June 4, 2014

Christian Bautista, Karylle host 2014 PhilStage Gawad Buhay



Singers-TV personalities-Musical Theater stars Christian Bautista and Karylle reunite to host the 2014 Philstage Gawad Buhay for the Performing Arts Awards Night this June 6, Tanghalang Aurelio Tolentino, Cultural Center of the Philippines.

Christian Bautista and Karylle headlined musicals West Side Story, Rama Hari, and Cinderella. They were also the stars of international TV musical The Kitchen Musical, which aired over 20 countries around the world.

Christian and Karylle also starred in numerous shows here and abroad, and were perennial partners in ASAP before. They also did a few TV specials together.

Philstage is the only alliance of professional performing arts organizations in the Philippines. Its members include Ballet Manila, Ballet Philippines, Gantimpala Theater Foundation, Organisasyon ng Pilipinong Mang-aawit, Peta, Repertory Philippines, Tanghalang Pilipino, Trumpets, Actor’s Actors Inc., 9 Works Theatrical and Philippine Opera Company.

Gawad Buhay, considered the local Tony Awards as it honors all the best stage performances for the year, will feature excerpts from last year's best musicals as well as ballets.

This year, Philstage will give a lifetime achievement award to Naty Crame Rogers, the first lady of Philippine Theater and Basilio Esteban Villaruz for Dance and Arts Criticism. 

GAWAD BUHAY! COMPLETE LIST OF NOMINATIONS

Outstanding Original Script 
No nomination

Outstanding Original Libretto
• Nicolas Pichay, “Rock Supremo” (BP)
• Layeta Bucoy, “Sandosenang Sapatos” (TP)
• Jaime del Mundo, “The Bluebird of Happiness” (Trumpets)
• Rody Vera, “D’Wonder Twins of Boac” (Peta)
• Rody Vera, “Ibalong” (TP)

Outstanding Translation or Adaptation
• Rody Vera, “Der Kaufmann” (TP)

Outstanding Musical Direction
• Sweet Plantado-Tiongson and Joseph Tolentino, “Grease” (9 Works Theatrical)
• Only Torres, “The Producers” (Rep)
• Rony Fortich, “The Bluebird of Happiness” (Trumpets)
• Carol Bello, “Ibalong” (TP)
• Josefino “Chino” Toledo, “San Andres B” (Tanghalang Pilipino)

Outstanding Original Musical Composition
• Josefino “Chino” Toledo, “San Andres B” (TP)
• Carol Bello, “Ibalong” (TP)
• Noel Cabangon and Jed Balsamo, “Sandosenang Sapatos” (TP)
• Rony Fortich, “The Bluebird of Happiness” (Trumpets)
• Jeff Hernandez, “D’Wonder Twins of Boac” (Peta)

Outstanding Choreography for a Dance Production 
• Edna Vida Froilan, “A Christmas Carol” (BP)
• Carlo Pacis, “A Midsummer Night’s Dream” (BP)
• Gerard Francisco (“Ang Palasyo ng Mga Duwende”) and Osias Barroso and Michael Divinagracia (“Anting-Anting”), “Tatlo Pang Kuwento ni Lola Basyang” (BM)

Outstanding Choreography for a Play or Musical 
• Arnold Trinidad and Francis Matheu, “Grease” (9WT)
• Carlon Matobato, “D’Wonder Twins of Boac” (Peta)
• Nancy Crowe, “The Bluebird of Happiness” (Trumpets)
• Alden Lugnasin, “Ibalong” (TP)

Outstanding Costume Design 
• Raven Ong, “Alice in Wonderland” (Rep)
• Raven Ong, “Boeing, Boeing” (Rep)
• Mio Infante, “The Bluebird of Happiness” (Trumpets)
• Tuxqs Rutaquio, “Der Kaufmann” (TP)
• Leeroy New, “Ibalong” (TP)

