A legacy fulfilled: Lisa Macuja Elizalde marks 40th homecoming celebration with a season of curated performances and a landmark collaboration with The Dawn

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Exactly forty years ago, Lisa Macuja Elizalde made the defining choice to leave behind a flourishing career at the Kirov Ballet (now Mariinksy Ballet) in Moscow and return to the Philippines. That homecoming became the cornerstone of her mission to bring ballet to the people and people to ballet, a mission that has shaped generations of dancers and audiences.

(L-R) (first row) Ballet Manila principal dancer Joshua Enciso, company artist Shamira Drapete with principal dancers Jessica Pearl Dames, Abigail Oliveiro and Junmark Sumaylo;

(second row) The Dawn members Bim Yance, Rommel Sanchez, Jun Boy Leonor, Francis Reyes and Jett Pangan; Ballet Manila CEO and artistic director Lisa Macuja-Elizalde, associate artistic director and resident choreographer Gerardo Francisco Jr., and resident choreographer Martin Lawrence; The Manila Symphony Orchestra president Maan Hontiveros and music director Maestro Marlon Chen

Forty years later, Lisa marks her homecoming milestone through Ballet Manila’s PRIMA Performance Season, a curated program of classical works that highlight the company’s Vaganova roots and its commitment to sustaining excellence while making ballet accessible to Filipinos. The landmark year also features a special collaboration with The Dawn, staged at Aliw Theater on February 20 and 21 at 8:00 p.m. Both Lisa and The Dawn are icons of their generations, and this production links their parallel 40-year journeys through a fusion of ballet and rock music. The performance will showcase some of The Dawn’s most popular and iconic songs reimagined through dance, underscoring Ballet Manila’s continuing effort to make ballet relevant and accessible.

The collaboration is being presented as part of the Ballet & Ballads series and produced by Manila Broadcasting Company (MBC). A brainchild of Fred J. Elizalde in the early years of Ballet Manila, Ballet & Ballads has contributed immensely to the mission and vision of Macuja-Elizalde to make classical ballet more accessible to the general public by performing alongside mainstream artists and keeping ticket prices either free or minimal.

From Ballet & Ballads, the PRIMA Performance Season of Ballet Manila will unfold with a series of landmark productions. Sleeping Beauty will be staged on March 14 and 15, 2026 at Aliw Theater, accompanied by the Manila Symphony Orchestra under the baton of Maestro Alexander Vikulov. The season continues with Paquita on June 20 and 21, 2026, featuring a showcase of the company’s Vaganova heritage and classical precision. Finally, the season will culminate with La Bayadère on August 22 and 23, 2026, featuring the triumphant return of guest artists Renata Shakirova and Kimin Kim of the Mariinsky Ballet, who made their Philippine debut in 2025 with Don Quixote.

(L-R) Paquita Pas de Trois featuring Ballet Manila principal dancer Jessica Pearl Dames with company artists Rafael Perez and Nanami Hasegawa.

 (L-R) Ballet Manila company artist Shamira Drapete and principal dancer Joshua Enciso perform an excerpt from Sleeping Beauty.

Reflecting on the milestone, Lisa shared: “Forty years ago, I came home with a mission to make ballet part of Filipino life. To see that vision continue through Ballet Manila and the PRIMA performance season is deeply meaningful not just for me but for everyone in the company. It proves that ballet can endure, adapt, and belong to everyone.”

Other performances throughout the year include Ibong Adarna in Dumaguete in February and at Ateneo’s Areté in October, an international tour in Kuala Lumpur in September, and the Holiday Cheer Series in December.

These events frame 2026 not only as a year full of performances but as a cultural cycle completed, a legacy fulfilled, and a future opened by a ballerina who chose to come home even while at the cusp of international success.

Lisa Macuja Elizalde’s 40th homecoming year is more than a personal milestone. It is a testament to endurance, to the completeness of a vision, and to the fulfillment of a promise —that ballet also belongs to the Filipino people.

(L-R) Ballet Manila company artists Samantha Garay, Rodney Catubay, and Ana Graciela Andes; with principal dancers Abigail Oliveiro and Junmark Sumaylo; and company artists Ana Katharina Andes, Jos David Andes and Celine Astrologo in a scene from La Bayadère.

Keep up-to-date with Ballet Manila’s schedule of performances and celebration events by visiting Ballet Manila’s website www.balletmanila.com.ph or Ticketworld page www.ticketworld.com.ph

A Christmas tradition of wonder: Ballet Manila’s Holiday Cheer Series returns with Snow White

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A festive tradition of ballet for all ages — celebrating love, resilience, and the joy of Christmas

Ballet Manila continues its cherished Holiday Cheer Series, a family oriented program that has become a staple of the Christmas season since 2022. This year, audiences are invited to experience the enchanting and timeless story of Snow White, running from December 25 to 29, 2025 at the Aliw Theater in Pasay City.

For Ballet Manila’s CEO and artistic director; and Snow White choreographer, Lisa Macuja Elizalde, the Holiday Cheer Series has brought nostalgic tales to life year after year, making ballet accessible entertainment for everyone and an experience that families can share.

“Holiday Cheer Series is our way of bringing people together through ballet,” shared Lisa. “These productions are not only about artistry, but about using ballet to tell stories that parents and children can enjoy together, year after year.”

