A legacy fulfilled: Lisa Macuja Elizalde marks 40th homecoming celebration with a season of curated performances and a landmark collaboration with The Dawn

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Exactly forty years ago, Lisa Macuja Elizalde made the defining choice to leave behind a flourishing career at the Kirov Ballet (now Mariinksy Ballet) in Moscow and return to the Philippines. That homecoming became the cornerstone of her mission to bring ballet to the people and people to ballet, a mission that has shaped generations of dancers and audiences.

(L-R) (first row) Ballet Manila principal dancer Joshua Enciso, company artist Shamira Drapete with principal dancers Jessica Pearl Dames, Abigail Oliveiro and Junmark Sumaylo;

(second row) The Dawn members Bim Yance, Rommel Sanchez, Jun Boy Leonor, Francis Reyes and Jett Pangan; Ballet Manila CEO and artistic director Lisa Macuja-Elizalde, associate artistic director and resident choreographer Gerardo Francisco Jr., and resident choreographer Martin Lawrence; The Manila Symphony Orchestra president Maan Hontiveros and music director Maestro Marlon Chen

Forty years later, Lisa marks her homecoming milestone through Ballet Manila’s PRIMA Performance Season, a curated program of classical works that highlight the company’s Vaganova roots and its commitment to sustaining excellence while making ballet accessible to Filipinos. The landmark year also features a special collaboration with The Dawn, staged at Aliw Theater on February 20 and 21 at 8:00 p.m. Both Lisa and The Dawn are icons of their generations, and this production links their parallel 40-year journeys through a fusion of ballet and rock music. The performance will showcase some of The Dawn’s most popular and iconic songs reimagined through dance, underscoring Ballet Manila’s continuing effort to make ballet relevant and accessible.

The collaboration is being presented as part of the Ballet & Ballads series and produced by Manila Broadcasting Company (MBC). A brainchild of Fred J. Elizalde in the early years of Ballet Manila, Ballet & Ballads has contributed immensely to the mission and vision of Macuja-Elizalde to make classical ballet more accessible to the general public by performing alongside mainstream artists and keeping ticket prices either free or minimal.

From Ballet & Ballads, the PRIMA Performance Season of Ballet Manila will unfold with a series of landmark productions. Sleeping Beauty will be staged on March 14 and 15, 2026 at Aliw Theater, accompanied by the Manila Symphony Orchestra under the baton of Maestro Alexander Vikulov. The season continues with Paquita on June 20 and 21, 2026, featuring a showcase of the company’s Vaganova heritage and classical precision. Finally, the season will culminate with La Bayadère on August 22 and 23, 2026, featuring the triumphant return of guest artists Renata Shakirova and Kimin Kim of the Mariinsky Ballet, who made their Philippine debut in 2025 with Don Quixote.

(L-R) Paquita Pas de Trois featuring Ballet Manila principal dancer Jessica Pearl Dames with company artists Rafael Perez and Nanami Hasegawa.

 (L-R) Ballet Manila company artist Shamira Drapete and principal dancer Joshua Enciso perform an excerpt from Sleeping Beauty.

Reflecting on the milestone, Lisa shared: “Forty years ago, I came home with a mission to make ballet part of Filipino life. To see that vision continue through Ballet Manila and the PRIMA performance season is deeply meaningful not just for me but for everyone in the company. It proves that ballet can endure, adapt, and belong to everyone.”

Other performances throughout the year include Ibong Adarna in Dumaguete in February and at Ateneo’s Areté in October, an international tour in Kuala Lumpur in September, and the Holiday Cheer Series in December.

These events frame 2026 not only as a year full of performances but as a cultural cycle completed, a legacy fulfilled, and a future opened by a ballerina who chose to come home even while at the cusp of international success.

Lisa Macuja Elizalde’s 40th homecoming year is more than a personal milestone. It is a testament to endurance, to the completeness of a vision, and to the fulfillment of a promise —that ballet also belongs to the Filipino people.

(L-R) Ballet Manila company artists Samantha Garay, Rodney Catubay, and Ana Graciela Andes; with principal dancers Abigail Oliveiro and Junmark Sumaylo; and company artists Ana Katharina Andes, Jos David Andes and Celine Astrologo in a scene from La Bayadère.

Keep up-to-date with Ballet Manila’s schedule of performances and celebration events by visiting Ballet Manila’s website www.balletmanila.com.ph or Ticketworld page www.ticketworld.com.ph

Ballet Manila’s Giselle to feature global superstars Renata Shakirova and Alexei Timofeyev

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World-renowned ballet superstars from the prestigious Mariinsky Ballet, Renata Shakirova and Alexei Timofeyev, will be coming to Manila for a rare Philippine performance in the restaging of Ballet Manila’s Giselle set to happen at the Aliw Theater on August 31, 2024 at 8pm and September 1, 2024 at 5 pm.

This much-awaited collaboration with the Russian superstars of ballet once again highlights Ballet Manila’s artistry and keen eye for excellence in every production, by working with world-class performers – this time for Giselle. This very special collaboration was made possible by Lisa Macuja Elizalde, Ballet Manila’s artistic director and chief executive officer, and her close ties with the Mariinsky Ballet (formerly Kirov Ballet) where she also trained and became the first foreign soloist in the mid-80s. She shared, “The fact that we are collaborating with guest artists and star performers Renata Shakirova and Alexsei Timofeyev will always bring out the best in the company.”