Outstanding Lighting Design 
• John Batalla, “The Bluebird of Happiness” (Trumpets)
• John Batalla, “Der Kaufmann” (TP)
• Jay Aranda, “San Andres B” (TP)
• Jolu Escaño, “Red” (Actor’s Actors, Inc.)
• John Batalla, “The Graduate” (Rep)

Outstanding Sound Design 
• Jeff Hernandez, “D’Wonder Twins of Boac” (Peta)
• Dodo Lim, “Red” (AAI)
• Rards Corpus, “The Bluebird of Happiness” (Trumpets)
• TJ Ramos, “Der Kaufmann” (TP)
• TJ Ramos, “Ibalong” (TP)

Outstanding Set Design
• Mio Infante, “The Graduate” (Rep)
• Gino Gonzales, “Alice in Wonderland” (Rep)
• Damien Anne and Baby Imperial-Anne, “Red” (AAI)
• Lex Marcos, “D’Wonder Twins of Boac” (Peta)
• Mio Infante, “The Bluebird of Happiness” (Trumpets)

Female Lead Performance in a Play
• Regina de Vera, “Der Kaufmann” (TP)

Male Lead Performance in a Play
• Bart Guingona, “Red” (AAI)
• Reb Atadero, “The Graduate” (Rep)
• Jonathan Tadioan, “Der Kaufmann” (TP)

Female Featured Performance in a Play
• Carla Dunareanu, “Boeing, Boeing” (Rep)
• Raquel Pareño, “Der Kaufmann” (TP)

Male Featured Performance in a Play
• Joaquin Valdes, “Red” (AAI)
• Joe Gruta, “Kanser” (Gantimpala Theater Foundation)
• Lou Veloso, “Der Kaufmann” (TP)
• Marco Viaña, “Der Kaufmann” (TP)

Female Lead Performance in a Musical
• Jenine Disederio, “Ibalong” (TP)
• Trixie Esteban, “Sandosenang Sapatos” (TP)
• Nikki Gil, “They’re Playing Our Song” (9WT)
• Chimmi Kohchet-Chua, “The Bluebird of Happiness” (Trumpets)
• Cris Villonco, “D’Wonder Twins of Boac” (Peta)

Male Lead Performance in a Musical 
• Gian Magdangal, “Grease” (9WT)
• Robbie Zialcita, “The Producers” (Rep)
• Audie Gemora, “No Way to Treat a Lady” (Rep)
• Lawrence Martinez, “They’re Playing Our Song” (9WT)
• Anton Posadas, “The Bluebird of Happiness” (Trumpets)

Female Featured Performance in a Musical 
• Shamaine Centenera-Buencamino, “D’Wonder Twins of Boac” (Peta)
• Pinky Marquez, “No Way to Treat a Lady” (Rep)
• Bituin Escalante, “Alice in Wonderland” (Rep)
• Lynn Sherman, “The Bluebird of Happiness” (Trumpets)
• G Töngi-Walters, “The Producers” (Rep)

Male Featured Performance in a Musical 
• Audie Gemora, “The Producers” (Rep)
• Noel Rayos, “The Producers” (Rep)
• Joel Trinidad, “The Producers” (Rep)
• Joel Trinidad, “The Bluebird of Happiness” (Trumpets)
• Cheeno Macaraig, “Ibalong” (TP)

Female Lead Performance in Modern Dance 
• Katherine Trofeo, “A Midsummer Night’s Dream” (BP)
• Kris-Belle Paclibar, “A Midsummer Night’s Dream” (BP)
• Carissa Adea, “Rock Supremo” (BP)
• Joan Emery Sia, “Tatlo Pang Kuwento ni Lola Basyang” (BM)
• Lisa Macuja-Elizalde, “Tatlo Pang Kuwento ni Lola Basyang” (BM)

Male Lead Performance in Modern Dance
• Nonoy Froilan, “A Christmas Carol” (BP)
• Cyril Fallar, “A Midsummer Night’s Dream” (BP)
• Richardson Yadao, “A Midsummer Night’s Dream” (BP)
• Richardson Yadao, “Rock Supremo” (BP)
• Michael Divinagracia, “Tatlo Pang Kuwento ni Lola Basyang” (BM)