This year’s “Snow White” features two alternating casts in the lead roles for the very first time. Real-life couple Abigail Oliveiro and Mark Sumaylo bring their chemistry to the stage, while Nanami Hasegawa and Romeo Peralta offer a fresh pairing that highlights the production’s spirit of renewal and discovery. Together, they embody the themes of love, resilience, and hope that make Snow White a perfect holiday story.

With enchanting choreography, vibrant storytelling, and performances that capture the spirit of the season, Ballet Manila invites audiences to make ballet part of their Christmas celebration by watching “Snow White” at Aliw Theater from December 25 to 29, 2025 at 4PM. For tickets, visit www.ticketworld.com.ph. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Ballet Manila reawakens Florante at Laura with creative powerhouse

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The restaging of Francisco Balagtas’ masterpiece is a rare opportunity to experience once again the timeless epic reimagined through myth, music and classical ballet.

After a critically acclaimed world premiere marked by overwhelming audience response, Ballet Manila’s Florante at Laura returns to Aliw Theater, with performances scheduled on October 3 at 8:00 PM, and October 4 and 5 at 5:00 PM.

For Ballet Manila’s founder and artistic director Lisa Macuja-Elizalde, the return of Florante at Laura is not a rerun but a reckoning with our collective appreciation of our Filipino heritage. It is a rare opportunity to experience once again Francisco Balagtas’ timeless epic reimagined through myth, music and dance. Lisa has long championed Filipino storytelling through classical ballet, and this re-staging affirms that vision with renewed clarity.

“Bringing Florante at Laura back to the stage feels like coming full circle. The first run was a dream realized; the second at Areté affirmed that Filipino stories, when told with care and conviction, truly resonate. Now, with this third staging, it feels less like a return and more like a reckoning. I’m proud, but more than that, I’m moved. This ballet continues to teach us how timeless our heritage can be,” said Lisa.

Audiences can expect the full force of Ballet Manila’s creative ensemble once again. The production features live music performed by the Orchestra of the Filipino Youth under the baton of Toma Cayabyab, interpreting the original score composed by National Artist for Music Ryan Cayabyab.

"To be able to hear the score again, seeing it move—it’s like watching a memory evolve. I wrote this as a legacy piece, but its return reminds me that legacy isn’t static. Ballet Manila has given the music new breath, and I feel grateful. This re-staging proves that our classics still have something urgent to say." said Ryan.

Choreographers Gerardo Francisco Jr. and Martin Lawrance collaborate anew to shape the ballet’s emotional terrain, drawing out the tension and tenderness within Balagtas’ verse. The libretto, adapted by Dr. Michael Coroza, anchors the production in language that bridges tradition and movement.

Transporting the audiences back to the kingdom of Berbania, set designer Mio Infante and costume designer Therese Arroyo also return to define the ballet’s visual language. Drawing from Persian motifs and Filipino sensibilities, their work complements the choreography and narrative, shaping a world that moves in step with the story.

This October, Ballet Manila invites audiences to return—not just to the theater, but to the heart of a national epic. For those who missed it, this is your moment. For those who came, it’s time to feel it again. Live, urgent, and unmistakably Filipino.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph.To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Renata Shakirova and Kimin Kim bring fresh fire to Don Quixote in Ballet Manila’s Pearl Year finale

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Performing a role repeatedly can either deepen a dancer’s mastery or dull their connection to the material. For international ballet stars Renata Shakirova and Kimin Kim, it’s a challenge they meet with precision, passion, and a relentless pursuit of nuance.

Set to portray Kitri and Basilio in Don Quixote from August 22 to 24 at the Aliw Theater—the final offering of Ballet Manila’s Pearl Year season—Renata and Kimin return to roles they’ve danced countless times, but never the same way twice.

Both dancers are part of the world renowned Mariinsky Ballet where they have attained principal dancer status – a feat that signifies their years of experience and expertise in ballet, performing with technical precision and exceptional artistry.

“I think that the role of Kitri is my most performed role in the classical ballet repertoire,” admits Renata. Yet despite this, she stresses that the key to keeping the character fresh is to forget how many times she’s performed it.

She adds, “I have to prepare for the performance like it’s my first time so that we are always paying attention and ready. For example, looking at each other as partners—it can become mechanical. But it is our responsibility to always look into the details and discover something new with every rehearsal or performance.”

Renata also acknowledges her partner Kimin’s ability to see the smallest nuances: “He has this trait of always looking at and paying attention to even the smallest of details, and I think that every performance consists of these small details.”

Kimin, a multi-award-winning principal dancer trained at the Mariinsky Theater, describes Basilio as “the color red that shimmers”—a bright, shining character that is thrilling to portray.

Even with his unique perspective on the role, he emphasizes the importance of maintaining the level of excellence instilled through his Mariinsky training: “I think schooling is still the most important. Without proper schooling, you cannot really show anything. There are the fouettés and the male jumps that show technique in the pas de deux. In the first act, you can also show a lot of acting that I learned from my teachers. I try to give the audience my inner self as well as the technique that is expected of me.”

Having danced with Renata previously in the same roles, Kimin still finds excitement in discovering something new about his partner. “It is always a pleasure to work with Renata. When we are dancing the same ballet a hundred times, there are also a hundred different versions of her dancing.”