With their star power, Macuja Elizalde couldn’t be more excited for their rendition of the well-loved Giselle. “I think that Renata’s true romantic style of dancing and the fact that she is dancing with her real-life prince Alexei is going to transform Ballet Manila’s Giselle to a Giselle of another level,” she adds. The world-renowned Russian dancers, incidentally, are married to each other in real life.

Born in Tashkent, Uzbekistan, Renata joined Mariinsky Ballet, one of the leading dance companies in the world, upon her graduation in 2015 and was immediately given her first principal role as Kitri in Don Quixote. That same year, she was listed among the 25 to Watch by Dance Magazine. And in 2016, she competed in the Bolshoi Ballet Competition, where she won first prize.

Meanwhile, Leningrad-born Alexei joined Mariinsky Ballet in 2004 and is currently the soloist of the dance company. As a soloist, he managed to secure various awards under his belt, including prize-winner at the VII International Ballet Competition in Seoul in 2010; diploma-recipient at the XVI International Rudolf Nureyev Ballet Festival in 2010 where he was cited for his superb levels of professionalism and contribution to the development of ballet in the Republic of Bashkortostan; and diploma-recipient at the XI International Ballet Dancers’ and Choreographers’ Competition in Moscow in 2009.

While it is their first time to perform on the Philippine stage, Renata is looking forward to connecting with the Filipino audience through her performance. “What’s important to be able to connect with the audience, wherever they are, but especially with a Filipino audience, is to highlight the small nuances that are included in the performance, like the turn of the head or the eye-to-eye contact with your partner, so that the emotions in the story can be conveyed and that the audience can enjoy the show.”

Meanwhile, Alexei excitedly looks forward to performing in front of a new audience, as he noted, “We are feeling the good kind of vibes with the Filipino audience, and we want them to live the story of Giselle with us on stage. It’s going to be our first time, and we hope to share that special experience with all of them.”

The third offering of Ballet Manila’s 26th performance season, dubbed Ballet Masterpieces, Giselle is a classic love story of a village girl (Giselle) who falls in love with Albrecht, not knowing he is already engaged. When she finds out, she dies of a broken heart and becomes a wili, joining the souls of girls who are also wronged by their men. Meanwhile, Albrecht visits the grave of Giselle, who protects him from Myrtha, the vengeful queen of the wilis.

Complementing their performances is a dynamic ensemble made up of young and veteran dancers from Ballet Manila, which, according to Macuja Elizalde, is the main change for the restaging of Giselle. “Ballet Manila Corps de Ballet is made up of more young members who have just joined the company post-pandemic - standing side by side with Ballet Manila dancers who are "veterans" and have performed the ballet many times before.”

The two-act ballet will interestingly showcase the talents of real-life couples both on and off stage. Ballet Manila's principal dancers Abigail Oliveiro and Mark Sumaylo will headline the performance on August 31 at 1pm while the world-renowned duo Renata and Alexei will take on the title roles on August 31 at 8pm and September 1 at 5pm.

All performances will be staged at Aliw Theater, Pasay City. For tickets, visit www.ticketworld.com.ph. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph

Ibong Adarna soars anew in Ballet Manila’s 25th season

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Lessons on love, forgiveness and the triumph of good over evil once again take center stage as Gerardo Francisco re-stages his award-winning Ibong Adarna on August 19 and 20, 2023 at the Aliw Theater to conclude Ballet Manila’s 25th performance season, “Of Hope and Homecoming”.

Ballet Manila closes 25th performance season with Ibong Adarna

“After a three-year hiatus, we’re so excited to let Ibong Adarna take flight once again and show Filipino audiences its captivating beauty as well as bring to fore valuable Filipino traits such as love for family, forgiveness, kindness, and good over evil,” said Lisa Macuja Elizalde, Ballet Manila’s founder, artistic director, and chief executive officer.

A classic 16th century Filipino epic poem, Ibong Adarna centers around the mythical bird whose magical voice can heal illnesses. Upon hearing of its powers, three princes embark on a perilous journey, where they encounter different challenges to catch the elusive bird that can cure their ailing father. In the end, only the prince with the purest heart can catch the legendary Adarna bird.

Premiered in August 2017, Ballet Manila’s re-telling of this Filipino classic, choreographed by Gerardo Francisco Jr., has already garnered many accolades over the years, including Best Outstanding Production at the 2017 30th Aliw Awards; and at the Philstage Gawad Buhay Awards which honored it with multiple recognitions, including Outstanding Modern Dance Production, Outstanding Choreography for Modern Dance, Outstanding Ensemble for Modern Dance, Outstanding Music Composition, Outstanding Male Lead and Outstanding Female Lead.

With all the awards the show has earned, Francisco is all the more driven to live up to its standards to give audiences the best show. He shared, “The pressure is there. I need to stand by my standards, most especially to those who were able to watch the ballet during our world premiere. I need to exceed their expectations.”

The production was all set to go on a national tour in 2020 but the plan was halted due to the pandemic. According to Macuja Elizalde, the Ibong Adarna that will be staged in August will be the touring version where some dancers perform double or triple roles, and the production more streamlined.

Ibong Adarna will be staged at Aliw Theater, Pasay City on August 19 at 8:00 p.m. and August 20 at 5:00 p.m. For tickets, visit www.ticketworld.com.ph or call 8891 9999. To know more about Ballet Manila and its shows, visit www.balletmanila.com.ph