James Reid offers breather in love’s chaos on new single “Pahinga,” featuring TJ Monterde

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It serves as the lead single off ‘jgh’ deluxe EP, which also features live versions of “Your Boy,” “Hurt Me Too,” and “Pahinga”—to name a few

Multi-awarded singer, actor, and all-around creative force James Reid has officially dropped his new single “Pahinga,” featuring pop hitmaker TJ Monterde.

The soul-stirring collaboration serves as the focus track off the jgh (Deluxe) EP, released today under Sony Music Entertainment and Careless Music.

Produced by James Reid and Brian Lotho and co-written by both artists with Jason Marvin and TJ Monterde, “Pahinga” offers a refreshing take on love’s quiet resilience. The track doubles as a searing ballad that reflects the maturity of lovers during difficult moments, not by fighting harder but by pausing with care.

According to James, “Pahinga” doesn’t demand resolution through drama; it seeks solace in stillness. The song essays the quiet understanding between partners who, in the wake of emotional storms, choose to pause, breathe, and stay for love.

“It began with a real-life experience,” James recounts a previous encounter, which became the inspiration in writing the track. “I realized you need to quiet the mind so you can hear your heart. Pahinga is about patience and perseverance in relationships. The blend of country and R&B was something I’ve been wanting to try recently, and I think the genre really helped bring out the sincerity of what we were trying to say.”

From its tender, soothing melodies to its vulnerable lyrics (Pahingi nang isang minuto, mataas lang emosyon ko ngayon. But after all this, mahal pa rin kita), the track carries the weight of truth only lived-in love can bear. With Monterde’s signature warmth and Reid’s introspective sincerity, “Pahinga is a lullaby for grown-up hearts still learning how to rest in love.

But “Pahinga” is just one chapter of a larger story. It anchors the jgh (Deluxe) EP, a carefully expanded edition of James’ 2024 release of the same title. The deluxe version of the EP also contains live versions of all the songs in the previously released record, with the addition of “Your Boy,” “Pahinga” and “Hurt Me Too,” which further underscore the record’s intimate appeal.

“I’ve really enjoyed recording live versions of my songs, so I wanted to package them together with my new song, Pahinga, to wrap up the whole JGH journey back into OPM,” reveals the ‘Mirasol’ singer in a press statement.

Eschewing polish for authenticity, these renditions echo the warmth of a jam session shared among close friends. James and his team wanted the listeners to feel “like they were there in the room with him and the band,” while embracing the imperfection and intimacy that come with an unplugged recording. “I wanted the audience to feel like they’re there hanging out with me,” he adds.

First released in 2024, ‘jgh’ marked James’ pivotal return to making pop-leaning tracks with distinct OPM sensibilities. ‘jgh’ deluxe EP (short for “just got home”) gives an intimate glimpse into the celebrated multi-hyphenate’s past and present life, chronicling how he has matured all these years, both as an artist and as a person.

With a blend of pop, R&B, and OPM sensibilities, the EP captures Reid at his most vulnerable, rediscovering the earnest, grounded parts of his identity that he may have lost touch with and learning to forgive himself and accept the flaws that came with it. Now with the deluxe edition, that homecoming feels even more complete.

James Reid’s new album, ‘jgh’ deluxe EP is out now on all digital music platforms worldwide via Sony Music Entertainment and Careless Music. Watch out for the release of the “Pahinga” live performance video via James Reid’s official YouTube channel.

Gary Valenciano and RJ Dela Fuente team up for an uplifting rendition of “Blessings”

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Acclaimed pop-balladeer RJ Dela Fuente have joined forces with Mr. Pure Energy himself, Gary Valenciano for a moving and heartfelt rendition of Laura Story’s “Blessings”—released just in time for the Holy Week.

Their powerful duet offers a fresh take on the iconic Christian ballad, serving as a timely reminder of hope, healing, and unwavering faith in God amid life’s trials.

Known for bridging the worlds of pop and gospel music, both artists bring a depth of emotion and sincerity to the song that resonates deeply with listeners. “But more than our styles complementing each other, it’s our united stand, belief, and faith in Jesus that I believe has made it a perfect fit. Probably one of my favorite duet recordings in my lifetime,” shares Gary Valenciano.

The track was produced and arranged by Mon Faustino, Gary’s musical director for more than 35 years, in collaboration with recording consultant Mike Jamir. Considered by both as one of their favorite Christian songs, “Blessings” stands as a personal anthem for each of them: a source of comfort during Gary’s own medical battles and a guiding light for RJ during his journey through grief, healing, and spirituality.

Gary reflects, “Not every blessing comes in an ideal, joyful, happy, celebratory manner. Blessings can come hidden behind trials that come in various forms, and our prayer is that our listeners will know that not all disappointments are failures but surely sometimes delays that God allows to hone our character into becoming more like His before we are given that which we have asked of Him. Big blessings may require heightened responsibilities on our part and God can use the trials to deepen our personal walks with Jesus and strengthen us for more battles and blessings we will surely face in the future.”

