageplays. Show all posts

May 10, 2017

BRAVE Nights at Alek Café + Kitchen + Art Space

Van Gogh pop art
Van Gogh Pop Art X Coffee Cupping and BRAVE Nights at Alek Café + Kitchen + Art Space: Celebrating good food, coffee and art appreciation while championing plight of society’s most abused sectors 

“Little steps can go a long way,” says Michiko Unso, artist and Managing Partner of Alek Cafe + Kitchen. Unso knows whereof she speaks.

Unso has been rabidly supporting BRAVE, a series of JCI Makati Princess Urduja Empowerment Project for Women, Abused Children, and LGBTQ (Lesbian, Gay, Bisexual, Transgender, and Queer) communities.

Driven and indefatigable, Unso’s foremost passions include food and the performing arts. When she and some partners thought of putting up a restaurant business, they knew that it couldn’t be just any run-of-the-mill establishment.

Thus, Alek Café + Kitchen + Art Space was born which serves good coffee, food, and other beverages (try the Alchemist Coffee which is a winner) while supporting the arts in all its many forms and the advocacies that Unso champions.

“When we conceptualized this space, I wanted to support local artists, ’yung mga gustong mag-exhibit. We (will) sell the art pieces and proceeds will go to the artist and to BRAVE,” recalls Unso.

The first artist featured at Alek Café + Kitchen + Art Space is Paul Anthony Gustilo who has held overseas exhibits most notably at the Art Square Gallery in Kuala Lumpur in 2013. Since he ventured into the visual art in 1992, Gustilo has had many combined solo and group exhibits overseas and in the Philippines in venues such as the Heritage Gallery in SM Megamall, Shangri-La Plaza mall, and the Ayala Mall in Cebu. 

Visual artist Paul Anthony Gustilo and Mikaelah Alekssandra Unso
Gustilo was an easy choice, says Unso. “Several artists showed us samples of their artwork. One of our first considerations was that the pieces should be a good fit for the artsy yet intimate vibe of the place, nothing gory since we’re a hit among the Legazpi Village crowd during lunchtime.”

Gustilo comes from a family of artists since his father is a doctor-slash-painter while his grandfather used to be a background artist at Walt Disney Studios in the ‘80s. Gustilo’s exhibit is dubbed “Van Gogh Pop Art” which features works that are an interpretation of the great but tortured Dutch Post-Impressionist painter Vincent Van Gogh’s immortal works.

“Yung klase ng art n’ya (Gustilo), pop art pero based sa mga classics like Van Gogh’s works,” says Unso. Van Gogh’s works are characterized by bold colors and dramatic, impulsive, and expressive brushwork that contributed to the foundations of modern art. 

Gustilo shares that he has only recently dabbled into pop art. “In one of our international exhibits, binansagan nila akong rocker artist because of the boots I was wearing.”

At Alek Café + Kitchen + Art Space, one is treated to a multidimensional experience that is at once relaxing, challenging, and satisfying to all the senses. “I think that it’s a good idea to teach people to appreciate local artists, local food, and coffee and its many categories,” says Unso.

When Unso talks about her journey towards coffee appreciation, it is with feverish enthusiasm. Coffee beans come in three waves, says Unso --- the first wave, the second wave, and the third wave. Their beans at Alek belong to the third wave; they are not mass-produced and go under strict quality control. “We do our own blend, the roasting is fresh, and we use single origin beans, which means that every type of coffee bean comes from one country, one province, one city, and one farm.” Alek Café + Kitchen + Art Space also supports local farmers since Arabica beans which are pricey are only grown in high altitude places in the country like Benguet and Sagada.

Mosang (Photo Credit : Trixie Dauxz)

Unso derives comfort from having happily welded all her passions --- food, the arts, and women’s, children’s and LGBTQ’s rights --- into one tastefully-designed space at the heart of a primarily business district that is Makati. Located at the Ground Floor of Builders Centre, 170 Salcedo St. in Legazpi Village, Makati, Alek Café + Kitchen + Art Space has begun “Brave Nights,” which started last April 17, with a new presentation this May 13 and every month afterwards.


Kathy Arguelles (photo credit Trixie Dauz)
“Brave Nights” are monologues and spoken word on issues of women and the LGBTQ community performed by different artists which some of them wrote themselves. “Kahit sa maliit na lugar, mahalaga na magkaroon sila ng boses,” stresses Unso. 

The opening monologue during the April 17 showcase was Suffragette, written by Jose Victor Torres, it was about a "traditional" and "subservient" wife having a conversation with her congressman husband about the right of women to vote.

The next monologue, entitled Kiriring (from the play Kiriring, Aida, at Macaraig), an emotionally exhaustive take on physical, emotional and sexual abuse that resulted to her acquiring the dreaded HIV virus.

The third featured monologue, This is My Life, is a bitter sweet representation on the life of an aging gay performer.It was one part nostalgia, one part laugh out loud moments. all part truthful. The many ups and downs of the performer's life mirrored through the Shirley Bassey pop aria.

Capping the first edition of "Brave Nights" was Petunia, a monologue of a woman in her twilight years, who made a vow to enjoy the best years of her life while doing the things she love - dancing, singing and loving herself more. 

Unso is progressive-minded and is quick to clarify that AIDS is not the only issue that the LGBTQ community struggles with. “Discrimination is everywhere, most notably in the workplace. Hindi ka puwedeng magsuot-babae if you’re gay kapag sa isang kompanya ka nagta-trabaho.”