He continues, “She is very emotional, and onstage she can show everything differently. As her partner, it is always so nice—I watch her with surprise, so I am never bored with her performance.”

Now portraying Kitri and Basilio with Ballet Manila on a Philippine stage, both dancers are eager to show audiences what they’ve been preparing so diligently.

For Renata, who had a wonderful experience playing Giselle with Ballet Manila last year, her return as Kitri is most welcome. “The audience was so receptive and hospitable, and now that I am here with a different performance, I am so excited to show a different side of me. Giselle was a very dramatic and heavy ballet, and Don Quixote is very happy—with different requirements of coordination and style. As an artist, I want to show this other side of me.”

Meanwhile, for Kimin—performing in Manila for the first time—he hopes the audience will carry the emotions of the performance long after the curtain falls: “I always want the audience to feel a bright emotion after a performance—not only to clap and shout ‘bravo’ after the show, but to bring home that memory of Renata and Kimin. I think that can only happen if the performer gives the audience a message and a feeling. It is so important to me that the audience will like our performance.”

Lisa Macuja Elizalde

With the caliber and artistry of Renata and Kimin, Ballet Manila’s CEO and artistic director Lisa Macuja Elizalde exclaims, “I think it’s only fitting to close out our Pearl Year performance season with Renata and Kimin leading Ballet Manila’s Don Quixote. With their performance, we will once again reinforce our pursuit of bringing world-class performances to our audiences.”

Don’t miss the stellar performance from Renata Shakirova and Kimin Kim as they portray the well-loved characters Kitri and Basilio in Ballet Manila’s Don Quixote on August 22 at 8 PM, and August 23 and 24 at 5 PM.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.

Mariinsky Ballet superstars Kimin Kim and Renata Shakirova lead Ballet Manila’s Don Quixote in a historic Philippine debut

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Ballet Manila’s Pearl Year Performance Season reaches a spectacular finale with the highly anticipated production of Don Quixote, featuring Mariinsky Ballet principal dancers Kimin Kim and Renata Shakirova. Taking on the role of Basilio, this marks Kim’s first ever performance in the Philippines. Following her triumphant performance in Ballet Manila’s “Giselle” last year, Shakirova returns to perform the role of Kitri.

Kim is the first foreign male principal dancer in Mariinsky Ballet’s illustrious history, a groundbreaking achievement in the Russian ballet world. Born in Seoul, South Korea, he was introduced to ballet at the age of 10 when his mother, a composer, encouraged him to pursue the art. He trained under former Mariinsky soloists Margarita Kullik and Vladimir Kim at the Korea National University of Arts, refining his technique in the Vaganova method. His exceptional talent quickly gained international recognition, earning him top honors in prestigious ballet competitions, including Moscow, Varna, and Jackson.

In 2011, Kim was invited to audition for the Mariinsky Ballet, where he initially struggled with cultural and language barriers but persevered through rigorous training. His debut role as Ali in Le Corsaire showcased his impeccable turns, soaring jumps, and elegant stage presence, earning him rapid promotions within the company and eventually becoming the company’s first foreign male principal dancer in 2015.

Joining him in Don Quixote is Renata Shakirova a mentor-sibling of Lisa Macuja under Tatiana Udalenkova, and is a principal dancer of Mariinsky Ballet who is known for her grace, strength, and compelling storytelling. Kitri is one of her signature roles, as she made her first principal role debut in Don Quixote in 2015.

She captivated Manila audiences last year as Giselle, showcasing her ability to blend effortless elegance with emotional depth. Now, in Don Quixote, Shakirova brings her vivacious energy and impeccable technique to the role of Kitri, promising to deliver a dynamic portrayal alongside Kim’s spirited Basilio.

Lisa Macuja Elizalde, Ballet Manila’s Artistic Director, expressed her excitement about this landmark performance. "Having Kimin Kim and Renata Shakirova perform Don Quixote on our stage is a dream come true. Their artistry, strength, and star power will make this production truly unforgettable. We are honored to bring world-class ballet to Filipino audiences and celebrate our 30th anniversary with these incredible dancers." said Lisa.

The production, staged at Aliw Theater in Pasay City, will run on August 22, 2025 at 8:00 p.m., and August 23 and 24, 2025 at 5:00 p.m., serving as the grand conclusion to Ballet Manila’s 30th-anniversary celebration, highlighting the company’s commitment to bringing world-class ballet performances to Filipino audiences.

Tickets for Don Quixote will be available soon at www.ticketworld.com.ph.To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph

International ballet stars showcase a mesmerizing Swan Lake for Ballet Manila’s Pearl Year

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Time and experience shape dancers into artists, and for Katherine Barkman, San Francisco Ballet’s First Soloist, her homecoming to Ballet Manila is both a tribute to her roots and a testament to her growth. Returning to the stage where her professional journey began, she takes on the challenging dual role of Odette and Odile in Swan Lake, alongside one of the ballet world’s most celebrated names: Esteban Hernández, principal dancer of San Francisco Ballet.

More than just a guest artist—Esteban Hernández is a phenomenon. A trailblazer from Guadalajara, Mexico, Esteban trained at The Royal Ballet School and rose to global acclaim for his technical brilliance and expressive storytelling. As a principal dancer of the San Francisco Ballet, he has captivated audiences worldwide. Filipino audiences first witnessed his charm and virtuosity as Basilio in Don Quixote 2023. Now, he returns in a role of royal gravitas—as Prince Siegfried in Swan Lake.