RJ Dela Fuente shares how the song’s message of unexpected grace resonates with his own story. “The original artist, Laura Story, talked about how her husband was faced with a brain tumor and health conditions, which was the story behind this song. She talked about how she had to find comfort and had to depend on God during that tough time. I myself also had to find peace and comfort in Him when my family and I were grieving the loss of my stepmom due to cancer. Tito Gary also had to face cancer and a heart problem and is a type 1 diabetic.”

Through the song’s message, RJ believes that God has a bigger plan for us and we can still find comfort and peace in Him. “He won’t ever leave us and will be alongside us if we allow him to be. We can still find His “blessings” through tough times.”

The two artists first performed the duet as a surprise during CBN Asia’s Beyond Measure concert, held at the Araneta Coliseum last year.

The collaboration also serves as an important milestone for both Gary Valenciano and RJ Dela Fuente, who are involved in separate projects under Sony Music Entertainment and WATERWALK RECORDS, a music label focused on bringing fresh Christian music to a new, streaming generation.

RJ, on the other hand, will be releasing an EP with the help and support of Sony Music Entertainment, WATERWALK RECORDS, and Manila Genesis.

RJ Dela Fuente and Gary Valenciano’s “Blessings” is out now on all digital music platforms worldwide via Sony Music Entertainment and WATERWALK RECORDS.

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Ben&Ben’s new single “Tomorrow With You” arrives just in time for Valentine’s Day

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Ben&Ben celebrates the season of love with the release of their heartwarming new single, “Tomorrow With You,” now available via Sony Music Entertainment.

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The live version serves as the band’s first official release in 2025

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The song explores the resilience of love in the face of life's uncertainties, emphasizing the importance of taking each day as it comes, particularly during difficult times.

Inspired by the people who shaped and impacted their journey as individuals and as a band, Ben&Ben shares that the song encapsulates their growth, both personally and creatively, with family, friends, and loved ones by their side.

“Given that we have travelled quite far already in these dimensions, Tomorrow With You brings in the wisdom and maturity gained in these areas of our lives and channels it into a love song that embodies all of it,” explains the Pagtingin act.

The release of the track is accompanied by an audio bundle, which includes a live and a studio version. The band expressed their excitement over Spotify’s audio bundle feature, which allows listeners to enjoy both versions back-to-back, with the option to loop them for an immersive experience. “We poured different types of creative energy into both—one being a live performance and the other being a studio recording.”

The live version of “Tomorrow With You” is particularly significant, as the band believes it gives listeners a chance to experience a Ben&Ben concert on an intimate level. The band describes the feeling as a “unique audiovisual storytelling adventure that hopefully becomes a part of their own life stories as well.”

“The live performance was meticulously recorded during a concert that meant a lot to us and to our Liwanag [fans],” they add. “The event was a milestone after a year marred with many struggles, hardships, failures, and lessons. Quite literally, it was the embodiment of the lyrics in the song: Embrace hard times with you, ‘til they’re gone.”

Produced by Indonesian musician Petra Sihombing, “Tomorrow With You” blends ‘70s singer-songwriter pop, jazz, and classic soul influences with a waltz-like rhythm, creating a soothing soundscape for moments spent with your special someone. The song’s rich textures are brought to life by Sihombing’s production, which the band says beautifully captured the song’s emotional depth and dynamics.

“Our good friend from Indonesia, Petra Sihombing, produced the track,” shares the nine-member band. “He was trying to achieve translating the earnestness of emotion and the steady buildup of the song in terms of dynamics and the frequencies highlighted, which we feel he did quite well. It’s always a pleasure working with Petra. Additionally, Ziv, our friend who produced the other tracks in the album, laid down the saxophone part, which added a whole new nuance to the song.”

“Tomorrow With You” is the latest single off Ben&Ben’s recently released third full-length album, The Traveller Across Dimensions. The song is now available on all digital music platforms worldwide via Sony Music Entertainment.

Paolo Sandejas celebrates interconnectedness in debut album, the world is so small

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Filipino singer-songwriter Paolo Sandejas releases his highly anticipated debut album, the world is so small—out now via Sony Music Entertainment.

The 8-track release is a profound exploration of love, loss, and self-discovery, reflecting the beauty in life’s emotional turbulence, particularly within the formative years of one’s 20s.

According to Sandejas, the world is so small isn’t just an album; it’s an anthology of moments that mirror the intricate web of human connections. From fleeting romances to enduring heartbreaks and the quiet hope that lingers through it all, Sandejas uses his music to explore how we are all bound by shared experiences.

“This album is divided into four thematic arcs, each representing a different phase of a relationship,” Sandejas explains. “The first two songs cover excitement of a honeymoon phase. The next two dive into mental health. The third set focuses on the challenges of long-distance relationships, and the final set covers the moving on stage and finding peace. Through these stories, the album paints a picture of interconnectedness—how no matter where we are in life, we are always tethered to one another.”