Female Featured Performance in Modern Dance 
• Guia Gequinto, “A Midsummer Night’s Dream” (BP)
• Monica Gana, “Rock Supremo” (BP)
• Jan Erika Basilio, “Tatlo Pang Kuwento ni Lola Basyang” (BM)
• Missy Macuja Elizalde, “Tatlo Pang Kuwento ni Lola Basyang” (BM)

Male Featured Performance in Modern Dance
• Jean Marc Cordero, “A Christmas Carol” (BP)
• Richardson Yadao, “A Christmas Carol” (BP)
• Earl John Arisola, “Rock Supremo” (BP)
• Jean Marc Cordero, “Rock Supremo” (BP)
• Victor Maguad, “Rock Supremo” (BP)

Female Lead Performance in Classical Dance
• Lisa Macuja-Elizalde, “Le Corsaire” (BM)
• Lisa Macuja-Elizalde, The “Nutcracker” (BM)
• Dawna Mangahas in “The Nutcracker” (BM)
• Denise Parungao, “Giselle” (BP)
• Katherine Trofeo, “Giselle” (BP)

Male Lead Performance in Classical Dance
• Mikhail Martinyuk, “La Bayadere” (BM)
• Rudy de Dios, “The Nutcracker” (BM)
• Earl John Arisola, “Giselle” (BP)
• Jean Marc Cordero, “Giselle” (BP)

Female Featured Performance in Classical Dance
• Jan Erika Basilio, “Le Corsaire” (BM)
• Dawna Mangahas “Le Corsaire” (BM)
• Jessa Balote, “The Nutcracker” (BM)
• Missy Macuja Elizalde, “The Nutcracker” (BM)
• Rita Winder, “Giselle” (BP)

Male Featured Performance in Classical Dance
• Francis Cascaño, “Le Corsaire” (BM)
• Gerardo Francisco Jr., “Le Corsaire” (BM)

Outstanding Modern Dance Production
• “A Christmas Carol” (BP)
• “A Midsummer Night’s Dream” (BP)
• “Tatlo Pang Kuwento ni Lola Basyang” (BM)

Outstanding Classical Dance Production
• “Le Corsaire” (BM)
• “The Nutcracker” (BM)

Outstanding Stage Direction for a Play or Musical
• Robbie Guevarra, “Grease” (9WT)
• Bart Guingona, “Red” (AAI)
• Maribel Legarda, “D’Wonder Twins of Boac” (Peta)
• Jaime del Mundo, “The Bluebird of Happiness” (Trumpets)
• Tuxqs Rutaquio and Rody Vera, “Der Kaufmann” (TP)

Outstanding Ensemble Performance for a Play
• “Red” (AAI)
• “Der Kaufmann” (TP)

Outstanding Ensemble Performance for a Musical
• “Grease” (9WT)
• “D’Wonder Twins of Boac” (Peta)
• “Ibalong” (TP)
• “The Producers” (Rep)
• “The Bluebird of Happiness” (Trumpets)

Outstanding Ensemble Performance for Modern Dance
• “A Christmas Carol” (BP)
• “A Midsummer Night’s Dream” (BP)
• “Tatlo Pang Kuwento ni Lola Basyang” (BM)

Outstanding Ensemble Performance for Classical Dance
• “Giselle” (BP)
• “Le Corsaire” (BM)
• “The Nutcracker” (BM)

Outstanding Production of Existing Material for a Play
• “Red” (AAI)
• “Der Kaufmann” (TP)

Outstanding Production of Existing Material for a Musical 
• “Grease” (9WT)
• “They’re Playing Our Song” (9WT)
• “The Producers” (Rep)

Outstanding Production for Children—Play, Musical or Dance
• “Tatlo Pang Kuwento ni Lola Basyang” (BM)
• “A Christmas Carol” (BP)
• “Alice in Wonderland” (Rep)
• “Sandosenang Sapatos” (TP)
• “The Bluebird of Happiness” (Trumpets)