“Esteban is the complete package,” says Ballet Manila’s CEO and artistic director Lisa Macuja Elizalde. “Last year, his performance as Basilio was simply perfect. But Siegfried is a very different character—elegant, noble, restrained. He has been a principal dancer for quite some time now, so his depth of experience, technique, and artistry will work all very well for him as Prince Siegfried.” She adds, “Esteban and Katherine have already danced Swan Lake together, so I think that they will, as a principal couple, be very effective in their roles.”

For Katherine, this return is deeply personal. Once a principal dancer of Ballet Manila, she trained under Macuja Elizalde for over three years before joining The Washington Ballet and later the San Francisco Ballet. Now taking on Swan Lake’s duality with deeper insight, she reflects: “With experience comes more fearlessness. I take more risks—I would rather my dancing be exciting to watch than safe and predictable.”

A former principal dancer of Ballet Manila, Katherine trained under the guidance of Lisa Macuja Elizalde herself for over three years, before moving to Washington Ballet, and eventually, San Francisco Ballet.

Now back to where her professional ballet career began, Katherine reflects on her growth as she embodies the dual role of Odette (White Swan) and Odile (Black Swan): “I feel like my approach to the characters has shifted the most,” recounts Katherine. “With experience comes more of a fearlessness. I take more risks – I don’t worry so much if it’s perfect or not. I would rather my dancing be exciting to watch than safe and predictable.”

While Katherine has already previously worked with Esteban, sharing the same stage together once again, this time for Ballet Manila, is a special moment for her. She shares, “Esteban is an amazing partner and someone I just love working with. It’s rare to dance with someone who challenges and encourages you in such an honest way. I was happy Ballet Manila got to experience his Don Quixote - but I’m just so excited I can be here this time and share Swan Lake together.”

With her strong foundation from Ballet Manila, Katherine approaches the demanding dual role with deep awareness, relying on her technique to convey the proper emotions for each character. “If there’s one thing I truly believe, it is that technique is to be used to express emotion. Every step should say something.”

For Lisa Macuja Elizalde, having played the role of Odette and Odile during her prima ballerina days gives her full awareness of how intricate it is to mount a full-length Swan Lake. “It is a very Russian ballet, so the dancing needs to be technically strong and artistically sound. But our dance company practices the unique Vaganova training, so the over-all strength of the legs and backs of the dancers are developed by the technique, allowing the dancers to hold poses well, jump high and turn fast. This is ingrained and practiced with the dancers in daily class and translates into everyone, especially the swan corps de ballet, moving as one onstage.”

On Ballet Manila’s Pearl Year, Macuja made sure to pull all the stops to cast two pairs of powerful main leads. Aside from Katherine and Esteban, audiences will see another take on the main characters with Ballet Manila’s principal dancer Abigail Oliveiro portraying Odette and Odile and San Francisco Ballet’s company artist Nathaniel Remez playing Prince Seigfried.

She also looks forward to the chemistry of Abigail and Nathaniel, adding “What I am also excited about is Nathaniel’s impending partnership with Abi. She will learn and grow so much in her interpretation of Swan lake when she explores the choreography with a new partner like Nathaniel who, height wise, is perfect for her.”

Catch all performances from Katherine Barkman and Esteban Hernandez on May 30, 2025 at 8PM, May 31, 2025 at 5PM, and June 1, 2025 at 5PM, and matinee performances with Abigail Oliveiro and Nathaniel Remez on May 31, 2025 and June 1, 2025 at 1PM.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph.To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph

On its 30th anniversary, Ballet Manila unveils its best and most exquisite performance pieces

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Like a pearl whose luster and sheen get better with age, Ballet Manila’s 30th year celebration reflects the graceful passage of the years, marked by a series of stellar productions featuring world-renowned ballet superstars from the US and Russia, all set to take place at the Aliw Theater, Pasay City.

(L-R) Ballet Manila choreographer Martin Lawrance; principal dancers Joshua Enciso, Romeo Peralta and Junmark Sumaylo; CEO and artistic director Lisa Macuja-Elizalde; principal dancers Abigail Lynn Oliveiro and Shaira May Comeros; artistic associate Gerardo Francisco Jr; and event host Mitch Valdes

Dubbed the “The Pearl Year,” Ballet Manila is opening the performance season with The Pearl Gala on March 7, 2025, at 8 PM, and on March 8 & 9, 2025, at 5 PM. A collection of the best and most exquisite performance pieces from Ballet Manila, the gala features the world premiere of “Pearls,” choreographed by none other than Lisa Macuja Elizalde, Ballet Manila’s CEO and artistic director, along with fellow award-winning choreographers Martin Lawrance and Gerardo Francisco Jr.

Ballet Manila CEO and artistic director Lisa Macuja-Elizalde

Details of the anniversary celebration and the new performance season were announced during Ballet Manila’s 30th anniversary launch, held recently at the Shangri-La Mall, which extended its support to Ballet Manila by hosting the event as part of its initiatives for National Arts Month. “This is a wonderful opportunity to emphasize our mission of bringing ballet to the people and people to ballet, as well as highlight ballet as a beautiful art form,” shared Macuja-Elizalde.