The record’s narrative follows a fictional young couple as they navigate the complexities of a romantic relationship, with Sandejas weaving bits and pieces of his own experiences into the songs. “It’s funny cause I can always say the songs are about the character’s experiences not mine,” shares the Sway act. “But I’d be lying in some ways because these songs are so closely based on my own life. That extra layer of ‘protection’ though helped me get even more vulnerable in the songs.”

The title track, in particular, conveys Sandejas’ vision of a classic coming-of-age love story, a cinematic moment where the couple parts ways, leaving the listener with a haunting sense of nostalgia. “When I was writing it, I imagined the final scene of a love story, and this song playing as the couple went their separate ways. That visual really influenced the sound. It’s definitely the most unique song on the album, and I’m so proud of it.”

Musically, the world is so small blends Sandejas’ raw, vulnerable lyricism with an eclectic mix of indie pop, alternative rock, and stripped-down ballads. The album’s sound evolves organically, drawing on various genres and sonic inspirations to form a timeless, cohesive experience.

“I didn’t consciously set out to create a particular mood when writing the album,” Sandejas shares. “Considering we had the unique challenge of creating this album remotely with me in LA and my co-producer Xergio Ramos back in Manila, I really think we did a great job! It’s always a joy working with him and I’m so glad he did this album with me.”

Check out the album track list:

1. your favorite song

2. sirens

3. moonlight

4. roses

5. just a song

6. manila to LA

7. all the time

8. the world is so small

To celebrate the release of Sandejas first full-length album, he will perform live in two special events in January 2025. The first, on January 10 at Nook Molito, features guest acts syd hartha, Leanne & Naara, and Jolianne. The second, on January 17 at 123 Block, will include performances by The Ridleys, Kenaniah, and SOS. Tickets are available for purchase at bit.ly/worldsosmalllaunch.

Paolo Sandejas’ ‘the world is so small’ is now streaming worldwide on all digital platforms via Sony Music Entertainment. Watch out for the official music video of the title track on Paolo Sandejas’ official YouTube page at 6 pm.

Follow him on socials:Facebook / x / Instagram / TikTok / YouTube

James Reid hits home with new EP, jgh

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The 6-track release serves as his first record under Sony Music Entertainment

James Reid has officially released his highly anticipated new EP, jgh, under Sony Music Entertainment and Careless Music.

The 6-track record gives an intimate glimpse into his past and present life, chronicling how he has matured all these years, both as an artist and as a person.

Short for “just got home,” jgh also marks a significant moment in Reid’s musical evolution, symbolizing his return to a place of peace and serenity, lyrically and sonically speaking. With a blend of pop, R&B, and OPM sensibilities, the EP captures Reid at his most vulnerable, rediscovering the earnest, grounded parts of his identity that he may have lost touch with and learning to forgive himself and accept the flaws that came with it.

“My home is a reflection of myself,” says James Reid. “It’s filled with things I’ve gathered along my journey and decorated with memories. It’s been another crazy year, and now that I’m home, I have a lot of stories to tell.”

Written and produced by Reid alongside collaborators Tim Marquez, Niko, Luke April, Alison Shore, and Brian Lotho, the EP is marked by its introspective nature and sparse production. Many of the tracks began as simple acoustic guitar or piano compositions, with each producer adding their own unique touch to further shape the mood of the record.

“All the songs were written from the heart,” James shares. “Some of them were painful to write, others were inspired by realizations I had along the way, and some were inspired by love. It was an emotional journey, and I see each of these songs like a page from my diary or a chapter in my life—truths I may have found difficult to express before.”

The EP’s production style is subtle yet impactful, reflecting a sense of comforting warmth that resonates deeply with a universal audience. The songs are intentionally understated, trading polished arrangements or high-energy hooks in favor of nuanced details that highlight Reid’s rich vocal delivery and powerful storytelling.

As an entirety, jgh has the potential to dominate the charts and win over even the most hardened listener's icy heart.

Tracklist for jgh:

1. Mirasol

2. Di Bale

3. Sandal

4. Hurt Me Too

5. Your Boy

6. Pauwi Na

James Reid’s new album, ‘jgh’ is out now on all digital music platforms worldwide via Sony Music Entertainment and Careless Music.

Ben&Ben unveil new album and immersive animation experience in The Traveller Across Dimensions

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The band’s third studio album serves as an allegory for self-discovery and personal growth

Filipino nine-piece band Ben&Ben are treating fans to an early holiday gift with the release of The Traveller Across Dimensions, their much-anticipated third studio album, out now via Sony Music Entertainment.

This concept album integrates music with stunning animated visuals, offering listeners a unique, immersive experience. The Traveller Across Dimensions follows the journey of its central character, Liwanag, as she embarks on an enchanting adventure to find inner peace. As she travels through three symbolic realms—Light, Energy, and Feel—Liwanag confronts trials that challenge her path toward self-discovery.