Mikaelah Alekssandra and Michiko Unso

Named after Unso’s tall and lovely 14-year-old daughter Mikaelah Alekssandra, Alek Café + Kitchen + Art Space is a fusion of the things that affect us in our daily lives in both cerebral and visceral ways. “Hopefully, in our little way, we will be able to teach people to appreciate good food and care more for people and local artists,” concludes Unso.

April 19, 2017

Sister Act The Musical in Manila

The blissfully silly heavenly hit show and much acclaimed Broadway musical comedy Sister Act premieres on June 27 at The Theatre at Solaire in Paranaque City. Touted as America’s new musical comedy classic, Sister Act brings to the musical theater scene a stage re-creation of the music and general story of the hit 1992 film comedy of the same title, but with an all-original score and script and spectacular production design.

The show is part of the Asian leg of the American production’s Asian tour for 2017. The musical will run for only two weeks with no extension.


Touted as America’s new musical comedy classic, “Sister Act” brings to the musical theater scene a stage re-creation of the music and general story of the hit 1992 film comedy of the same title, but with an all-original score and script and spectacular production design.

The play will leave the audience breathless as it they follow for two-and-a-half delightful hours the funny adventures of Deloris Van Cartier, a wannabe diva whose life takes a surprising turn when she witnesses a crime and the cops hide her in the last place anyone would think to look – a convent.

Under the suspicious watch of Mother Superior, Deloris helps her fellow sisters find their voices as she unexpectedly re-discovers her own.

The musical features original music and score with a big Broadway sound written by the most acclaimed composer of our time, 8-time Oscar winner Alan Menken (“Beauty and the Beast,” “”The Little Mermaid,” “Little Shop of Horrors”), with lyrics by Glenn Slater. The story was written by Bill and Cheri Steinkellner with additional book material by Douglas. Carter Beane. 

It had its world premiere at the Pasadena Playhouse in the Fall of 2006, followed by a production at Alliance Theatre in Atlanta on the Winter of 2007. The West End production began previews at the Palladium Theatre in London on May 7, 2009, while the Broadway production began preview performances on March 24, 2011 and officially opened on April 20, 2011 at the Broadway Theatre.2

Seen by over 6 million theater-goers across the globe, “Sister Act” has been performed worldwide in Milan, Vienna, Paris, Germany, The Netherlands, Japan and on tour throughout the United States and the United Kingdom. It has also been played in Canada, Ireland, South Africa and Spain.

The musical received five Tony Awards nominations in 2011: Best Musical, Best Original Score (Alan Menken-music/Glenn Slater-lyrics), Best Book of a Musical (Cheri and Bill Steinkellner and Douglas Carter Beane), Best Actress in a Musical (Patricia Miller) and Best Featured Actress in a Musical (Victoria Clark) 

It was also nominated for four Olivier Awards in 2010, including Best Musical.

The musical has drawn widespread critical acclaim for being a “fun, funny and feel good” act, with The New York Post describing it as “ridiculously fun” and The Huffington Post lauding it for providing fans “an unbridled joy.”

Sister Act is Ovation Productions’ second Broadway musical presentation; with Disney’s Beauty and the Beast 2 years ago at the Cultural Center of the Philippines as it’s first. 

Media partners are Fox, MYX, Philippine Star, Manila Bulletin, and Philippine Daily Inquirer. Produced by Ovation Productions in cooperation with Broadway Entertainment Group, and Troika. 

Tickets at P6500, 5500, 4500, 3500, 1500 available online at www.ticketworld.com.ph or call (02) 981-9999. 



November 9, 2016

SM Southmall presents the Christmas centerpiece with The Tale of the Winter Forest

Christmas is always a special time of the year for all. SM Southmall launch a kick-off this amazing season by sending out an inspiring message of selflessness and kindness that is characteristic of the Christmas season.

SM Southmall, the premier mall of the South metro presents The Tale of the Winter Forest presents The Tale of the Winter Forest.

Feel the spirit of Christmas at the SM Southmall and witness the magical tale of the joy of giving. The launch features the unveiling of the mall’s first Christmas centerpiece with a play production by Stages and a full performance of the Manila String Machine. 





The Tale of the Winter Forest tells a story of two children getting lost in an enchanted forest, where the only way to find the right path is to give up everything. In the forest, they meet a wounded rabbit, a lost cardinal, and a hungry tiger. The children helped the animals, giving up their clothing and food for them. In return, the Winter Fairy appears and shows them the path home. 



In the spirit of the season, SM Southmall started sharing happiness last November 6 and gave special gifts to the children from the SOS Children’s Village. Sos Children's Villages Manila as one of the chosen charities.

This holiday season, there are more other activities in store at SM Southmall.

Share your special Christmas wish with Santa Claus on November 13 & 27 and December 11 & 24. 

Join the Yuletide cheer as we serenade you with your favorite Christmas carols on November 22, 23, 24 & 26. 

Shop ‘til you drop at the Double Weekend Holiday Sale on November 19-20, 26-27. 

Get a chance to win amazing prizes or a brand-new Chevrolet Traxx at the 12 Days of Christmas. 

Other pocket events includes:

SM Cares campaign in Bears of Joy

Lighted Tradition Parol-Making Contes

Smart Vhristmas Exhibit

Vivo Christmas Roadshow

SM Southmall’s Christmas activities are supported by Baskin Robbins and Project Pie.



Truly, SM Southmall satisfies the wishes of its people. 