Outstanding Original Play
No nomination

Outstanding Original Musical
• “D’Wonder Twins of Boac” (Peta)
• “The Bluebird of Happiness” (Trumpets)
• “Sandosenang Sapatos” (TP)
• “Ibalong” (TP)

June 3, 2014

How to stay looking fresh, blooming, and effortlessly beautiful throughout the day? Get an instant glowing skin with Myra VitaGlow BB Cream

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https://www.youtube.com/watch?v=tuZ2rcklX4s

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June 2, 2014

Renaissance Art Gallery's 11 th Anniversary celebrates with“Tinuod/Truth” by Bag-ong Hinan-aw set to open June 25


One of the trendiest art galleries in Metro Manila, Renaissance Art Gallery boasts of having among the finest collections of established and upcoming Filipino contemporary artists. 

Among the events celebrating its eleventh anniversary this June, Renaissance Art Gallery is proud to present the grouped art exhibition “Tinuod/Truth,” featuring sixty-four masterpieces created by the artists and mentors of the Cebu-based art group Bag-ong Hinan-aw. 

Cebuano for “New Perspectives,” Bag-ong Hinan-aw is a group inspired and guided by the giants of Cebu’s academic realist tradition: the art philosophy of Martino Abellana, the Amorsolo of the South; and his two greatest apprentices, Sofronio Ylanan Mendoza (also known as Sym); and Romulo Galicano. 

Bag-ong Hinan-aw is composed of ten artists: Publio “Boy” Briones, Jr.; Buboy Cañete, Audie Estrellado, Ramon De Dios, Carlos Florida, Jonathan Galicano, Luther Galicano, Bernardo Hermoso, Facundo “Dodong” Tallo, and Jose “Pepe” Villadolid. 

Their works are suffused with the academic realism that came from National Artist Fernando Amorsolo, and bequeathed through the teachings of Abellana, Sym, and Galicano. 

Cebuano for “truth,” tinuod exemplifies their artistic values: to render the truth of nature through the honest and ethical work of painting, bringing the highest standards of craftsmanship and new visions to enthrall their audiences with unique concepts and newer ways of looking at art. 

“Tinuod/Truth” shall also feature guest works of Martino Abellana, Sym, and Romulo Galicano.

“Tinuod/Truth” will have its opening cocktails on June 25, 2014 – 6 p.m. at the ART CENTER, 4th Level, Bldg. A, SM Megamall, Mandaluyong City. It runs until July 8, 2014. 

For further details of the exhibit, you may contact Renaissance Gallery the following ways:
By phone: 637-3101 
By e-mail: renaissanceart.ph@gmail.com
By Internet: www.renaissanceart.ph

Connect to Renaissance Gallery online through the following social media networks:
Facebook: facebook.com/renaissanceart.ph
Instagram: renaissanceartph

A certain faithfulness to depicting the world around them characterizes the work of the members of Bag-ong Hinan-aw. Cebuano for “New Perspectives,” the group has been enriched by the traditions of academic realism instilled into this emerging group of Cebuano painters by three generations of excellent master teachers: the seminal influence of Martino Abellana, the Amorsolo of the South; the fusion of modern thinking with faith in naturalism by Sofronio Ylanan Mendoza, or Sym; and the elevation of a successfully fused academic realism and abstraction by Romulo Galicano. 

Currently composed of ten artists, Bag-ong Hinan-aw has refined their already-excellent technical craft with ever-newer restatements of vision and technique that makes their respective bodies of works unique, and yet feels congruent to each other’s perspectives that form a consistent movement typifying the combination of concept, technique, and faithfulness to the perceived world. The group’s fidelity to the truths of both artmaking as a communion between artist and materials, and the absolute verity of natural depiction is what informs and enriches this exhibition. Tinuod is the Cebuano term for Truth, and it is through this meditation on the ability of art to present both the natural vision of the world, and the artistic truth of individual creativity, that best exemplifies the works of these ten artists of Bag-ong Hinan-aw. As a manifestation of Contemporary Philippine Art, Bag-ong Hinan-aw’s Tinuod aims to continue the legacy of past masters, and also to transform this tradition to suit today’s socio-cultural contexts and conditions of production. However, their fidelity as “sons of the South” continues to linger through their specialized subject matter, and ways of seeing.