In addition to Liwanag, the album introduces several other key characters who play integral roles in the narrative. Gabay, a wise traveler, returns to the Light Dimension to serve as a mentor to Liwanag. Puhon, Liwanag’s loyal pet, aids her in navigating the Energy Dimension. Meanwhile, Mahiwaga, another traveller on a parallel quest to complete the Lifecrest, crosses paths with Liwanag in the Feel Dimension. These characters enrich the story, each contributing to Liwanag’s growth and her understanding of herself and the world around her.

A Journey of self-discovery through animation

In a joint statement, Ben&Ben shares that the album’s narrative serves as an allegory for personal growth: “Her story reflects our own journeys through innocence, struggle, and maturity,” the band explains. “In the process, Liwanag learns that the pain of loss is an essential part of the peace she seeks.”

The idea to blend animation with music stemmed from the band’s long-time fascination with visual storytelling, whether through animated films or graphic novels. “Animation has a unique ability to communicate complex emotions and lessons in an accessible way,” they say. “We wanted to explore this medium to push our creative boundaries in the artistic and narrative mold.”

To bring Liwanag’s story to life, the band collaborated with Puppeteer Studios, whose expertise in animation helped realize the visual aspect of the album. “Puppeteer Studios has been an amazing partner,” the band adds. “From the start, they respected both the sonic direction of the album and our vision for the animated world of The Traveller Across Dimensions. Seeing our sketches evolve into full animation was a powerful experience—one that accurately reflected the story we wanted to tell.”

A full circle moment: Songwriting

The Traveller Across Dimensions is a product of deep collaboration within the band, with Paolo and Miguel Benjamin contributing the majority of the album’s songwriting, while percussionist/vocalist Andrew De Pano penned one of the tracks. Notably, the songs were already in progress before the animation was conceived, with the narrative emerging organically from the music. The band describes the process as a “full circle” moment, where the music inspired the story, and the evolving narrative, in turn, helped complete the songs.

“There were high points, but also moments of struggle during the album’s creation,” the band reflects. “We learned a lot about surrendering and trusting in something greater than ourselves, and those themes of wonder, enchantment, and hope are woven throughout the album.”

A sonic evolution: Production

Musically, The Traveller Across Dimensions marks a bold leap forward for Ben&Ben, building on the expansive sound of their previous album, Pebble House, Vol. 1: Kuwaderno. The new record strikes a dynamic balance between ambition and intimacy, with a sonic landscape that feels more adventurous than anything the band has released before.

Produced by the band and Ziv, with additional contributions from Petra Sihombing, Sam and Tim Marquez, and JP Verona, the album blends diverse genres and innovative sound design. “This album reflects a more mature, genre-blurring approach,” the band explains. “We’re grateful to our producers, particularly Ziv, for ensuring that the sound captured our collective vision—rather than imposing any external influences on the music.”

In terms of production, the album’s tracks mirror the contrasting emotional landscapes of Liwanag’s journey. The chaotic, turbulent moments are matched by heavier, more aggressive arrangements, while the album’s more introspective tracks feature gentler, serene instrumentation, creating a powerful interplay between sound and story.

A Groundbreaking Live Experience

Ben&Ben will bring the world of The Traveller Across Dimensions to life on stage with their first-ever arena concert on December 14, 2024, at the Mall of Asia Arena in Pasay City. The concert promises to be an innovative, multi-dimensional experience, blending live music with state-of-the-art multimedia elements inspired by the album.

Produced by Ovation Productions, the concert will incorporate animation, film, and live performances, creating an immersive, audio-visual experience that takes the audience through the album’s narrative in real time. “We’re excited to reimagine the live concert experience, fusing our music with animated storytelling and multimedia artistry,” says Ben&Ben.

Tickets for the concert are now available via SM Tickets, with prices ranging from PHP 1,700 for General Admission to PHP 7,700 for the Liwanag VIP Package.

For more information on Ben&Ben’s upcoming concert and to purchase tickets, visit SM Tickets.

Ticket Prices:

· General Admission – PHP 1,700

· Upper Box – PHP 2,700

· Liwanag Standing – PHP 3,200

· Lower Box B – PHP 3,700

· Lower Box A – PHP 4,700

· Lower Box Premium – PHP 7,700

· Liwanag VIP Package – PHP 7,700

Ben&Ben’s The Traveller Across Dimensions is now available for streaming on all digital platforms worldwide via Sony Music Entertainment.

Sponge Cola shares the other side of the story in new track “Kelly (Sagittarius)”

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The alt-rock piece serves as a response to “Kelly (Scorpio),” released last month

Filipino alt-rock band Sponge Cola continues to explore the complexities of heartbreak with the release of “Kelly (Sagittarius),” an emotionally charged pop-rock track that offers a different perspective on the aftermath of a painful breakup.

Serving as the fiery counterpart to last month’s melancholic “Kelly (Scorpio),” the new single completes a compelling two-part series, delving deep into the subjective nature of truth and emotion.