No matter the season, the occasion or the time of the year, SM Southmall welcomes the community with open arms.

September 24, 2016

TP presents “Pangarap sa Isang Gabi ng Gitnang Tag-Araw” by William Shakespeare


TANGHALANG PILIPINO (TP) presents  William Shakespeare's “Pangarap sa Isang Gabi ng Gitnang Tag-Araw” traslated by Rolando Tinio and will be on September 30 to October 16, 2016

William Shakespeare’s PANGARAP SA ISANG GABI NG GITNANG TAG-ARAW (Midsummer Night’s Dream) in a Reimagined, Provocative Staging 

Carlos Siguion-Reyna, director of TP production “Walang Sugat” and known for his films “Azucena,” “Kahapong May Dalawang Bata,” and “Ang Lalaki sa Buhay ni Selya,” brings his thought-provoking creative interpretation of Shakespeare’s Pangarap Sa Isang Gabi ng Gitnang Tag-Araw (Midsummer Night’s Dream) translated by national artist Rolando Tinio for a limited three-weekend run from September 30 to October 16, 2016.

Presented by Tanghalang Pilipino, the company behind “Mabining Mandirigma,” “Zsazsa Zaturnah,” and “Himala The Musical,” the production’s strong cast will be led by Audie Gemora, Liesl Batucan, Teroy Guzman, Skyzx Labastilla, Richard Cunanan, Kristofer Kliatchko, Rafa Siguion-Reyna and Jackie Lou Blanco, with the Tanghalang Pilipino Actors’ Company.

We experience a juxtaposition of two worlds—Athens, the home of the powers-that-be, all rigid and structured vis-à-vis the home of the enchanting creatures, the forest, a place where unbridled passions run free. The double entendre of Shakespeare's comedies lends itself to bouts of mild sexual humor. “The rich text from both Shakespeare and Tinio has allowed us to use a mishmash of English and Tagalog – using these two languages to reflect the conflict between order that has gone fascist and the idea of passion gone chaotic,” says Siguion-Reyna. There is a study of contrasts: ‘fakery vs. authenticity,’ ‘reason and sanity vs. emotional lunacy,’ and ‘ego vs. evil’ among the revolving theme of the play. Siguion-Reyna shares, “We’re going with that kind of schizophrenia and it’s coming out organically.”



THEME and MOOD

“Pangarap sa Isang Gabi ng Gitnang Tag-Araw is not a whimsical story for me. It’s not about harmless fairies having fun, nor a Victorian-setting / Peter Pan type of story. There are lots of dark elements in this play. We went for thematic manifestations and the suggestion of fascism and passion instead of constricting the play to a certain period. In fact, I even thought about setting it in a mental hospital, a 19th century Spanish precolonial period, traditional Philippine mythology, or a totalitarian state – but that was reducing the play. ,” shares Siguion-Reyna.


SETTING

Siguion-Reyna continues, “We are keeping the woods – its sense of wonder and magic in the woods’ acts.” The foggy woods bring that certain kind of lunacy distinctly found in Midsummer’s Night’s Dream and its otherworldness. “This allows the audience to analyze the play – which is abstract enough and open to interpretation. They can read the circumstance that’s relevant to themselves – politically or from another point of history.” See what the woods are in your life; what the court is in your own life. With costumes not period specific, this play crosses time and culture. It’s a think piece that allows your imagination to run wild. “It’s very liberating.”


CHARACTERS

Theseus is the force of order in the first place, bringing that cold, sterile feeling. Puck and Oberon will do anything to enforce certain magic. Free-spirited Puck is an assemblance of the courtlife. In the woods, the characters are unpredictable in what they will do.


CAST 

“I went into rehearsals as if the two great playwrights, Shakespeare and Tinio, were in the room with me. I had so much fun exploring this play with the cast and I’m enjoying the fact that I can’t fully grasp the entirety of the play. We’re finding it out together. Here, we are exploring the roles of men and women, and sexual and gender politics, among others. I’m working with a great cast,” Siguion-Reyna fondly shares.


WHAT TO EXPECT

Between the horror and the comedy, the mix results in to a provocative staging where you can find yourself in your very own “woods,” a place filled with uncertainty, magic and wonder - anything can happen there; and when you come out of the woods, how does it change you?

Pangarap sa Isang Gabi ng Gitnang Tag-Araw opens on September 30, 2016, 630pm at the Tanghalang “Watch Pangarap and experience virtual love, rejection, and emotional transformation,” invites TP artistic director Nanding Josef. 

Pangarap sa Isang Gabi ng Gitnang Tag-Araw, an adaptation of William Shakespeare’s classic, A Midsummer Night’s Dream from Rolando Tinio’s Filipino translation, follows one of Shakespeare’s most controversial works. 

Notable members of the Artistic Staff are: Rody Vera (Dramaturg), Toym Imao (Set Designer), John Batalla (Lights Designer), TJ Ramos (Sound Designer), and James Reyes (Costume Designer). 