(Boy Briones, Hello Kitty)
Capturing a scene infront of the Santo Niño Basilica, Boy showcases his academic realist credentials, while introducing his own modern element: the balloons that bring life out from weathered faces.

Publio “Boy” Briones, Jr. (b. 1949) focuses on the formal play of his otherwise traditional subjects, which are primarily exterior scenes of churches in Cebu City and Carcar, focusing on the dramatic contrast between the austere classicism of colonial architecture and the bright toy balloons lit by tropical sunlight. Through this contrast, Boy showcases both the deeply indebted tradition of academic realism, as well as the artistic innovation brought by Pop Art that updates his work, and makes it more relevant to today’s issues of globalization. Boy originally graduated with a BS and MBA from UP before learning how to paint during landscape sorties by fellow Cebuanos in the provinces. He subsequently took watercolor workshops and sketching classes at the National Academy of Design in New York (1987-1994). Boy was also mentored by Romulo Galicano starting from the 1980s.

(Boboy Cañete, Lady w/ CP)
A scene of domestic tranquility is riven with a moment of tension: is the lady reading through her lover’s cellphone, detecting illicit text messages? Her surreptitious glance seemingly indicates so.
Wilfredo “Boboy” Cañete (b. 1968) combines the tropical scenery of his urbanized hometown of Cordova, Cebu with the intimacy of contemporary domestic interiors, whose telltale bright lighting situates scenes of modern uncertainty, accelerated lifestyles, and the contemporary hassles of city life. For Boboy, tropical domestic life is both blissful and full of invigorating tensions, as constant life changes are recorded, commented upon, and rendered in the domestic vignettes that Pieter de Hooch and Vermeer would find familiar. Done with a combination of vigorous brushwork and attention to detail, Boboy’s contemporary domestic scenes are also a homage to Velasquez and Watteau. Boboy has been exhibiting professionally as an artist in Cebu and Manila since 1985. He was a finalist at the 1997 Metrobank Young Painter’s Annual in 1997 and 1999; and third prizewinner at the 1998 Metrobank Young Painter’s Annual. 

(Ramon De Dios, Bandera Spagnola)
Reflecting on Cebu’s Spanish heritage, Ramon captures the beach house scene in Oslob from a flowering garden. The title alludes to the lily in foreground, and the locale’s colonial past.
Ramon De Dios (b. 1956) is an architect who has found his true calling as a painter. Educated at the University of Southern Philippines, Ramon was involved in architectural heritage preservation (notably the rehabilitation of Malacañang Palace) before taking the leap in painting in 1998 through the guidance of Romulo Galicano. Ramon’s advocacy as a heritage preservationist perseveres in his paintings that combine aspects of Surrealism with narrative painting and still life. His rendition of Manila’s Carriedo Fountain is juxtaposed with the “real” story of a lost toy balloon flying off in the far distance; whereupon a vacation house in Oslob is foregrounded by a giant still life of a lily. Ramon has participated in grouped exhibitions since 2010, like the BPI Centennial Art Ehibition, the Sining Cebuano exhibition, and the recent “Artabang” exhibition for victims of Typhoon Yolanda.

(Audie Estrellado, Summertime)
The innocent joys of taking a communal bath at the seashore in summer animates Audie’s grouped portrait of children frolicking in the surf. Here, nature and delicate humanity are fused.