Ballet Manila’s The Pearl Gala will open with “Paquita,” which was first performed by Ballet Manila during its first ballet concert 30 years ago. After three decades, the dance company is performing it once again to highlight how a ballet company’s mettle, strength, and quality are measured by its corps de ballet and not only by its soloists or principals. The production will also allow the ballerinas to shine on their own in different variations and codas.

From the very classical “Paquita,” the gala will present “Bloom,” originally choreographed by Annabelle Lopez Ochoa in 2014, and performed by many American companies such as Cincinnati Ballet and Los Angeles Ballet. Once again, the number will showcase the diversity and strengths of the company in its 30th year, but this time with a male-dominated corps de ballet – a unique feature in a ballet company.

 (L-R) Ballet Manila’s The Pearl Gala featuring Benidict Sabularse, Francesca Nicole Raypon and Jessa Balote

Ballet Manila’s Paquita Adagio featuring Noah Esplana and Shaira May Comeros

Ballet Manila’s Bloom Pas De Deux featuring Joshua Rey Enciso and Stephanie Kerilen Santiago

Ballet Manila’s White Swan Adagio featuring Junmark Sumaylo and Abigail Lynn Oliveiro

(L-R) Ballet Manila’s Don Quixote Fandango featuring Jos David Andes, Nanami Hasegawa, Romeo Peralta and Ris May Camaclang

“Pearls” will complete the gala to show how the development of the pearl is similar to that of a dancer. The dance company’s journey will be depicted through different kinds of pearls. The ballet is divided into six parts, with each dancer representing a unique jewel that is trained for years before achieving such effortless grace – just like a pearl composed of many layers that ultimately create a beautiful gem. The ballet will culminate with the pearls dancing in both classical and contemporary styles.

From The Pearl Gala, Ballet Manila continues the performance season with the classical ballet production “Swan Lake” on May 30, 2025, at 8 PM, and on May 31 and June 1, 2025, at 5 PM. A special matinee on May 31, 2025, at 1:00 PM will feature Ballet Manila principal dancer Abigail Oliveiro and San Francisco Ballet company artist Nathaniel Remez as the leads.

Adding to the acclaim, guest celebrity ballet dancers from San Francisco Ballet -- soloist Katherine Barkman, who was formerly a principal dancer with Ballet Manila, and principal dancer Esteban Hernandez -- will grace the stage. Barkman will perform the dual roles of Odette (White Swan) and Odile (Black Swan), alongside Hernandez as the male lead. The duo will perform in all three shows.

A fitting choice for the company’s 30th year, “Swan Lake” is one of the most difficult ballets to perform for a prima ballerina because of the extreme technical demands of Odile and the soft lyricism of Odette. “Swan Lake” will once again highlight Ballet Manila’s commitment to excellence as it showcases the Russian Vaganova training that Ballet Manila continues to specialize in.

Closing the performance season is “Don Quixote,” another classical ballet featuring the return of ballet superstar, Mariinsky Prima Ballerina Renata Shakirova.

For Macuja-Elizalde, “Don Quixote” is a brilliant way to end the season as it has become a signature full-length ballet of the company. Kitri has also become Lisa Macuja-Elizalde's signature role as a ballerina, and it is also a signature role for Renata, who will be able to showcase her light gigantic leaps, multiple and fast pirouettes, and the 32 fouettés that everyone can look forward to. Playing alongside Renata is Joshua Enciso, making his debut as Basilio.

“Don Quixote,” emphasizes Macuja-Elizalde, is a great way to close the season on a positive note as it is a ballet that seems like a two-hour nonstop celebration. “We have a very packed and exciting performance season, and I’m excited for the audience to finally see what we have worked so hard for on our Pearl Year,” she said.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph.To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Ballet Manila brings an extended run of Florante at Laura to Hyundai Hall in Areté

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Responding to overwhelmingly positive reviews, Ballet Manila is set to rekindle the magic of Florante at Laura, the iconic Filipino epic poem turned ballet, with a much-anticipated restaging, this time at the Hyundai Hall, Areté, Ateneo de Manila University, in Quezon City, from November 22 to 24, 2024. The production recently captivated audiences with its stunning choreography, evocative original music, and breathtaking dancing during its triumphant world premiere at the Aliw Theater last month.

A Filipino literary masterpiece, ‘Florante at Laura,’ was written in 1838 by the Prince of Tagalog Poets, Francisco ‘Balagtas’ Baltasar. It is a narrative poem that tells the story of Florante, the Duke of Albania, who is captured by Turks. His beloved Laura is forced to marry Count Adolfo, the usurper. With the help of the warrior Aladin, Florante escapes, returns to confront Adolfo, and seeks redemption as he reunites with Laura.

Under Lisa Macuja Elizalde's artistic direction, Ballet Manila has assembled a world-class creative team to bring this epic Filipino tale to the stage.

“Florante at Laura” is more than just a performance; it is a cultural experience that celebrates the rich literary heritage of the Philippines. Not only does this performance pay tribute to the timeless masterpiece by Francisco ‘Balagtas’ Baltasar, but it also showcases the exceptional talents of the dancers, choreographers, and creative minds behind this production.” Ballet Manila CEO and artistic director Lisa Macuja Elizalde said.