Pangarap sa Isang Gabi ng Gitnang Tag-Araw runs at the Cultural Center of the Philippines on these dates and times: 
September 30, 2016 (Friday) – 8PM  
October 1, 2016 (Saturday) – 3PM & 8PM 
October 2, 2016 (Sunday) – 3PM 
October 7, 2016 (Friday) – 8PM 
October 8, 2016 (Saturday) – 3PM & 8PM 
October 9, 2016 (Sunday) – 3PM 
October 14, 2016 (Friday) – 8PM 
October 15, 2016 (Saturday) – 3PM & 8PM 
October 16, 2016 (Sunday) – 3PM 

For more information, contact Tanghalang Pilipino Foundation, Inc. at (02) 832-1125 loc. 1620/1621| Direct line: (02) 822 6920 |Lorelei Celestino: (02) 915 607 2275 

July 21, 2016

SM Cares, UNICEF, Tanghalang Pilipino and Camera Club celebrate the National Disability Prevention and Rehabilitation (NDPR) Week, with guest of honor VP Leni Robredo

Vice President Leni Robredo as the guest of honor at the  National Disability Prevention and Rehabilitation (NDPR) Week opening at the Music Hall of SM Mall of Asia, July 18, 2016 

Every child is uniquely gifted. Let"s talk about posibilities as we celebrate the abilities of children with disabilities through photo exhibit and stage play in selected SM malls.



The  National Disability Prevention and Rehabilitation (NDPR) Week was launched at the Music Hall of SM Mall of Asia last Monday, July 18, 2016 with Vice President Leni Robredo as the guest of honor.


SM Cares programs on PWD and Children, in partnership with UNICEF, Tanghalang Pilipino, and the Camera Club of the Philippines, celebrates the National Disability Prevention and Rehabilitation (NDPR) Week starting July 18, 2016.



NDPR Week celebration's objective is to raise awareness and help create an inclusive environment for Children with Disabilities (CWDs) by highlighting their abilities instead of their disabilities.




This will be dramatized via informative and educational activities for mall-goers through Tanghalang Pilipino’s stage play entitled “Sandosenang Sapatos,”, and the Camera Club of the Philippines’ photo exhibit entitled “See What I Can Do” that depict the everyday lives of Children with Disabilities.



Here's the SCHEDULE OF National Disability Prevention and Rehabilitation (NDPR) Week







This initiative is just one of the collaborative efforts of SM Cares and UNICEF since being partners in 2008 to further the advocacy of SM to uphold the rights and welfare of children and persons with disabilities (PWDs).

SM Cares, a division of SM Foundation Inc., is the corporate social responsibility arm of SM Prime Holdings, Inc. As a responsible mall developer, SM ensures that its CSR programs serve as a catalyst for positive change for the community.

SM Cares has six advocacies, mainly are programs for:
  • Persons with Disabilities
  • Senior Citizens
  • Children and Youth
  • Women and Breastfeeding
  • Overseas Filipino Workers (The SM Global Pinoy)
  • Environment

​SM and UNICEF have worked together in various projects such as the Water, Sanitation and Hygiene or the WASH Project wherein a portion of the sale of SM’s bottled water goes to the organization’s efforts to provide clean drinking water to various provinces in the country. To date, it has already helped more than 113,000 school children across the country.

To know more about SM Cares’ programs for Children, and PWDs, you may visit:www.smcares.com.ph or www.facebook.com/OfficialSMCares

March 24, 2016

‘Annie’ is coming to Resorts World Manila


After the success of different plays and musicals, Resorts World Manila is bringing another beloved classic this September. Annie, an original Broadway musical, will be the seventh major production of Resorts World Manila, through Full House Theater Company (FHTC) at the Newport Performing Arts Theater (NPAT).

Annie, whose story was based on a popular comic strip by Harold Gray entitled “Little Orphan Annie”, tells the story of an 11-year old girl looking for her long-lost parents. In her journey to find them, Annie discovered something else.

Annie set a six-year run record at the former Alvin Theater in midtown-Manhattan, New York. With the combination of music from Charles Strouse, lyrics from Martin Charnin and a book from Thomas Meehan, Annie got nominated for 11 Tony Awards where they won 7, including the Best Musical.

Annie is known for some of its award winning songs like “Tomorrow” and “It’s the Hard Knock Life”, making it a favorite for big and small productions all over the world. Since then, Annie had been adapted into a film with the third and latest version in 2014, starring Quvenzhané Wallis, Jamie Foxx, Cameron Diaz, and Rose Byrne.

“We will be singing “Tomorrow” altogether until we make it to September. Annie will surely be a hit like always, bringing fun to everyone and showing the importance of friendship, family, and love. ”

Tomorrow is Lea Salonga’s audition piece that landed her the most-coveted role of Kim in the musical Miss Saigon.

March 16, 2016

Atlantis Theatrical Entertainment Group Looking for new “Miss Saigon” cast


Miss Saigon put Filipino talent on the map and showed the world how good Pinoy performers are.

Now, years after the first batch of Filipino talent made its mark in London’s West End—and all over the world—a new group of Filipino talent is out to replicate that success when the Miss Saigon company returns to the country to seek out local artists to join the musical.

Lea Salonga, who was the musical’s first Kim (and who went on to great success on Broadway and elsewhere in the theater world) says that if there’s anything Miss Saigon has done, it’s show to the world that the Filipino artist is one that is reliable, dependable, and able to interpret musical theater with the best of them.

“We are artistically right up there, and it makes me proud when any one of us gets that moment in the sun on the international stage. To see many of my friends in the West End and on Broadway makes my heart feel full,” says Lea, who went on to win major awards for her performance.

Singer and stage actress Isay Alvarez played the original Gigi to Lea’s Kim. She too, is grateful that Miss Saigonpaved the way for Pinoy artists to be recognized all over the world.

Being in the musical was both fun and challenging, says Isay. One of the hardest things was learning to work with the sheet music.