Audie Estrellada (b. 1957) uses the everyday life experiences and scenes of his hometown, the mystical island of Siquijor, as his personal testament to the singular importance of perceiving and contextualizing the social encounter between artist and human subject matter within a tropical paradise long associated with magic. A graduate of MSU, Audie has been a fixture of the Central Visayan and Northern Mindanao art scene since the early 1970s, when he first won on-the-spot painting contests in Marawi City and Tagbilaran City. Audie is a prizewinner at the 1983 Lazi Centennial Celebrations; 1986 Open-Air painting competition sponsored by the AAP Cagayan de Oro Chapter; and 2009 GSIS National Painting Competition. Audie is a member of various art groups, like VIVAA, Grupo Siquijudnon Visual Artists, and Kolor Sugbo. Audie was also awarded Outstanding Siquijudnon for Visual Arts in 1993.

(Ber Hermoso, Tuna Weigh-In)
Detailing the rich, dramatic textural contrasts between slick fish bodies, sweaty muscled torsos, and the grimy port, Ber showcases his command of paint in this magisterial portrait of southern commerce.
Bernardo “Ber” Hermoso (b. 1952) is a self-taught artist who has developed a uniquely “northern Cebuano” version of Martino Abellana’s dictum of acute naturalist observation in art. Based in Danao City, Ber focuses on nature, and humanity’s presence within it, as a test of both artistry and the faithfulness of being at one with the natural world. Boys frolicking at shore, or a mother and child next to a famed waterfall, find cognizance with his superb rendition of fishermen landing tuna at General Santos City’s famed wharf. Ber has mounted ten solo exhibitions since 1976. He was grand prizewinner at the 1980 International Year of the Child Competition in Manila; 1981 gold medal awardee at the UNESCO Art Competition in Manila; 1997 Grand prizewinner, Andres Bonifacio Portrait Painting Contest; and 2012 Grand Prizewinner at the 1st PAGCOR Art Competition. 

(Carly Florido, Lutopan Landscape)
Known as a mining community in Toledo City, Lutopan retains its natural charms through Carly’s sensitive handling of foliage and rocky outcrops. A winding river softens man’s intrusion with sublimity.

Carlos “Carly” Florido (b. 1940) focuses on the domestic space of family, as well as landscape scenes of Cebu as starting points in investigating the effects of light on his human subjects. Carly, who returned to Cebu after residing in the United States, is a self-taught artist who has been guided by Romulo Galicano through specialized master classes. He looks at landscape and humanity as interdependent elements that speak of both reflection, as well as the vital moment when mind, body, and space interlock seamlessly. He has been a member of the group Kolor Sugbo since 1993, and has participated in group shows in New York, Washington D.C., and Germany, (1993-1994). He participated in the “Homage to the Masters” exhibition at the Metropolitan Museum of Manila (2002), and “Ode to the Pasig River” exhibition at the Ayala Museum (2006). 

(Jonathan Galicano, Oslob Church After the Fire)
Jonathan renders the ruin of a famed southern Cebu church with documentary pathos and artistic verve. Its roofless, monochrome hulk contrasts with the colored belfry and sky, awaiting restorative redemption.
Jonathan Galicano (b. 1978) focuses on vistas of his father’s homeland (being born and raised in Manila), by combining traditional academic painting with conceptual elements—in this case a monochrome-mixed-with-color approach that is a homage to photography, as well as its translation into paint. Jonathan studied Fine Arts at the University of the Philippines Diliman, and has been guided by both Romulo Galicano and “Sym” Mendoza. A landscape artist who has mastered the mixed-monochrome/color technique, Jonathan captures both the poignancy of an upland farm, as well as that of a ruined church through this translation of photography into painted contrasts that bring out the contributions of young contemporary art. Jonathan has participated in numerous group shows here and abroad and received awards since 1990. He is also a member of Portrait Society of America and Ugnayang Pilipino Arts Foundation.