The performance will feature the recording of the original score composed by the esteemed National Artist for Ryan Cayabyab as performed by the talented Orchestra of the Filipino Youth, conducted by Maestro Toma Cayabyab. This powerful combination of music and dance has captivated and moved audiences, making each part of the performance an unforgettable experience.

“This full-length composition is one of my legacy pieces. It is my gift to the Filipinos, and I want Ballet Manila to share it with generations to come,” said Cayabyab.

Members of the ballet's creative team include choreographers Gerardo Francisco Jr. and Martin Lawrance; libretto consultant and the foremost Balagtas expert, Dr. Michael Coroza; award-winning set designer Mio Infante; lighting director John Batalla; and costume designers Make It Happen.

Show schedule is as follows: November 22, 2024, 6:00 pm; November 23, 2024, 7:30 pm and November 24, 2024 3:30 pm. Tickets are available online via Ticketworld; direct link to purchase, https://bit.ly/BMFloranteAtLauraAretéBuyTickets. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.

Ballet Manila’s Florante at Laura: A symphony of creativity and harmonious ingenuity

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The landmark production brings together some of the country’s finest dance and musical artists for a world premiere that spotlights yet another Filipino literary masterpiece

Lisa Macuja Elizalde

“Something magical happens when artists come together! ”

Lisa Macuja Elizalde, Ballet Manila's creative director, couldn't contain her excitement when asked about the upcoming world premiere of Florante at Laura.

The outstanding production, which comes at the heels of the ballet company’s highly successful Ibong Adarna, will be staged at the Aliw Theater on October 12, 2024, at 8 PM, and on October 13 and 19, 2024 at 5 PM. Florante at Laura will gather some of the country’s highly esteemed creatives in music, literature, ballet, and stage production.

A collaboration of masters in their craft

“Florante at Laura was a project that was going to be Gerardo Francisco’s next epic adventure. This was planned way before the pandemic happened,” recalled Lisa.

Gerardo is the dance company’s longtime principal dancer and co-artistic associate, who also choreographed the award-winning Ibong Adarna. Working with him is the exemplary British choreographer Martin Lawrance who is behind Ballet Manila’s full length innovative retelling of Romeo and Juliet in the Filipino setting.

With this collaboration, Gerardo shared, “Clear communication, thorough discussions, and mutual support were crucial in keeping us on track.” To this, Martin agrees. “We just seem to click and bounce ideas off of each other. It has so far been a very fruitful collaboration. Communication has been the key! ”

From the collaboration between Gerardo and Martin, the intricate pieces to this masterpiece of a production started falling into place when Lisa invited renowned writer and balagtasan expert Professor Michael Coroza as a guest in her show, Art 2 Art, where she asked him to watch Ibong Adarna. “I then invited Michael to collaborate with Gerardo and Martin Lawrence to create the libretto for Florante at Laura.”

Soon after, the quest for a composer began. Lisa imagined someone who can create original compositions akin to a Filipino Tchaikovsky—sweeping, dramatic, powerful, and romantic. “I was so very thrilled when National Artist for Music Ryan Cayabyab said yes!” shared Lisa.

One of the pillars of Original Pilipino Music (OPM), Ryan Cayabyab, was named National Artist for Music in 2018 with an extensive body of work ranging from orchestras and full-length musical productions to television and commercials. “It had been quite some time since I wrote a large musical work,” he shared.

Despite being a seasoned composer and musician, Ryan was thrilled to work with fellow creatives: “Most important before I start creating music is the mutual understanding among the other creatives and the producer regarding style and medium of music.”

Breathing life into his original compositions is the Orchestra of the Filipino Youth (OFY) under the baton of his son, Toma Cayabyab—another dream fulfilled for Ryan. “Everything is a surprise and wonder for me. I challenged myself into accepting this landmark ballet production, and I hope that it becomes an important legacy for all of us involved in it.”

An epic production with mesmerizing visuals

A literary masterpiece written by Filipino poet Francisco ‘Balagtas’ Baltasar and published in 1838, Florante at Laura follows the story of Florante, a duke who was held captive and enslaved by the Turks. But with the help of Aladin, he managed to escape from his captors to return to his country, Albania, to face off the usurper Count Adolfo, seek redemption, and reunite with his beloved Laura.

To translate the story’s universal themes of love, betrayal, and friendship in dramatic visuals, Ballet Manila tapped the expertise of key players who have been involved in many local and international productions for decades. Set designer Mio Infante explained that his designs depict not just the actual setting in the story. “This epic ballet includes a diverse set of locations, which not only serve as physical spaces but also symbolize the internal and external conflicts of the characters, as well as broader themes of love, war, loyalty, and betrayal.”

Complementing his designs are the stunning costumes from Make It Happen, led by Otto Hernandez & Therese Arroyo Hernandez. The duo noted, “Costumes play a crucial role in conveying the story and message of a production. It can contribute to the overall visual aesthetics, help define characters, evoke emotions, and enhance the audience's understanding of the narrative.”

Meanwhile, lighting director John Batalla emphasizes the importance of using a distinct lighting color palette to differentiate the varied locales of Florante and Laura. “Mood is certainly a major part of the themes that lighting has to tackle in a production such as this in order to transport the audiences to a different time and far-away places.”

Expect more from Ballet Manila

As one of the country’s leading dance companies, Ballet Manila has been known for its keen eye for excellence and artistry. While it has created many award-winning productions, the audience can expect more world class performances thanks to the leadership of Lisa.