The dual tracks—“Kelly (Scorpio)” and “Kelly (Sagittarius)”—form a unique digital bundle that captures two distinct emotional responses to the same heartache. While “Scorpio” conveys a sense of defeat and resignation, “Sagittarius” presents a more hostile and confrontational take to a traumatic experience.

The band's vocalist and guitarist Yael Yuzon explains, "If you look at it from just one person's perspective, delivery plays a huge part in a message, even when you use the same words. While the Scorpio version sounds a bit more defeated, Sagittarius sounds more hostile. If you look at it as a response to the other, like a conversation, you can see how truth can sometimes be subjective. It's a 'he said, she said thing' kind of thing, and even with the same words, the truth is still unfathomably vague. There's a tendency to believe only one narrative, then totally shut the other out. But there's always two sides to every story, sometimes even more. People are quick to take sides and judge.”

“Kelly (Sagittarius)” navigates a wide spectrum of emotions in the aftermath of a breakup—surrender, yearning, regret, anger, and frustration—perfectly capturing the intensity of heartache. The song was inspired by a vivid dream Yuzon couldn’t shake off, eventually leading him to write the track in its entirety.

He notes that the bridge, which features the line “Ang siyang pumirma, ang siyang sumumpa…” (roughly translated as “The one who signed, the one who swore…”), represents a rare moment of clarity within the otherwise dream-like atmosphere of the song.

“I wrote that line as the most concrete part of the song, making it more grounded and lucid compared to the rest of the track,” says Yuzon. “I mean, come on, it talks about paperwork.”

Lead guitarist Armo Armovit reflects on the creative process behind the song, emphasizing the band’s commitment to emotional authenticity in their music. “We’re always experimenting with different elements, but we never lose sight of what works best in communicating the song’s core message,” Armovit admits. “Sometimes we let go of expectations and let the music take us where it wants to go—even if it leads us down two separate paths.”

“Kelly (Sagittarius)” showcases Sponge Cola’s signature sound—a potent blend of alt-rock guitar riffs and introspective lyrics, creating an impactful listening experience that resonates with fans old and new.

Sponge Cola’s “Kelly (Sagittarius)” is now available on all digital music platforms worldwide via Sony Music Entertainment.

The Dawn offers a reflective take on the holiday season with “Maki-Pasko”

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The Yuletide-inspired tune serves as their first release with Sony Music Entertainment

Iconic Filipino rock band The Dawn has thrown their hat into the ring for the next big holiday classic.

The Enveloped Ideas act makes a little space for love with “Maki-Pasko,” their debut Christmas single under Sony Music Entertainment. Known for their timeless rock anthems, the band takes a fresh and introspective approach to the season with a track that blends holiday warmth with personal reflection.

According to Jett Pangan, lead vocalist of The Dawn, “Maki-Pasko” was inspired by the feeling of longing that often accompanies the holidays, particularly for those who find themselves separated from loved ones. “I’ve experienced holidays away from my family, so I drew from that personal experience when writing the lyrics,” Pangan explains. “The song speaks to those moments of solitude and the desire to be with someone during the festive season.”

“Maki-Pasko” marks the band’s foray into writing a Yuletide-themed song—a concept they discussed for years but only decided to pursue after their initial meeting with Sony Music Entertainment. The collaboration with their new record label pushed the band to explore the challenges and creative nuances of producing a holiday tune, and refine the process along the way.

Francis Reyes, guitarist of The Dawn, reflects on co-writing the song, especially on its initial stages: “I was messing around on guitar at home, in a reflective mood. It started with that feeling, and a couple of chords and a riff that, in my mind, reflected a bit of sadness but also sounded hopeful. Personally, I think of it like any other song we’ve written that can be played in any other season. We were probably hesitant to write a Christmas song for so long because we were overthinking what it should sound like.”

Produced by guitarist Rommel “Sancho” Sanchez and bassist Bim Yance, “Maki-Pasko” conveys the essence of the holiday season without falling into the typical tropes of festive music. The song incorporates subtle touches of sleigh bells and tambourines, gently invoking the seasonal vibe, but its deeper emotional resonance comes from its universal themes of longing, hope, and togetherness.

“We didn’t want it to be just another ‘holiday song’—we wanted it to be a good song that happens to be about Christmas,” adds drummer Junboy Leonor. “Ultimately, it’s about the feelings that the season brings, without being tied to a particular moment or celebration.”

The Dawn’s “Maki-Pasko” is out now on all digital music platforms worldwide via Sony Music Entertainment.

 

James Reid expresses the joy of summer romance on “Mirasol”

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James Reid continues to earworm his way to pop ubiquity with the release of “Mirasol”—out today via Sony Music Entertainment.

His latest single not only oozes with undeniable charisma but also reinstates his potential as a hitmaker of first-rate caliber, boasting an impressive run of inescapable chart-toppers in the 2010s.