“Our counterparts read notes. They were sight readers. But the Pinoys were ingenious,” laughs Isay. “We brought our trusted tape recorders. In terms of adjustments (that we had to make), I’d say it was understanding the ways of our co-actors and production staff. Coming from a different culture was one thing, but they were understanding and Miss Saigon was a very mixed cast anyway.”

The auditions were also fun, but nerve-wracking. It was the first big test they all had to face.

“I was quite nervous, but during that time I was young and eager and my dreams were bursting out of my pores,” recalls Isay. “And to have the Cameron Mackintosh group in the audience was very exciting. They were very professional, and the English are proper anyway, and not intimidating at all. I should say they were very accommodating and I think they were really impressed that they found a mine of talents. They went to many cities and realized that Manila has what they need.” 

However, Carla Guevara-Laforteza says that passing the auditions was just the beginning.

“When we passed, we became scholars of the ‘Saigon School’ wherein we were pre-taught the songs and the choreography of the show. From there, we were handpicked on who would be assigned to go to what production (UK, Australia, Germany, and so on). Those chosen for Germany were required to learn the show in German.”

Of course, adjusting to a whole new lifestyle was part of the deal.

Lea had to give up her ‘sheltered’ life to be able to do the things she did there. “The toughest adjustment was just living a less-than-sheltered life. In Manila, all I had to worry about was school and whatever work I happened to be doing. Now, I had to learn how to take public transportation, and write checks for the monthly utilities, in addition to study my music, dialogue, and figure out how to do kissing scenes with a romantic opposite for the first time. 

Now, #TeamMissSaigon is back and looking for new talent. Auditions are presently ongoing with Atlantis Productions helping to coordinate the search.

Lea, Isay, Carla and other Miss Saigon alumni have words of encouragement and advice for those considering trying out for the musical.

The first thing, says Pinky Amador, is to realize that sure, it’s fun and it’s an honor to be chosen from among so many artists, but it’s also all about hard work and dedication from the moment one sets foot on the audition stage.

Her advice is to keep in mind that it just isn’t the best singers who make it.

“I have always maintained that in the end, the choices aren't just all about the best voices. They are about the best WORKERS. Remember, you will be working far away from home and facing many personal and artistic challenges. So they need to know that they can trust you. Be professional in every way. Show them they can invest you. Look at everyone they chose: they’re all people with high standards, all exacting and all with impeccable work ethic.”

As always, Lea’s advice is to be professional, even when one is just auditioning.

“First and foremost, show up prepared. Second, show up BEFORE your appointed time. Third, have fun! Enjoy the experience for what it’s worth. You may or may not get the job, but at least you can say you sang for some of the best creative forces in the world. That’s a pretty huge deal in and of itself.”

"Miss Saigon,” a sung-through musical, features music by "Les Misérables" collaborators Claude-Michel Schönberg and Alain Boublil, and lyrics by Boublil and "Closer Than Ever's" Richard Maltby, Jr. with additional lyrics by Michael Mahler, based on Giacomo Puccini's popular opera "Madame Butterfly.”

For more information contact (0995) 534-8371 or like the MISS SAIGON 2016 AUDITIONS page on Facebook.

March 14, 2016

Workshop on Vocal Production for Musical Theater at the CCP


An intensive Workshop on Vocal Production and Interpretation for Live Stage Performance for musical theater actors will be held at the Cultural Center of the Philippines on April 26-May 1, 2016. The Workshop will be conducted by musical director, vocal coach, composer, pianist and educator from New York Carmela Sinco. The Workshop will be limited to only 15 participants.

The Workshop module will be conducted in the manner of a masterclass and will focus on each of the particular abilities of the 15 individual participants who will receive intensive training on vocal production and interpretation for live stage performance. The participants may choose to focus on songs sung in musicals, operas, and/or art songs. The Workshop will end with a Culminating Program on May 1, 2016.

Ms. Sinco has a Master of Arts in Music Theory and Composition (New York University), a Bachelor of Arts in Piano Performance (University of Hawaii) and years of private studies with composers and pianists (solo and collaborative) in New York City, Hawaii and Europe. Ms. Sinco has worked in various musical theater and operatic productions, cabaret and vocal concerts in Europe, Asia and in the USA. As a composer, her credits include having composed and produced the music for documentary film and television series aired on PBS, CUNY TV, various local stations and film festivals in the USA and abroad. She has also composed works on commission by musicians of the Tucson Symphony Orchestra and the Indianapolis Symphony Orchestra. Her one-act opera, Raya and Sag-In, with music, story and libretto by Ms. Sinco, had its world premiere production in NYC in 2009. As an educator, Ms. Sinco has worked with students of all levels and ages privately, semi-privately and in classes throughout the tri-state area, addressing her students’ goals and aspirations be they professional or simply for enjoyment and fun.

As a pianist, her performances have taken her around the US and across borders into Europe, Asia and Africa playing in music festivals and other concerts and events. As a music director, band leader, orchestrator, music arranger and keyboardist, she has worked with modern music production companies and off-Broadway productions in New York City. Experiencing New York City and all its music activity, she has also been keyboardist and vocalist for various independent original rock and funk bands performing in the New York City and New Jersey club scenes.