(Luther Galicano, Peace Valley)
The richness of tropical foliage, intermingled with city views, shows Luther’s superb handling of composition: the farmer and his cows are on one side, assuring dynamism and one’s roaming eye.
Luther M. Galicano II (b. 1961) takes as his artistic inspiration the sunlit outdoor scenes of flower gardens that remind us of the great Impressionists like Fantin-Latour and Monet, but decidedly depicting the tropical flora of Cebu. Luther took informal lessons in drawing and painting under Martino Abellana and Romulo Galicano, and is a frequent participant in the plein-aire sessions of Cebuano landscapists, from which he derives scenes of outdoor beauty and chromatic contrast in the various flower gardens, parks, and plant nurseries of this tourist island. Luther has participated in several group shows in Cebu City, Manila, New York, Washington D.C. and in Germany. He won First prize at the Cebu On-The-Spot Painting Competition sponsored by the Ministry of Tourism (1984); Third Prize, Cebu Art Association Art Competition (1995); and Second Prize, Kaalyado Ng Sining Art Competition (2011).

(Dong Tallo, Vanitas)
Art and reality intermingle and play against each other in this dense grouping of depicted paintings, sculpture, and props. Dong displays supreme handling of textures and colors in still life.
Facundo “Dong” Tallo Jr. (b. 1952) masters still life and the formal balance of objects set in space. Like Mulong Galicano and Sym, Dong studied under the maestro Martino Abellana from 1972 to 1978, and continued painting lessons with Romulo Galicano in 1979. In his still life arrangements, Dong shows a magisterial command of composition, as well as a sometimes-humorous look at the visual elements that makes still life an inner world worthy of extensive investigation, like characters coming to life in a miniature theatre. Segueing from mid-tone lighting to dramatic chiaroscuros and full daylight scenes, Dong gives a contemporary hyperrealistic feel to his still lifes and figure genre works. Dong Tallo has participated in numerous group shows since 1980. He is a member of Habagatang Art – Carcar, Kolor Sugbu- Cebu City, and Portrait Artist Society of the Philippines.

(Pepe Villadolid, Sunset With Rainbow)
Reflecting the complex hues of twilight, Pepe sympathetically renders his home island with a cosmopolitan relish. Beached fishing boats and the low tide mirrors sea, sky, and humanity as one.

Jose “Pepe” B. Villadolid (b. 1946) has made a lifetime commitment to depicting the richly-endowed and dramatically-lit seascapes of Cebu. Being born in Bantayan Island, Pepe learned earlier the rudiments of painting from his uncle. In 1988 he took up painting seriously and started joining outdoor painting with fellow Cebuano artists. In 1991 he met and befriended Romulo Galicano. As a seascapist, Pepe’s works can be comparable to the melodically-lit seascapes of Felix Resurreccion Hidalgo, and is characterized by rich, Impressionistic colors, faithfully depicting the rich palette of aqua greens and blues of the tropical seas. He has recently gone back to Bantayan to depict its seascapes. Pepe has participated in numerous group exhibits since 1988. He won the Grand Prize for the Martino Abellana Painting Contest (1996), and Third Prize at the Badian Island Beach Resort Art Contest. 

(Romulo Galicano, Boating Party at Bagac)
Mulong’s masterful handling of academic realism, here showcasing a “fantasy setting” in Bataan, is contrasted by his equally magnificent combination of abstract vertical lines that gives credence to his contemporaneity. 



(Sym, The Three Cherries)
Alluding to the tiny fruits on upper right, Sym gives us a masterful rendition of Cubism via this tour de force of intersecting and parallel planes—a tabletop with sophistication.

Amaia, Home of Pinoy Big Brother All In

Pinoy Big Brother, the Philippine edition of the popular foreign reality show Big Brother, comes back to ABS-CBN with a new edition called PBB All In and a new partner, Amaia, as the “Home of PBB All In.”
http://instagram.com/p/onRY_vsJTf/

Amaia is the official home of ABS -CBN’s Pinoy Big Brother (PBB) All-In, particularly Amaia Steps Novaliches.

I visited the Amaia Steps Novaliches, last Friday, May 30, 2014,  checking out the future unit of this year's ABS-CBN Pinoy Big Brother (PBB) All-In Winner.