According to James, the song is about falling in love with a sunflower and how romance is something that requires appreciation, protection, and understanding. “Love is an organic process and needs to grow naturally,” he adds.

“Mirasol” is co-written by James and Alison Shore, an R&B artist whose work brims with effortless cool and ‘90s suave. Both accomplished artists thought of using the sunflower as a metaphor “for a relationship that gives off an air of sweet summer romance and innocence.”

As James explains it further, “I want to connect on a different level with my fans that I haven’t been able to do before. Writing in Tagalog (Filipino) was a very welcomed challenge for me, and I’ve enjoyed it so much.”

One Click Straight’s Tim Marquez, a frequent collaborator of James himself, also brought a tapestry of effortlessly blissful sound that complements the romantic nature of the lyrics. The final product evokes the more commercial and critically acclaimed work of James Reid during the Diary Ng Panget era, but rendered with more sophistication and subtlety, production-wise.

“Mirasol” serves as the third single off his upcoming EP, jgh, which is slated to drop on November 22, 2024. The soon-to-be-released EP, which contains tracks such as “Sandal” and “Hurt Me Too,” is described to be a “return-to-form” record, touching on his softer, more vulnerable side and more pop-leaning direction.

James Reid’s “Mirasol” is out now on all digital music platforms worldwide via Sony Music Entertainment and Careless.

Paolo Sandejas takes alt-pop sound to exciting new places with “all the time”

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Filipino singer-songwriter Paolo Sandejas continues to carve his own lane with the release of his new single “all the time,” out today via Sony Music Entertainment.

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The rising OPM star pens another lilting charmer suited for late-night drives

 and bedroom introspection

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Stepping up his craft with a more subdued but sophisticated sonic direction, Sandejas delivers another guitar-pop gem that throws listeners into a whirlwind of adolescent love and drama.

In a press statement, the Sunday Star act reveals that the lilting summer tune is all about “getting caught in your thoughts about someone” and wondering if they ever feel the same way.

“I was in a writing flow the day I penned the track and let it pretty much write itself,” the charming indie pop artist shares. “All the lyrics fit so naturally into the arrangement I made, and it was one of the quickest songs I’ve ever finished.”

Written and produced by Paolo Sandejas with constant collaborator Xergio Ramos, “all the time” thrives in its carefree simplicity. Similar to his previously released track “Sirens,” Ramos refined Sandejas’ initial demo and worked closely with him during the entire production process. The result is a lovely little bop suited for a late-night drive.

While it complements Sandejas' boy-next-door appeal and sincere demeanor, the indie pop charmer comes with the intention of making a song that's easy to sing along to with an engaged crowd live.

“all the time” will be part of Paolo Sandejas’ highly anticipated full-length debut album to be released this year. Combining unapologetic lyrics with silky-smooth guitar arrangements and captivating melodic lines, the new album reflects Sandejas’ incredible musicianship that makes him a total standout from the pack.

Paolo Sandejas’ “all the time” is out now on all digital music platforms worldwide via Sony Music Entertainment.

Follow him on socials:
Facebook / x / Instagram / TikTok / YouTube

Josh Cullen drops first solo album, Lost & Found

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Josh Cullen opens up about his old wounds and internal struggles on his debut solo album, Lost & Found—released under Sony Music Entertainment today.

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The nine-track release unravels openness with riveting sincerity

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The nine-track release revels in the space of openness and pain, not afraid to tackle themes that are often considered a sign of weakness. Here, the SB19 leader shares an unadulterated version of himself as he deals with past traumas in life, recovers from its ruins to find light in an often cruel world, and takes control of his creative agency by telling an inspiring story of resilience and hope.

The acclaimed P-Pop singer-songwriter explains, "This album explores themes of pain and suffering, redemption, and the strength of human resilience, inspired by my inner truth. In Lost and Found, I wrote about the pain that never truly goes away, the trauma that lingers long after we think our wounds have healed, and discovering strength within ourselves.”

Lost & Found, taken as a listening experience, shows Josh Cullen’s songwriting strengths in its unfiltered sense. He doesn’t mince words about the pressures and fakery of the industry, and even in exploring his recollections of childhood, he surmounts the dreadful experience of having to go through the bins all over again, with nothing but a pen as armor. Josh treats vulnerability as a form of refuge: it stings and lingers, but its effect only fuels his spirit as a storyteller.

He points out, “I know what it means to be lost and found. I've experienced being lost throughout my life, sometimes trapped between trying to process all these intense emotions while desperately hoping to be found. I hope to connect with my fans and listeners who have been through the same journey or are going through the same.”

Sonically speaking, Lost & Found marks a vital vibe shift from the rap/urban-leanings of his pre-album era to a more amorphous musical strain that blends emo, pop-punk, and alt-rock sensibilities with producer-driven hip-hop and R&B influences. Moving towards genre-defiant territory, Josh’s unmistakable chameleonic presence, coupled with his affinity for emotionally captivating lyrics and inescapable hooks, makes Lost & Found a more intriguing but enjoyable effort.