She has run her vocal workshop for live stage performance twice in Manila, first during the New York-Manila Musical Theater Workshop organized by the Cultural Center of the Philippines in 2014 and again for Tanghalang Pilipino in 2015, targeting advanced and professional level performers. Most recently she ran a version of the same workshop for vocalists in Kampala, Uganda in December 2015 where she has also been developing music educational systems addressing different levels and cultural influences for the last two years. Recently she has also served as a consultant for a NYC education company, helping them develop a music academy curriculum in Vietnam.

Ms. Sinco is composing the music for her second opera on commission, with a world premiere performance scheduled for February 2017 in Manila, Philippines.

Acceptance to the Workshop will be based on the merit of submitted applications. Deadline for submission of applications is on April 12, 2016. For fees and other information, please contact the CCP Artist Training Division at 832-1125 loc. 1604/1605 or email (ccp.artist.training@gmail.com).

February 19, 2016

ALMOST, MAINE is a mythical place, owing no real geographic reference except to the human heart.

It is cold bleak landscapes, difficult to live in, and even harder to endure, but somehow the people that inhabit this place still manage to fill it with warmth, love, friendship and hope. It is their emotional journey that makes this place, located in the loneliest and most solitary corners of our hearts, still a place worth living.

Written by John Cariani, ALMOST, MAINE is one of those endearing plays that captures your imagination almost immediately, and never let’s go. With 19 characters played by a cast of only four people, it is most definitely an actor's piece. Two men and two women playing a host of complex characters is a daunting task indeed, and after several rounds of auditions and readings, the actors were finally found.

In the end, Reb Atadero (The Graduate, The Horse And His Boy) Caisa Borromeo (The Secret Garden, Kung Paano Ako Naging Leading Lady), Natalie Everett (The Secret Garden, The Game's Afoot) and Jamie Wilson (Run For Your Wife, The Bridges of Madison County) were chosen to take up the acting chores.

All veterans of Repertory Philippines, the excitement at being cast in ALMOST, MAINE quickly overshadowed the hard work that would soon follow.

In the director's chair, another Rep veteran takes the helm. Always an artist of incredible vision, Bart Guingona (4000 Miles, The Normal Heart) has never been one to do a play as it is written, and has put his own twists and turns on this wonderful material. 

With stage design by Baby Imperial and Coco Anne, lighting by John Batalla, sound design by Jethro Joaquin and costumes by Marta Lovina, ALMOST, MAINE promises to be a strong offering in Repertory Philippines' 2016 season. ALMOST, MAINE opens at the Onstage Theater in Greenbelt One, Makati on February 19th.

February 3, 2016

Choose art this Valentine’s Day with Ballet Philippines’ Opera



As a special Valentine’s treat, young professionals aged 30 and below may avail of a 30% discount on the 6pm shows of Ballet Philippines’ Opera - February 13 and 14 at the CCP Main Theater. Tickets may be purchased with this discount at the CCP Open House, the Pasinaya Festival on February 7, the Ballet Philippines office or through BP at 5511013.


Ballet Philippines “Opera” is choreographed by French dance maker Redha based on Gabriel Barredo’s acclaimed installation of the same title. The unique show seamlessly merges contemporary art and dance into a new groundbreaking production.

“Opera is a special production for lovers of contemporary art and dance, it breaks many barriers and transcends our expectations of a dance show” muses BP’s Artistic Director, Paul Alexander Morales. “We are offering this special promotion for the young art loving generation to give them a special option for Valentine’s”. 

The original “Opera” exhibition was first presented at Silverlens Galleries in January 2015, and was recently toured to Singapore last November in time with the opening celebrations of the National Gallery Singapore. For the ballet, Barredo is creating a staggering array of new sculptures, which will comprise the production’s set design. 

Redha
Redha’s choreography will guide us along a journey into a new experience of art. Envisioning his dancers on bare feet, pointe shoes, and stilettos, he is set to present a work that is stimulating, sensual, and groundbreaking.

Presented by Ballet Philippines with Silverlens, “Opera” features a libretto by Yvette Tan and Erwin Romulo, original music by Malek Lopez, lighting design by John Batalla, costumes by James Reyes, and videos by Pabrika. This production is in cooperation with the Embassy of France.

“Opera” will be staged at the Tanghalang Nicanor Abelardo (CCP Main Theater) on February 13 & 14 at 1:00PM and 6:00PM, with a Fundraising Gala on February 16 at 8:00PM. For inquiries, visit www.ballet.ph, send an email to info@ballet.ph, or call Ballet Philippines at 551-1003. For tickets and reservations, call the CCP Box Office at 832-3704 or Ticketworld at 891-9999.

Major sponsors of Ballet Philippines’ 46th Season include Globe Platinum, San Miguel Corporation, and Belle Corporation.

Connect to Ballet Philippines online through the following social media networks:

Facebook: www.facebook.com/balletphilippines

Twitter: @balletph

Instagram: @balletphilippines

YouTube: balletph

To join in the Ballet Philippines conversation, use our official hashtags: #balletph, #dancespring, #operaballetph



February 1, 2016

Open Call Auditions in Manila for Miss Saigon


Cameron Mackintosh announces Open Call Auditions in Manila for various upcoming global productions of Miss Saigon, the record breaking production that is taking London by storm and opens on Broadway in 2017. Auditions will be represented and facilitated in Manila by Bobby Garcia and Atlantis Theatrical Entertainment Group (ATEG) and held at the Opera Haus (3657 Bautista St., Makati City), in March. 