Amaia Land Corp is the economic housing arm of Ayala Land Inc. that caters basically to the broad C market and offers residential properties that are below the 3.1M pesos economic housing cap. 

In Spanish/Basque, “Amaya” means a high place,  which expresses the mission of the company of bringing into reality the fulfillment of the Filipino aspiration of owning their dream homes at an affordable price range.

“Maya” is also taken from the local sparrow, humble and courageous as it goes about providing for its family.







The developments are backed by the Makati Development Corporation BuildPlus (MDC) and maintained by Ayala Property Management Corporation (APMC).

Amaia Land Corp is divided into three product lines:

Amaia Scapes – Horizontal Developments (Outside Metro locations)
Amaia Steps – Mid-rise Vertical Developments (Near Metro Locations)
Amaia Skies – High Rise Vertical Developments (In Metro locations)

Pinoy Big Brother: All In is the fifth regular and eleventh season overall of Pinoy Big Brother, ABS-CBN. Toni Gonzaga, Bianca Gonzalez, Robi Domingo, and John Prats as hosts and Alex Gonzaga as member of the housemates. As part of the season's twist, the show have a mix of teen, adult, and celebrity housemates — a first in the show and in the entire Big Brother franchise.

PBB All In also marks the first time in the history of the Philippine version and in the entire Big Brother franchise that an edition features a mix of teen, adult and celebrity housemates.

Deriving its popularity from gathering a myriad of different housemates with clashing personalities and backgrounds as they reveal their true selves while inside the cordoned-off, closely-monitored by multiple cameras Bahay ni Kuya, the prevailing motto among the housemates is “Kaya ko nang magpakatotoo” which resonates with the “Kaya ko na” tagline of Amaia, the economic housing arm of top property developer Ayala Land.

For PBB All In, the familiar Pinoy Big Brother house just across the ABS-CBN headquarters undergoes major enhancements that bear the Amaia brand.

The winner of PBB All In takes home as part of his prize package a brand new condo unit at Amaia Steps Novaliches. 

The grand prize, a 30 sqm unit at Amaia Steps Novaliches is a modern and contemporary-inspired mid-rise project and has good access to public transportation, schools, hospitals, and commercial centers.

It has quality features and amenities such as a swimming pool, basketball court, clubhouse, playground, landscaped gardens, and support retail for every family’s need. 

PBB All In promises to be a showcase for the best traits of Pinoys such as perseverance, hard work, humility and resilience to come out as they perform daily and weekly tasks. These are the very traits that make up the guaranteed formula for success and provide one a chance at a good life and own an Amaia home of his own.

Where there are dreamers like the PBB All In housemates, Amaia will always want to have a part in making their wishes come true. Backed by Makati Development Corporation BuildPlus (MDC), and maintained by Ayala Property Management Corporation (APMC), Amaia Land is every hardworking Filipino’s dependable partner in building a bright and strong future.
  

Amaia Steps Novaliches Marketing Group with Anna Garcia Ramos (Amaia Marketing Head) and Alex Arellano (Amaia Project Sales Director) 


Amaia Steps Novaliches will be a 20-building community after completion with a total of 2,016 units.  Amaia Steps Novaliches will also be the first Amaia development to include a townhouse or 2-story series housing.  The units however are still not up yet but they are already open for pre-selling at 2.5 to 2.9K pesos per unit.

Amaia Steps Novaliches Units:

33 sqm unit with balcony (2M pesos)
30 sqm unit without balcony (1.4M to 1.5M)

Visit the Amaia Steps Novaliches Showroom and Sales Office.

Amaia Steps Novaliches
Site: Susano Road, Brgy 170, Caloocan City, Brgy. San Agustin, Novaliches, Quezon City
Sales Office: E and V Building, Brgy. Sta Monica, Quirino Highway,Novaliches, Quezon City

(02) 419-5095 and (02) 418-2920


For inquiries, visit www.amaialand.com or like www.facebook/AmaiaLand.


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