From the hard-hitting, guitar-rock swells of "1999," where he navigates the harsh realities of life, to the suave electro-pop strums of "See Me," where he shares the beautiful, glowing feeling of finding happiness in someone else's love and presence, Lost & Found shimmers with tension and pull, and surprisingly rolls with effortless transition from one sound to another. Other standouts include the sensual and moody “Lights Out,” which features Mo of P-Pop group Alamat, the ceiling-punching anthem “No Control,” and the acoustic ditty “Honest.”

Check out the Lost & Found track list below:

1. 1999

2. See Me

3. Silent Cries

4. Honest

5. No Control (ft. (e)motion engine)

6. Lights Out (ft. Alamat Mo)

7. Sumaya

8. Silent Cries (Instrumental)

9. No Control (Instrumental)

Josh Cullen’s new album, Lost & Found is out now on all digital music platforms worldwide via Sony Music Entertainment.

SB19's PAGTATAG! THE DOCUMENTARY, out in Philippine cinemas today

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SB19’s highly anticipated film, PAGTATAG! THE DOCUMENTARY marks its nationwide theatrical debut today!

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The P-Pop kings open up about tour setbacks and career challenges on new documentary film

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The much-buzzed documentary provides an inside look into the group's collective and individual experiences on tour, while trying to navigate their ascension to global pop stardom with crippling fear of anxiety and pressure.

Aside from chronicling the P-Pop powerhouse’s journey as they “move forward to a new era of music, career, and emancipation,” the concert documentary also unravels never-before-seen moments that put their resilience and commitment to the test.

Watch the trailer here

“Part of what makes the film even more special is that it doesn’t sugar-coat the learnings and experiences that we’ve endured during the entire era of the PAGTATAG! tour and album release,” SB19 shares in a press statement. “The year-long run was filled with multiple setbacks that added mental and emotional distress. But as the title explains it best, the documentary will show how we bounced back from the adversities in life and career, and how we managed to mount a series of shows despite going through a lot of internal and collective struggles. We hope that through this movie, we will be able to inspire our A’TIN to become stronger and more resilient when they face a similar ordeal in a not-so-distant future.”

SB19’s PABLO, who currently serves as the Chief Executive Officer (CEO) of 1Z Entertainment, emphasized that they’ve always thought about producing a documentary that captures the story behind the stage and the little moments that define the human aspects of mounting a tour of this scale and ambition.

“We’re grateful to First Light Studios and Jed Regala for helping us turn our vision into a reality,” PABLO reveals. “We’re lucky to have a team that understands the power of collaboration.”

The exclusive screenings will take place from August 28 to September 1 in cinemas nationwide.

Just recently, SB19 emerged triumphant in Billboard’s Fan Army Face-off, winning for the second consecutive year against some of the biggest and most iconic international music stars. The chart-topping five-piece act garnered 56.3 percent of the votes during the final round, beating Barbadian mega-star Rihanna. The GENTO hitmakers also represented the Philippines in Billboard Korea’s “Billboard K POWER 100” in Seoul yesterday (August 27), receiving the Voices of Asia Award for their groundbreaking contribution in putting Filipino music to the global stage.

Get your PAGTATAG! THE DOCUMENTARY tickets here.

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ABOUT SB19

SB19 is a multi-awarded five-member boy group from the Philippines. The group is composed of Pablo, Josh, Stell, Ken, and Justin and debuted in October 2018 with their single ‘Tilaluha.’ They gained popularity with their second single ‘Go Up’. Since their debut, SB19 has amassed fans (A’TIN) across the globe and was recognized by the National Commission for Culture and the Arts as the Philippine’s Youth Ambassadors. The “SB” in SB19 stands for “Sound Break,” which represents their aspirations of disrupting the music scene and bringing Filipino music and culture into the international spotlight. SB19 broke into the global spotlight as the first Southeast Asian and Filipino act to be nominated in the Billboard Music Awards as Top Social Artist in 2021. They are also the first Filipino act to land on the international Billboard Social 50 and Next Big Sound Charts. Their latest release, "GENTO", debuted at #8 on the Billboard World Digital Sales Charts.

SB19 is self-managed by 1Z Entertainment, a company built and managed by the members of SB19.

Website: https://www.sonymusic.co.jp/artist/SB19

YouTube: https://www.youtube.com/channel/UCm4v7afBTnJKRm4SlfHJzyg

X: https://twitter.com/SB19Official

Instagram: https://www.instagram.com/officialsb19

TikTok: https://www.tiktok.com/@officialsb19

Ely Buendia marks triumphant comeback with new single “Bulaklak Sa Buwan”

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Ely Buendia enters a new era of his solo music career with the release of “Bulaklak Sa Buwan.”

The fuzzy, alt-rock number serves as the first single off his upcoming sophomore album, Method Adaptor, which will be out on November 8, 2024, via Sony Music Entertainment and Offshore Music.