“Miss Saigon’s producing and creative team will be flying in from London to hold auditions for various upcoming global productions of the hit musical. I look forward to working with them in discovering a new generation of Filipino talent to shine on the international stage in Miss Saigon the way Lea Salonga, Joanna Ampil, JonJon Briones and Rachelle Ann Go, among many others, have in the past.” says Garcia.,who was also an Associate Director for Miss Saigon.

“We are searching for Kim, The Engineer, Thuy, Gigi and all Asian Roles in the musical. From leads to ensemble, from singers to acrobatic dancers, we encourage performers throughout the Asian region to come to Manila and audition for Miss Saigon.” added Garcia.

Trevor Jackson, Head of Casting for Cameron Mackintosh, said "Since casting for Miss Saigon began in the mid 1980's the Philippines has been integral to the show as a place to find exceptional Asian performers of World Class ability. Our teams have been returning regularly ever since. Filipino artists are the heart and soul of this show.”

"Miss Saigon,” a sung-through musical, features music by "Les Misérables" collaborators Claude-Michel Schönberg and Alain Boublil, and lyrics by Boublil and "Closer Than Ever's" Richard Maltby, Jr. with additional lyrics by Michael Mahler, based on Giacomo Puccini's popular opera "Madame Butterfly.”


Audition requirements will be announced soon.


For more information contact (0995) 534-8371 or like the MISS SAIGON 2016 AUDITIONS page on Facebook.

January 4, 2016

Repertory Philippines Launches 79th Season with Comedy, Drama, and Musicals for Young Children

Repertory Philippines has established itself as the premier producer of thought-provoking and entertaining straight plays and musicals. Since 1967, it has produced more than 400 high-caliber shows, and 2016 is set to be another impressive year for theatergoers.

For its 79th season, Repertory is launching five plays that will intrigue, inspire, captivate, and bring out the inner child of every viewer.


From January 15 to February 7, Repertory is staging The Game’s Afoot, a comedic play by Ken Ludwig set in the 1930’s. The story follows William Gillette, a Broadway star known for his portrayal of detective Sherlock Holmes, both in the play and in real life. In The Game’s Afoot, he invites his castmates to his castle in Connecticut for a weekend of fun and games, until someone turns up dead. Gillette must channel his inner Holmes to track the killer and stop the next death. In 2012, The Game’s Afoot won Best Play at the Edgar Allan Poe Awards, an award-giving body hosted by the Mystery Writers of America.



To highlight the Valentine’s season, Repertory will present John Cariani’s Almost, Maine from February 19 to March 13. On a cold, wintry night with the northern lights illuminating the dark sky, the residents of Almost fall in and out of love in unusual ways. The New York Times has described it as a “higher-concept and more clever version of Hollywood [love stories]” with a “beautiful structure.”



For the summer, Repertory is staging Stepping Out from April 1 to 24. Stepping Out, a lively comedy by Richard Harris, tells the story of former chorus girl Mavis who teaches a dance class in a dingy church hall in London. While learning the basics of body language and movement, Mavis must deal with the drama cooking up in the studio. Since it premiered in 1984, it has been staged most notably the West End in London and Broadway in New York. Stepping Out was awarded Best Comedy at the London Evening Standard Theatre Awards, organized by notable British critics and editors.



Repertory has a history of producing child-friendly plays like Pinocchio, Snow White and the Seven Dwarfs, and Camp Rock the Musical, and the company is also staging Hansel and Gretel from August 20 to December 15 for the young and young-at-heart. This delightful interpretation of the Brothers Grimm classic follows siblings Hansel and Gretel through their journey in the woods. There, they see a fantastically-designed house made of gingerbread, candy, and ice cream. When they start to eat it, until they are caught and trapped by the witch that lives there. The two must work together to outwit the evil witch and escape the sugary house of horrors.



Running simultaneously with Hansel and Gretel is A Little Princess. Based on the children’s novel by Frances Hodgson Burnett , A Little Princess tells the story of Princess Sarah, who suffers at the hands of Miss Minchin at a boarding school in London. Things turn for the worse when her father dies and she becomes a pauper. The musical will run from November 18 to December 18.

Compared to watching on the big screen or on a television, nothing beats the immediacy, intimacy, and raw talent showcased in stage plays. Repertory is expected to thrill theatergoers this 2016 with its lineup of shows, a diverse mix of comedy and drama for audiences of all ages. See you at the theater!

For more details, inquiries on ticket or show buying, call Repertory Philippines at 843-3570 or visit the website athttp://www.repertoryphilippines.ph/.

November 27, 2015

Lea Salonga stars in international premiere of FUN HOME

Lea Salonga

Atlantis Theatrical Entertainment Group (ATEG) is proud to announce that Tony Award winning Broadway star Lea Salonga will be playing Helen Bechdel in the first international production of FUN HOME, which opens in Manila in November 2016.

FUN HOME is the most awarded and acclaimed musical of the year, winning 5 Tony Awards including Best Musical. When her father dies unexpectedly, graphic novelist Alison dives deep into her past to tell the story of the volatile, brilliant, one-of-a-kind man whose temperament and secrets defined her family and her life. Moving between past and present, Alison relives her unique childhood playing at the family’s Bechdel Funeral Home, her growing understanding of her own sexuality, and the looming, unanswerable questions about her father’s hidden desires. 

FUN HOME is a based on Alison Bechdel's best-selling graphic memoir, FUN HOME features music by Jeanine Tesori and book and lyrics by Lisa Kron. The New York Times calls it, “THE BEST NEW MUSICAL TO OPEN ON BROADWAY.” Both, Jeanine Tesori and Lisa Kron, who won the Tony Award this year for, are scheduled to grace FUN HOME’s Opening Night in Manila next year. 