But for now, she wishes the audience to bask in the magical greatness of Florante at Laura. “That’s why we work so hard every day – to create art that people will want to watch again and again.”

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To learn more about Ballet Manila and its shows, visit www.balletmanila.com.ph.

Ballet Manila’s Giselle to feature global superstars Renata Shakirova and Alexei Timofeyev

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World-renowned ballet superstars from the prestigious Mariinsky Ballet, Renata Shakirova and Alexei Timofeyev, will be coming to Manila for a rare Philippine performance in the restaging of Ballet Manila’s Giselle set to happen at the Aliw Theater on August 31, 2024 at 8pm and September 1, 2024 at 5 pm.

This much-awaited collaboration with the Russian superstars of ballet once again highlights Ballet Manila’s artistry and keen eye for excellence in every production, by working with world-class performers – this time for Giselle. This very special collaboration was made possible by Lisa Macuja Elizalde, Ballet Manila’s artistic director and chief executive officer, and her close ties with the Mariinsky Ballet (formerly Kirov Ballet) where she also trained and became the first foreign soloist in the mid-80s. She shared, “The fact that we are collaborating with guest artists and star performers Renata Shakirova and Alexsei Timofeyev will always bring out the best in the company.”

With their star power, Macuja Elizalde couldn’t be more excited for their rendition of the well-loved Giselle. “I think that Renata’s true romantic style of dancing and the fact that she is dancing with her real-life prince Alexei is going to transform Ballet Manila’s Giselle to a Giselle of another level,” she adds. The world-renowned Russian dancers, incidentally, are married to each other in real life.

Born in Tashkent, Uzbekistan, Renata joined Mariinsky Ballet, one of the leading dance companies in the world, upon her graduation in 2015 and was immediately given her first principal role as Kitri in Don Quixote. That same year, she was listed among the 25 to Watch by Dance Magazine. And in 2016, she competed in the Bolshoi Ballet Competition, where she won first prize.

Meanwhile, Leningrad-born Alexei joined Mariinsky Ballet in 2004 and is currently the soloist of the dance company. As a soloist, he managed to secure various awards under his belt, including prize-winner at the VII International Ballet Competition in Seoul in 2010; diploma-recipient at the XVI International Rudolf Nureyev Ballet Festival in 2010 where he was cited for his superb levels of professionalism and contribution to the development of ballet in the Republic of Bashkortostan; and diploma-recipient at the XI International Ballet Dancers’ and Choreographers’ Competition in Moscow in 2009.

While it is their first time to perform on the Philippine stage, Renata is looking forward to connecting with the Filipino audience through her performance. “What’s important to be able to connect with the audience, wherever they are, but especially with a Filipino audience, is to highlight the small nuances that are included in the performance, like the turn of the head or the eye-to-eye contact with your partner, so that the emotions in the story can be conveyed and that the audience can enjoy the show.”

Meanwhile, Alexei excitedly looks forward to performing in front of a new audience, as he noted, “We are feeling the good kind of vibes with the Filipino audience, and we want them to live the story of Giselle with us on stage. It’s going to be our first time, and we hope to share that special experience with all of them.”

The third offering of Ballet Manila’s 26th performance season, dubbed Ballet Masterpieces, Giselle is a classic love story of a village girl (Giselle) who falls in love with Albrecht, not knowing he is already engaged. When she finds out, she dies of a broken heart and becomes a wili, joining the souls of girls who are also wronged by their men. Meanwhile, Albrecht visits the grave of Giselle, who protects him from Myrtha, the vengeful queen of the wilis.

Complementing their performances is a dynamic ensemble made up of young and veteran dancers from Ballet Manila, which, according to Macuja Elizalde, is the main change for the restaging of Giselle. “Ballet Manila Corps de Ballet is made up of more young members who have just joined the company post-pandemic - standing side by side with Ballet Manila dancers who are "veterans" and have performed the ballet many times before.”

The two-act ballet will interestingly showcase the talents of real-life couples both on and off stage. Ballet Manila's principal dancers Abigail Oliveiro and Mark Sumaylo will headline the performance on August 31 at 1pm while the world-renowned duo Renata and Alexei will take on the title roles on August 31 at 8pm and September 1 at 5pm.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph

The country’s creative powerhouses bring to life - Ballet Manila’s Ang Tatlong Kwento ni Lola Basyang

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Ballet Manila once again unearths the magical baul of Lola Basyang as it transports its audience to a world of fantastic dance, music and spectacular visuals with Ang Tatlong Kwento ni Lola Basyang set to happen at Aliw Theater from May 11, 2024 at 8PM and May 12 &18, 2024 at 5PM.

Ballet Manila stages a beloved Filipino children's classic in

Tatlong Kwento ni Lola Basyang

The second show among the repertoire for Ballet Manila’s 26th Performance Season aptly titled “Ballet Masterpieces,” Ang Tatlong Kwento ni Lola Basyang is based on the retellings of Severino Reyes’ stories by Christine Bellen Ang. Published by Anvil Publishing, the three stories are an engaging mix of romance, adventure and comedy, touching on such universal themes as loyalty and commitment to family, the power of humility and of course, love conquers all.