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His latest track serves as his first solo release since 2021’s “Metro”

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The track’s release coincides with the prevalence of fabricated stories and propaganda-driven atrocities in online spaces, challenging listeners to raise awareness for factual truth and combat misinformation.

“I’ve been watching documentaries a lot, and I tried to distill everything in one song,” the legendary Pinoy rock artist explains. “The track is all about the quest for the truth. It's about seeking knowledge while resisting the confines of dogma.”

Sonically, “Bulaklak Sa Buwan” stands out without the need to constantly show off. The disarming pop gem continues Buendia's knack for composure and effortlessness: his gift for melodies is still as sharp and instinctive as his best output with his previous bands, and his guitar work is still at its most ferociously sounding in over two decades.

Ely Buendia’s frequent collaborator and Pupil bandmate Jerome Velasco produced the song, delivering a pristine but straightforward production approach that doesn’t take away the material’s anthemic charm.

“I wanted it to be buoyant-sounding and surprising,” shares the award-winning OPM icon. “The song is very upbeat, and I utilized several modulation techniques to make it seem like the music goes higher and higher every time.”

“Bulaklak Sa Buwan” is accompanied by the release of a music video directed by Niko Cezar and Aimee Aznar of KNYA Collective. According to Ely, the visual narrative finds him wandering in the woods looking for a particular flower. “Upon finding it, I get into some upside-down vibes (like Stranger Things), getting transported into another dimension.”

Ely Buendia’s “Bulaklak Sa Buwan” is out now on all digital music platforms worldwide. Watch out for the official music video on August 16, 2024, Friday at 6pm on Ely Buendia’s official YouTube channel.

SB19 drops THE FIRST TAKE versions of “GENTO” and “MAPA” on streaming platforms

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P-Pop royalty SB19 continues to captivate music fans from all over the world with the release of “GENTO” and “MAPA” from THE FIRST TAKE sessions on all digital music platforms via Sony Music Entertainment.

The new versions feature the award-winning group’s performance at THE FIRST TAKE, a popular YouTube channel with nearly 10 million subscribers under its belt. The show's format features Japanese and international music guests performing a song in one take, filmed with shots of the artists and a microphone against a minimalist and usually white backdrop.

To date, THE FIRST TAKE renditions of “GENTO” and “MAPA” have amassed more than 4.5 million views on YouTube, becoming one of the most viewed performances from an Asian pop group/band.

“We’re eternally grateful to THE FIRST TAKE for giving us an opportunity to showcase our work on a platform known not just for its massive global following but for elevating the audio-visual experience of music fans with much-needed authenticity and rawness,” SB19 shares in a collective statement. “The performances really challenged us to work within our limitations and deliver with the best of our abilities. We’ve always considered performing as a sanctimonious process that deserves utmost preparation, love, and respect. Constantly reminded by THE FIRST TAKE that we can only perform the songs once, we had to reconnect with our roots and embrace the beauty of spontaneity.”

SB19 is the first Southeast Asian group and the first Filipino artist to be invited on the globally renowned platform, which also served as host to several acclaimed performances by other artists such as aespa, ASIAN KUNG-FU GENERATION, Hitsujibungaku, MANESKIN, ITZY, (G)-I-DLE, imase, Maluma, and more.

For THE FIRST TAKE version of “GENTO,” SB19 delivered a genuinely compelling performance that highlights the five-piece act’s incredible talent and range in harmonizing, singing, and rapping.

 The chart-topping hitmakers also took musicality on a different level with their rousing version of “MAPA,” which SB19 redressed with a soaring arrangement and an inspiring gospel-infused delivery.

Both versions are now available for streaming and are bundled with its original versions:

Gento: http://sb19.tunelink.to/gento-fromtft

MAPA: http://sb19.tunelink.to/mapa-fromtft

 

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About THE FIRST TAKE

THE FIRST TAKE is a YouTube channel that clearly captures the performance of musicians and singers performing in a single take. With the concept “capture the take. This moment. This sound. THE FIRST TAKE. It only happens once,” THE FIRST TAKE presents pure music in overwhelming quality with no exaggerated performance.

The channel started on 15 November 2019 and has now hit 9.69 million subscribers (as of 7 June 2024). Total views have exceeded 1.4 billion, and contents have been viewed from over 220 countries and regions around the world. Growing as a comprehensive music platform, new initiatives have been launched and become viral contents. THE FIRST TAKE INTERNATIONAL features international music stars such as Harry Styles, Avril Lavigne, V from BTS, Jason Chan and Jolin Tsai, having them to give their 1TAKE performance exclusively on the channel.

Follow THE FIRST TAKE on socials:

Website: https://www.thefirsttake.jp

Instagram: https://www.instagram.com/the_firsttake

Twitter: https://twitter.com/The_FirstTake

X: https://www.tiktok.com/@the_first_take

THE FIRST TIMES: https://www.thefirsttimes.jp