FUN HOME will mark Lea’s first musical in Manila since she played Grizabella in CATS in 2010. Her last stage appearance in Manila was in Atlantis Productions’ critically acclaimed play GOD OF CARNAGE in 2012. She is currently appearing as Kei in the Broadway musical ALLEGIANCE, where she garnered rave reviews.

Bobby Garcia (Saturday Night Fever, The Bridges of Madison County), who will be directing FUN HOME, says, “Dreams do come true, It is an honor to be able to stage FUN HOME in Manila with Lea Salonga as Helen. It is a ground breaking musical that needs to be seen by audiences all over the world. I am thrilled that it will premiere internationally in Manila and that we will be welcoming Jeanine Tesori and Lisa Kron to our Opening Night. We hope you will all come to the FUN HOME next year.”

ATEG producers Tony Tuviera and Bobby Barreiro say,
“It is with great pride that we welcome Lea Salonga to FUN HOME. A Tony Award winner in a Tony Award winning musical. Our dreams have come true and we know FUN HOME will be a momentous theatrical event in Manila.”
The New York producers of FUN HOME issued a statement saying,
“We’re thrilled to have the first international production of ‘Fun Home’ confirmed for the Philippines, and how exciting to have Lea Salonga, one of Broadway’s most beloved stars, leading the company.”
ATEG recently presented the first leg of the new international production of SATURDAY NIGHT FEVER, which played Manila, Kuala Lumpur and Singapore. It currently has THE BRIDGES OF MADISON COUNTY running in Manila until December 6 and will also have JERSEY BOYS opening in 2016.

For more information follow ATEG on Facebook at ATEGasia.

November 19, 2015

A Peek into the Secret Garden

Repertory Philippines opens the gates to “The Secret Garden” as its Christmas season treat for theater goers. It tells the story of a young girl, born and raised in India, who finds herself suddenly orphaned, and goes to live with her uncle in England. She discovers a garden, neglected for years and almost dead, and a young cousin bedridden and miserable. With the help of a housemaid and a friendly young gardener, she brings both the garden and her cousin to life.

Director, Anton Juan’s vision was to focus on the message of the story. 

“I wanted to articulate that finding the secret garden was to liberate oneself from the feeling of domination,” he shares. He wanted to make clear that Secret Garden “...is not just a musical about how love forgives, how healing is attained by finding and liberating the truth in us; but also an allegory of liberation of our free spirits.”

Stage productions take months to prepare with numerous songs to rehearse, choreography to be learned, scenes to perfect, a slew of costumes to be made, and elaborate sets to be built. For a period piece like The Secret Garden, the artistic staff had to do a lot of research on the context of the story and the details that would be needed to translate that era for a modern audience.

“Since the story is set in 1906 in Yorkshire, England, designing the costumes for The Secret Garden required period research,” shares costume designer Bonsai Cielo. But despite having an overview of historical information to create costumes from that time period, Bonsai said “An understanding of each of the characters and our director’s vision for the play was also required. Not to mention, we had to ensure they all blended well together and still look striking individually.”

Set designer Ohm David said this about his stage design. “As a designer, I had to read the play over and over while listening to the music. I read the play aloud and tried to involve myself as much as possible in the situations of the play.” While doing this, the designer imagined the elaborate environment of each scene. From there, he started to draw. But with the limitations of a modest stage, he had to veer away from the obvious interpretations of the story’s surroundings and instead used elements that would encourage the audience’s imaginations to visualize the entire scenarios. “For me, it is more important to highlight what the play is trying to say beneath” —a takeaway he derived from Director Juan, who is at the head of the entire production.

Daniel Drilon, one of the young actors playing Colin Craven, the bedridden boy, says “For the all Filipino cast, the added challenge was learning the diction of The Secret Garden’s period and location. We all had to learn a British accent which is kind of difficult. But we all got a hang of it after two months of practice.” The young leading cast had the support of the entire production team led by Director Juan who helped them absorb their roles. Besides Daniel, the other children who play the lead roles of Mary, the orphan girl, and Collin her cousin, are played by Ashlee Factor, Ginger Karganilla, Albert Silos and Noel Comia.



Becca Coates playing the role of Martha, the housekeeper; and Ashlee Factor and Albert Silos portraying the young Mary Lennox and Colin Craven, respectively. 




Archibald Craven played by Robbie Guevara reaches out to his son Colin; acted out by Daniel Drilon.


Mary Lennox (Ashlee Factor,) stands in the background, as Archibald Craven (Lorenz Martinez,) is recalling memories of his late wife, Lily (Myramae Meneses.)

“The music is invigorating, the sets are a departure from the traditional, and it is a moving story of love,” shares Anton. Above all, the play’s message is one that will move the hearts of those who witness it. “I hope this musical will remind us to hold what’s most essential and important; and that’s what is inside of us. Lest we forget, come to my garden.”

The Secret Garden will be staged from November 20 to December 20, 2015 at Onstage Theater in Greenbelt 1, Paseo de Roxas. For more details on performance dates and times and ticket prices, call Repertory Philippines at 843-­3570. For more information about the play, log on to repertoryphilippines.phor the Repertory Philippines Facebook page. 

Tickets may also be purchased through TicketWorld at 891­9999 or visit their website at w ww.ticketworld.com.ph

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