“We chose three stories out of twelve (12) Lola Basyang books. It was an interesting process because there were so many great tales that were worth sharing. But in the end, we felt that the themes we chose can truly resonate with an audience across many generations,” shared Lisa Macuja Elizalde, artistic director and chief executive officer of Ballet Manila.

“As a publishing company that’s known for producing books about Philippine culture, we feel it is part of our duty to ensure that the magic of these stories is not lost among the younger generation. “Ang Mga Kwento Ni Lola Basyang” is among the books that have mesmerized generations of Filipino children and we are confident they will love the ballet version,” shared Xandra Ramos Padilla, Anvil Publishing president. ”We’re so thrilled that these stories will once again be brought to life through compelling performances, thanks to our partnership with Ballet Manila.”

Bringing life to the enduring character of Lola Basyang is Mitch Valdes – the acclaimed performance artist who has been active in the theater and entertainment industry for over 50 years. Best known for her award-winning roles in Lunes, Martes, Miyerkules, Huwebes, Biyernes, Sabado, Linggo where she won a Gawad Urian Award for Best Supporting Actress, Mitch has also starred in highly-acclaimed movies such as Oro, Plata, Mata; Manila by Night; and Bulaklak sa City Jail.

Mitch’s captivating performance of Lola Basyang will open the production. Not surprisingly, the role has evoked a sense of patriotism in the actress. “We’re familiar with all the international classics but this one is a rare chance to see one of our beloved folklore come to life in classical ballet. It will be beautiful because the story is one of our own.”

The cast of Ballet Manila’s Tatlong Kwento ni Lola Basyang standing from left: John Ralp Balago, Stephanie Santiago, Ris Camaclang, Gerardo Francisco, Jessica Pearl Dames, Jasmine Pia Dames, and Romeo Peralta; along with (seated from left) Singer-actress and comedienne Mitch Valdes as Lola Basyang, Ballet Manila artistic director and CEO Lisa Macuja Elizalde and Anvil Publishing Inc. managing editor Jordan Santos

Ang Tatlong Kwento ni Lola Basyang will then unfold with the first story, Ang Prinsipe ng mga Ibon which tells the tale of a princess who wishes to marry her beloved bird against her father’s disapproval. In the end, the princess decides to turn into a beautiful bird to join her beloved bird who happens to be a prince in his kingdom.

Breathing life into the characters are principal dancers Jasmine Pia Dames/Shaira Comeros as Prinsesa Singsing and Romeo Peralta/Joshua Enciso as Prinsipe ng mga Ibon. Choreographed by the late Osias Barroso Jr., Ballet Manila’s co-artistic director until his passing in December 2023, the production hopes his legacy will live on through the choreographies he has created.

Barroso once said, “I want Ang Prinsipe ng mga Ibon to be very romantic. I want people to fall in love after watching it.” Complementing his vision is the award-winning musical arranger Mon Faustino who arranged music for the production using compositions of national artists for music.

From the soaring magic of enchanted birds, the production moves on to focus on the dark ramifications of greed in Ang Kapatid ng Tatlong Maria which tells the story of a couple who are folk healers, thanks to the leaves of a magical tree that their three daughters would pick every morning. Because of the couple’s greed, they were punished by the serpent living in the tree, taking their three daughters to marry them off to beastly animals. The couple soon had another child, this time a son, and before the father’s death, he requested his son to look for his three sisters.

Ang Kapatid ng Tatlong Maria is a collaborative partnership between Lisa Macuja Elizalde as the choreographer, and Filipino Music legend, Joey Ayala who composed the music for the entire ballet.

“For Ang Kapatid ng Tatlong Marya, I wanted to merge the movements of the folk dances of Luzon, Visayas, and Mindanao to represent the three worlds to show the cultural diversity and color of our nation,” explained Macuja Elizalde.

Apart from the magnificent ballet, the production is an auditory treat as it will feature a rare combination of raw sounds from kawayan and metal, complemented by orchestral synthesizer sounds to stimulate the imagination of the audience. For this story, Anselmo Dictado/Sean Pelegrin will perform the role of Pedro, while the Tatlong Maria will be played by Rissa May Camaclang (Maria Trining), Stephanie Santiago (Maria Loleng) and Jessa Balote/Jessica Pearl Dames (Maria Upeng).

No less than National Artist Ryan Cayabyab composed the lively and catchy music that will accompany the dancers in Ang Mahiwagang Biyulin. The last installment in the trilogy, its tells the story of a young man named Rodrigo who is rewarded with a magical violin for his kindness to an old woman.

Completing the creative powerhouse for this final tale is the late award-winning Filipino ballet dancer Tony Fabella, whose amazing choreography reaffirms his belief that, while the story is easy enough to understand, audiences will have a deeper appreciation for the beautiful message of Ang Mahiwagang Biyulin if told through ballet. True enough, theater goers must prepare to be enthralled by the performances of Gerardo Francisco Jr./Anselmo Dictado as Rodrigo and John Ralp Balago/Junmark Sumaylo as Ahab.

From the brilliantly written word to the wonderful stage of ballet, Ang Tatlong Kwento ni Lola Basyang is a production mounted with the heartfelt intention of giving birth to a newfound appreciation for our vibrant Filipino culture: “We hope that they come out of the theaters having learned so many valuable life lessons,” said Macuja Elizalde.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph